Gumdrop, a short horror - Soundtrack Update

I am currently in post-production with my short horror film, "Gumdrop, a short horror" which is beginning to coalesce into a viable film. It's now just under fifty minutes in length. Another thirty to forty minutes and it would be a full-fledged film and not a short. Technically at over forty-eight minutes, it is not a short film.

Post for Gumdrop, a short horror

I have been working since we wrapped principal photography last summer on editing this film. I haven't had the time every day or at times even every week to work on it, but it is finally approaching something that resembles a movie. I am still editing shots, sequences, and scenes, but I have also been adding audio effects and music and tweaking transitions.

By the way, my other major project, "The Teenage Bodyguard", my true crime biopic screenplay I have spent years researching and writing and am currently working on with producer Robert Mitas, is still healthy and underway. We're waiting on a lookbook to be finished up for the project and will then be moving on with finding a director and production company to film it.

As far as Gumdrop, I started looking into music for the soundtrack a few months ago. I contacted producer Joe Wilson who offered the use of one of his artists, Alex Dewell, with songs from her 2018 album, "Hund". It is on CDBaby and where you can hear samples of the songs I've used. I have discussed this artist in a previous blog in 2014. I met her some years ago and even then she was obviously talented.

The songs I settled on for "Gumdrop" are: Get Away, Gotta Run, IDK, and, Tell Me I'm Alright. This album was produced by Joe when he took Alex to London and recorded it at Abbey Road Studio with some great backing musicians. Here are some older songs by Alex on CDBaby.

They are already now incorporated into the film. These are lighter, more pop songs and represent a female character in the film named, Miranda (played by Aura Stiers, a practicing event "Mermaid" which I incorporated into the film.).

However, my film needs rougher songs, something harder for the main character, "Sampson" (played by Tom Remick). He who's Sampson character grew up extremely abused in old Czechoslovakia back when the Iron Curtain still existed back in the 1950s. I also needed more current music.

My original thoughts were to come up with some 1950s Eastern European Soviet Bloc country's music and maybe fuse it with heavy rock music of some sort. As well as plane old modern heavy metal, or post-metal, or Gwar or some such.

A while back, friend and fellow filmmaker Kelly Hughes at his Lucky Charm Studio, got hooked up with a band in Italy, Postvorta, when they contacted him about a collaboration. We liked their music and so he did a music video for them using their song, "We're Nothing."

I'd considered asking them if they would like to be involved with my film, as I knew that Andrea whom Kelly worked with on the video, was interested in doing some film soundtracks. So I asked Kelly to ask them about it for me.

We've been busy with our current endeavor, the Bremerton, Washington monthly event for horror and local indie horror filmmakers, "Slash Night" at the Historic Roxy Theater.

Brief aside... Slash Night has been going on now for four months as of this coming weekend event on January 11th, 2020. Last month our last show of the year was our best show so far and it's getting bigger and better each month. Drag performers Bobbie Lee and Bobby Rae, a local performance team did a live performance for us that they created just for this event and it was pretty amazing!

Since I hadn't heard back from Kelly yet on the Postvorta request I'd made, I was about to remind him, when...

I got a suggestion to like a Facebook page called, 22Decemeber Records. They claimed they were into Post Metal, Sludge, Post Rock and Ambient. Which I thought was great. What a coincidence!

So I liked them and emailed their 22December company email account. I got a timely response.

POSTVORTARavenna, Italy

As it turned out, they were interested!

But unexpectedly, it turned out that it was Andrea Fioravanti, from Postvorta! He whom Kelly had done the music video with. He was excited to look at my project. And so we are communicating and moving forward. Now that I think about it, I think Kelly did once mention something about a 22Decemeber. I just forgot. Living with my memory is an exciting and at times annoying condition. To be sure.

There is still much to do before finishing the film and getting it out there to film festivals. I project another month or two before I'm ready. I will be submitting it to our own Gorst Underground Film Festival, now in its third year. As I've been a judge and nurturer helping Kelly in his efforts (and each year it's been bigger and better),

I obviously won't be judging my own film. And I don't expect any extra consideration because of my position. Honestly, we just don't work that way. Trust me, Kelly is pretty critical. But then also, because we're an underground festival, we don't necessarily judge things as many mainstream festivals would. Which is part of our charm?

Our Slash Night monthly event is attached to our annual festival as a way to build a community for the annual GUFF event. But my film won't show in the monthly events as it is not a "short", even though, it is indeed, short.

GUFF will be moving to the Historic Roxy Theater this September and perhaps an after-party at another venue. We're still working out the details.

OK, Kelly is still working out those details. And a great job he does, too!

Stay tuned. For all of it!

Slainte!

Judging the Gorst Underground Film Festival - The GUFF

First off, I would like to address that today is Memorial Day 2019. In these trying times when wrong is sold as seemingly right and confusion is the rule of the day, we need to reflect on who we are and who we want to be. Part of that we celebrate today, in how we remember the fallen, those who protected us and died in our service.

"On May 5, 1868, General John A. Logan, leader of an organization for Northern Civil War veterans, called for a nationwide day of remembrance later that month. “The 30th of May, 1868, is designated for the purpose of strewing with flowers, or otherwise decorating the graves of comrades who died in defense of their country during the late rebellion, and whose bodies now lie in almost every city, village and hamlet churchyard in the land,” he proclaimed." History.com

But part of that is also in how we treat the living who return, broken and hopeful, and what our orientation is and should be in going into the future.

“Patriotism is when love of your own people comes first; nationalism, when hate for people other than your own comes first.” – Charles de Gaulle

Now, on to the Film Festival:

I was a judge in a local indie "underground" film festival. The first annual 2018 Gorst Underground Film Festival (GUFF). We're gearing up now for the 2nd annual 2019 version in a few months on September 7, 2019. I was only one of a few judges so regarding my voting. Some I rated highly were also rated highly by other judges and the winner I chose actually won overall. While a few I had liked and rated highly didn't get rated quite as highly by some other judges. Just how it goes.

Our judging wasn't made public or shared with the filmmakers. It can be problematic. To be sure. But I thought I would share some of my notes on some of the films I watched.

Like it or not, here it is. I will admit as the films flew past, I realized I'd started my ratings rather high as the quality of the submitted films was higher than I had expected. I was pleased to discover that. Judging is a learned behavior. With time and experience.

I'm sure I'll get better at it. As a long time screenwriter and a newly minted narrative filmmaker (I'm working now on my second film), I do have some insight from years of growing up loving cinema in the classical sense, and through my college cinema classes as well as through perfecting my own screenwriting and filmmaking skills.

About that. You do the best you can as a judge, using your experience and orientation in life and trying to be enlightened, not of a limited scope. You try to be neutral, academic a fan, a viewer.

I believe in being an advocate for the festival filmmakers. One judge may see things differently, may have more or less understanding about a film they watch. Or may be more or less educated about life, the world or cinema. But that is part of the package you have to accept in entering any film festival.

It's also why there is not usually just one judge and uses an overall average to decide a generally well-accepted film as the winner. Ratings are 1-10.

First up?

Beloved Beast - Director: Jonathan Holbrook

There is a lot to digest in Beloved Beast by filmmaker Jonathan Holbrook who mostly pulled it off. For a film pushing three hours in length one really needs to bring it. I think this could have worked very well instead as a three-episode miniseries in Twin Peaks fashion. Though perhaps it wouldn't have worked so well simply as a 90-minute film, though perhaps one with a sequel. Then, however, I'd have considered making it a trilogy and writing, or picking up some cutting room floor footage and putting it back into the project.

The film seemed to me to be unmistakably from the Lynchian universe of bizarre scenes and characters as well as uncomfortable moments being extended longer than is well, comfortable. Some scenes, though well-executed could have been shorter; though this could be argued as the director's divergence from Lynch.

While Lynch is succinct, Holbrook leans into the indulgent. Other reviews have noted Tarantino in the beginning, but I noticed a shift, so this seemed to me to be far more inside Lynch than Quentin.

What Lynch does is nearly impossible to reproduce. He's a master at it. To attempt it is audacious. Still, to approach it is commendable. Die-hard Lynch fans will certainly appreciate moments in this film as remarkable, though perhaps, too far between. The usual suspect with a long film. After all, the less one speaks the more genius may (seem to) appear.

On the other hand, if you don't like Lynch (or for that matter, Tarkovsky), perhaps watch another film. At times the film misses the mark in going beyond or even not quite far enough. If Lynch's works were an unwavering strand of titanium, Beloved Beast is the vibrating thread striving to be nearby it.

While one is unwavering and solid the other vibrates at times either too far or too near to its goal. Though how often and for how long is for the viewer to decide. I found the intermittent narration about the "Rabbit King" unnecessary, pulling the viewer out of the scene. At times even diluting the scene's crafted effect.

Other times it nailed it. Though the dialog at times can be too spot on. That too is very Lynchian. Still, the subtext here could be better executed in support of the underlying structure. As well, motifs and subplots could be better tied in, especially for a work of this length. As could the pathways or "roads" between characters. Something Lynch is adept at if not auteur.

All that being said, I found myself intrigued by the film at times. There are moments where the Grand Guignol, perhaps needing its moment, stepped outside itself into a wry piece of humor. More than once I had had to cringe or laugh out loud at something obviously planned that way. Overall it was a fairly well-executed film that needed restraint in the editing bay.

"A story can be both concrete and abstract, or a concrete story can hold abstractions. And Abstractions are things that really can't be said so well with words." - David Lynch

Man In Camo - Director: Ethan Minsker

A well produced and interesting documentary on a creative, rather fascinating art community builder. One of my most favorite docs that I've seen of late. Ethan Minsker is a force to meet if you ever get the chance. He actually flew in from New York, this native of Washington DC. Check out his other films and books, too. His documentary was creative as expected. I didn't think it was too long as someone said in the Q&A afterward.

It was in a way a tour de force of documentary filmmaking and I highly recommend it. His documentary actually won the festival.

Missed Connections Anthology -  Directors: Pamela Falkenberg, Jack Cochran 

A familiar topic shown in an interesting and entertaining light.

1/2 - Director: Raffaele Salvaggiola

Some beautiful shots in this film with some very decent cinematography and an interesting, well acted and properly directed story. A film no doubt by a lover of cinema for lovers of cinema with inherent references to some classic films and auteur directors.

Path of Egress - Director:  Vincent F. Baran

An audacious effort, if the filmmakers brought up some of its problematic issues to the level of other better-produced parts, they might have a winner. Audio / ADR levels/soundtrack, some editing issues, and a few other things needed better execution. Not to say there was a problem with the music soundtrack which was pretty good.

In the end, they followed my own belief in no matter what, give it a good ending and it pulls people up to a better consideration overall of your project. While a not so good ending can make a better film seem worse than it is. In the end, an entertaining crime flick with some decent humor, intense scenes, and some interesting elements.

Refuse

Hard to know what to say on this one. Kudos for finishing! Keep making films? I'm not sure where this filmmaker is headed, but somewhere I think. As for this piece..."Refuse" as a noun refers to food waste, scraps, or garbage. As a verb, refuse means to reject. As a double entendre, we have a film which exhibits and supports both of these definitions.

In the protagonist's refusal to help, he does so anyway but is denied, or refused. In asking for help in order to help, he is refused any attention. In standing at the bridge he seems to refuse to be affected by the beautiful scenery.

In breaking the fourth wall, he refuses to play the part of actor for that of the interactor. This didn't quite work for me, or others I spoke with about it. But if this is what the filmmaker was proposing then he may be evolving into something after producing more of these and gaining skills in doing so.

And so in the end, we as audience would also gain. A curious piece to be sure.

Search Engines - Director: Russell Brown

The film, Search Engines, isn't my usual cup of tea. But I laughed out loud several times watching this. Likable characters, well acted, this was just a sweet little message movie that walks the fine line of bashing one over the head with a message, and it's up to the viewer to decide if they maintained their balance or fell off. For me? Well, I kind of liked it.

Single Palm Tree - Director: Puthiyavan Rasiah

Rating, seven on execution, ten on message. I've seen other such films over the years from those disenfranchised as in Ireland, Syria, Lebanon and places in Africa and elsewhere. A noble endeavor. The world is finally hearing the truth about abuse by governments worldwide toward subsets of their citizens, typically minorities disliked for ridiculous reasons such as religion, caste, or simply socioeconomic status. And the world finally but slowly reacting.

This has to stop, to be sure. Sadly, the world has also gone more autocratic, xenophobic and nationalistic. You could tell Single Palm Tree was a labor of love, social responsibility, or both. It is a film whose message far outweighs its capability in execution.

As there are three codirectors it would appear the directing is qualitatively inconsistent for obvious reasons. Subtitles are at times more problematic than usual for subtitles for basic issues of mechanics (that is, unneeded spaces in words). Which in my experience are nearly always lacking in transliteration, to begin with.

 Some of the actors seem not to be actors and I'd even go so far as to say the casting is for some almost up to community theater standards while others are quite good. Overall some of the production is well executed but most are simply inconsistent. Cinematography sadly fails at times, while at other times, is quite beautiful

The Witches of Dumpling Farm - Director: Martin J Pickering

A nice effort, interesting if a bit uneven film but with some truly scary moments making it worth the effort. Just when you think it's done surprising you, it hits you again. Don't worry about the logic of it all in the first half, just let it happen.

Once the action gets going, they gain their stride. If the Pickering brothers keep on this direction they will be a force to reckon with. You almost wonder a few times...are these guys Sam Raimi's cousins across the pond?

So! Those are just a few of the 43 submissions we had received. The festival itself was a great time and I highly recommend showing up for this year's festival. It is in a rustic location just outside Port Orchard and Bremerton, WA, in Gorst.

For this 2019 season, we already have 48 submissions! I'm currently working on my own film, Gumdrop Sampson, based as a prequel to my short true-crime horror story, Gumdrop City. Obviously, I won't be allowed to judge my own film.

Kelly Hughes, local horror indie director and all around friendly raconteur may also have something in this festival which he started and runs. His new music video with Italian band Postvorta's song, "We're Nothing" is something to experience and has been making the rounds at festivals this year. Kelly also has a new documentary "Hush, Hush, Nellie Oleson!"

From a write up on Kelly's documentary: "After shooting a low-budget horror film, director Kelly Hughes gets a chance to work with his childhood idol Alison Arngrim, the actress who played the scheming Nellie Oleson on TV's Little House on the Prairie. But fitting Arngrim into the finished product becomes an exercise in futility as Hughes shoots increasingly absurd (and gory) scenes with Arngrim that don't have much to do with the original plot. Featuring extensive interviews with the cast and vivid film clips, Hush...Hush, Nellie Oleson! is a love letter to low-budget filmmakers and the former child stars who enable them."

There you have it. Judging is not the easiest thing in the world to do. You have to sit and evaluate, judge and select a lot of films and some are way too long, while others are way too short. It's a rewarding experience to do especially if you are submitting your own works.

Some judges admittedly don't have a clue what they are doing while others are far too critical. It is that just right spot you have to attain and maintain through the course of a season's judging one has to try to find. Which is why you never submit to only one festival and why you select your festivals with care, choosing those most reasonable for your project and what you're trying to achieve.

That being said if you are a filmmaker and you have finished a project, submit! And congratulations because it is a labor of love and effort unlike anything I've experienced elsewhere in my life.

One more thing to filmmakers, believe in yourself and believe in your project. Here is a video that exemplifies what I'm talking about from Filmmaking Stuff.

Now. Got out and be brilliant. Show us! We WANT you to succeed!

Gumdrop City, My Next Short Horror Film

The reasons I retired from my career in IT was to focus on writing and selling my writings, to continue writing in new ways, to branch out, to feel free to choose my directions. But also to start making small movie productions... of my own writings.

The Rapping was a POC. To test my new equipment and my methodology. This link goes to its place on the Once A Week Online Film Festival for the week of January 2nd, 2019. So I can do it. Well, I've done it before. It's just been a while.

Cover art by Marvin Hayes

Marvin Hayes did the original cover for the ebook so you can see the character in his "Rex Harrison" hat above in the cover art.

I decided on Gumdrop City as the first production of my writings into a short film. Mostly because I could simplify things and use little f/x. Even if it is to be a prequel and not the actual story itself. But that frees me up some as it can be an origin story, and I don't have to follow exactly the previously published story. It's working title is now, "Gumdrop Sampson".

Which also sets up an interesting dynamic on several levels. Creatively, artistically, marketing wise. I've written about this story on here before.

This will be my first narrative horror film from one of my published writings. The Rapping, is an Attic Tale, written expressly for filming it. As was the as yet unproduced film before it, Garage Tales. As I've moved houses since then and no longer have a standalone garage (or an attic), my next might be in that similar vein as, a Basement Tale. Or not.

Selling your writings is like trying to get unknown others to desire a certain drop of water in a lake of so very many others. Or from an ocean. Or so it feels anyway.

Producing your own works is like creating that lake yourself. Perhaps starting with a puddle for others to access, rather than merely a drop. Hopefully, an entertaining puddle. One that unknown others may desire. Who does not have to take from an ocean or a lake, but perhaps just a good sized pond.

Some of it is in your own mental image, in your efforts. Some are in your discovered reality.

An ocean: Google Books estimates that there are about 130 million books in existence. If you double that, it's probably more than enough to cover all the books that ever existed. UNESCO estimates that about 2 million books are published worldwide each year, but that includes older books as well as new ones.

A pond: It has been estimated that there are approximately 500,000 movies (of narrative fiction feature-length, theatrical-cinema films) currently in existence (Vogel 2011, p. 102).

Nothing really grisly will be in the film prequel of Gumdrop City, that's in the short story, the ebook, and Anthology of Evil, version. Eventually, there will also be an audiobook version of the original story. My hope for the ending of the film is to lead to a disturbing and satiating conclusion while setting up the sequel of the published short story.

I had also worked on Gumdrop City as a feature film length production with a producer in Hollywood a few years ago. We fleshed out the storyline. In that version, we added some characters and more storyline. While I liked this story for a film project, the producer liked another idea I had of a traveling angel.

Perhaps that story is now even more apropos than it seemed back then around 2011. I'll eventually get back around to it. Kind of a good feeling Frank Capra type story, only with more of an edge.

One that America may need more now than ever before.

As I indicated this film will be a prequel of Sampson in Gumdrop City, the weird old guy trope in your neighborhood that the kids (and adults) fear or at least, shy away from.

And no, it's not an autobiography.

It IS, however, a true crime story I had first fictionalized in college after hearing the story in our popular and sometimes disturbing abnormal psych class at WWU. We all walked out of that class that day with a bit of dread and disgust. And I knew I had to write it as a horror story.

Tom Remick, my voice actor, is set to act the lead role. Should be pretty easy physically, in that he has to act like a somewhat hobbled, weird old man. Typecasting? No, I assure you. Tom is a great and compassionate guy. But he's looking forward to playing the role. It's easy to relish playing a character that is very different from your own personality or experiences.

As this is a prequel, things may evolve between this project and the published version. So if he lives one place in the film, that may change before the story timeline.

I am still working on the first draft of the screenplay, but it's coming along nicely. Tom is reading the short story this weekend and we'll get together this week to talk. he found a "Rex Harrison" hat at a store this week. We still need a tattered tweed suit jacket. And a burlap bag. And maybe, a teddy bear.

Yeah, see? You can already see this is descending into madness. But it should be, I don't know, if not fun, entertaining.

This is the fun part for me, the creative process. I'm making it as simple and effective as I can. There will be humor in it. Weirdness. And in the end hopefully, if I can pull it off, horror. And in that should come the fun for horror aficionados.

And in the end? I hope to have a viable film to submit to film festivals. If I can get it done in time, and I believe I can, I will even be able to submit it to our own local film festival here that I was among other things, a judge in during last year's first-ever Gorst Underground Film Festival.

We're looking forward to another great and second annual festival later this year. I had a blast and met some great new people. Like "Man in Camo" Ethan Minsker from New York and his awesome documentary.

Also, there is the next town over the festival which actually begins May 3rd: The Port Orchard Film Festival. And those here in the Pacific Northwest as well as others around the world.

I will also be at Crypticon Seattle that weekend of May 3rd at the Doubletree Inn in SeaTac. I've been to two now but not for a couple of years now. I also was at the first ever Seattle ZomBcon which was a blast and it's second year. Just a few years ago I'd never been to a convention all my life and now within a couple of weeks, I'll have been to five within a few years. I have my friend and horror filmmaker Kelly Hughes to thank for that.

I even got to meet and have a heartfelt conversation with actor Lance Henriksen last time, just standing at the latte bar one morning at the Hilton SeaTac hotel. We got to hang out and talk alone for a while and I tell you, that's the way to meet these celebrities. What a sweet guy but so scary on screen. And he was just one of those I got to meet and hang out with. These things can be a great deal of fun.

Being able now to show up as an actual filmmaker and not just a writer, author, and mere screenwriter should be a lot of fun. So if you should happen to go, I'll keep an eye out for you!

Cheers!

Happy Halloween! Trump's Scary Mental State, the Media & Sci Fi

Happy Halloween! Be safe and have a great Halloween! It seems this one may be a pretty politically oriented for (too?) many.

Here's a short fun video (under two and a half minutes), I just made for your Halloween pleasure. It stars a character I've used before and may use again. He's quite a character.

Also, we recently had the first Gorst Underground Film Festival! Everyone had a great time! Ethan Minsker (the "Man in Camo") came all the way from New York and filmed there. He also showed his documentary about art and his life (thus, "Man in Camo" his art brand). And won! Here is Ethan's video on Facebook about our film festival. He is the nicest guy and quite inspiring. Check out his website and pick up a book or two and he has DVDs. We swamped books. I got two of his books and two of his DVDs. A really interesting guy!

By the way, neither GUFF or Ethan have anything to do with my political opinions here. These are the opinions of my own. And of most of the decent and respected people, you see on TV and I don't mean Fox News. Or the White House, sadly.

Cheers!

Donald Trump CARRY ME PRESIDENT Halloween Costume

Now...for the truly scary and disturbing, but not so much fun stuff! Before I get into it though, I want to say one thing. I really don't like going on about this kind of stuff. IF Republicans and Donald Trump had gone about all this in a democratic fashion, instead of in an underhanded, illiberal manner, and being such unpleasant people (mostly Trump) about things, I wouldn't be so motivated or upset about these things. But they insisted on voter suppression, lying, twisting things out of reality. And that's just not who I am. I'd rather lose admirably, than like the GOP, win despicably.

IF this is all how most of America wants to go, then that's one thing. But, that is not what is happening. Aside from that, the direction I see them going is to me, very anti-American, anti-freedom, definitely anti-democratic. At times inhumane and certainly uncompassionate. But then Republicans are basically all about numbers over humanity.

What I find amazing about all this, along with Republicans telling me I don't know what I'm talking about, all liberals and demcrats are wrong and stupid and yet...so many notable people, respected, and highly informed and intelligent, AROUND the world, agree with what I believe. Kind of telling, kind of nice.

As we are experiencing true horror in America now in seeing who we really are overall, through such volatile times, through a president who has serious personality issues bordering on mental illness. If not an actual full-blown mental illness. Recently through a partisan sycophantic supporter who has attempted to bomb Democrat opposition leaders...anyway....

That being said, let's take a look at this atmosphere today and another way to view it....

Cover of audiobook - In Memory, Yet Crystal Clear

Science fiction is an excellent catalyst to view today's reality. That is what so many writers before me have done. Star Trek in the 1960s was good at this, reflecting who we are, what we're doing to one another, where we're headed. 

On my story In Memory, Yet Crystal Clear, one reader's brief but succinct review said of the story: 

"Fascinating and creepy - I found this book to be intriguing and unsettling all at the same time. The story was very original, the writing was solid, and the narrator was spot on. I would recommend it if you like dark, futuristic type short stories."

I've been saying this for a while now about this dystopian sci fi story of mine. In Memory, Yet Crystal Clear, (now an audiobook) is about what is going on today. This is exactly why I originally wrote it back in the 1980s. Back then, under Pres. Reagan. I saw a kind of cult of personality going on. I even liked the guy. But I wasn't then as aware of politics as I probably should have been. 

The story is about how a nationalistic leader can affect America with their own mental illness. First, let's parse nationalism and patriotism. One is not the other. Today nationalism reflects negative appeal and patriotism positive and that's really all you need to know about them. But many are confused about what they are celebrating. And too many, know and enjoy it, much to most people's consternation. 

"Patriotism is when love of your own people comes first; nationalism, when hate for people other than your own comes first." - Charles de Gaulle. One has to ask themself, is that how you see America? 

However, in my story, people come to love a brilliant media genius. Media changes our culture in the story through greatness in art and delusion. Today Pres. Trump hypersensitizes the media calling them our enemy and "fake news" all while he's the fakest and most divisive person today in American politics.

The media then is warped and ends up covering things they really shouldn't, far too much. Like "The Caravan", overburdened mostly with frightened women and children simply seeking safety. All while the media should be ignoring all that Mr. Trump says in his abusing facts, news and let's face it, America and the democratic process. Much like his overall extremist conservative Republican party.

So why IS a sci fi, horror and science fact author speaking out when it can hurt one's brand from the greatest amount of sales?

Because, science fiction, as well as speculative fiction authors, are quite typically aware of things coming down the road from that of the mainstream media or citizenry. That is in part, their job. To entertain, while warnings and awareness seep into the readers (or listeners).

But this has nothing to do with partisan politics. This merely has to do with an accurate observation of our current reality and they presenting it in a way most likely to be allowed in, so reflection can later take place in a more gentle process than open confrontation. Which, as we're seeing, isn't very productive and is leading to violence. Violence, over reasons of ignorance.

cover art by artist Marvin Hayes

First, I do have a specialized degree in psychology. Which led to my well-received audiobook \  ebook On Psychology where I discuss the history of psychology and give an example in my orientation through a filter of synesthesia and schizophrenia.

Second, I am speaking liberally about Pres. Trump, not clinically.

The concerns are still real, and quite relevant. If I am seeing problems with this man as president, I would argue that I have more veracity and education in this than many who also see problems with him from a more general perspective. And obviously more than those who do not see any problem.

Of that audiobook, one reader's review said:

"Brilliant and thought provoking! 'More knowledge is always better than less' - "I couldn't agree more. This intellectual piece is brilliantly written and thought provoking. I will be listening to it many times in order to grasp every thought and nuance of the paper. It is not only well written but well read and is a pleasure to ingest. Many of the topics and ideas covered can be applied to life, no matter who you are. I highly recommend taking some time to listen and ruminate on this delightfully intelligent work."

It is in the nature of the genres of science and speculative fiction to foresee and disseminate to the public. They need to be by their very nature, futurists. Seeing what is coming down the line. then sharing that in creative and entertaining ways. To not speak out what you are clearly seeing...well, is that wise, or responsible? Will that come back on you once everyone sees it, then wondering:

"Why didn't you warn us, speak up, if you saw it? Isn't that your job?"

Yes... it is.

As Mr. Trump's own mental aberrations now course through America's veins of news and partisan social media and therefore America's minds, there is only one way to stop it. Trump cannot handle being POTUS. He needs to be removed. Now, before it's too late.

But it won't happen fast enough...and so, then what? Well, we're seeing that now. Already.

Republicans being shot on a baseball field by a Bernie Sanders supporter in an overly partisan environment that exists in great part because of Congressional Republicans AND now with Trump pushing the limits of decency. Eventually, decent people become enraged by them, too. Back then Bernie came out the very next day to speak against this kind of thing.

Enraged by Trump's really foolish and simplistic rhetoric, which works so well on his supporters, which presidents do not do because THEY KNOW this kind of thing will happen. That it's dangerous to citizens, citizens they are responsible for protecting, even from themselves.

Of course finally a mentally ill conservative Trump supporter bombs people he doesn't agree with. It was some might argue, inevitable. We don't do that!. Then Trump came out and what? He takes no responsibility, but blames the mainstream media for his stupidity in not acting like an American president... and again...we DO NOT DO THAT kind of thing! And again, for a reason, we do not do it. It is irresponsible and dangerous. As we're seeing!

Why would Trump add more fuel to that fire? It benefits him, it pleases him.

No, no sir, you do not

BECAUSE Trump cannot even see his own mental illness or how it affects his sycophantic easily swayed followers. Or how he affects individuals who are by extension carrying out his political madness. And Donald Trump does not even seem to realize the madness his followers have absorbed from him...their bigoted narcissistic nationalistic Godhead.

About that...let's STOP calling Trump a "media genius". He is not a genius by any means.

Donald Trump to be fair and honest here is a fool who has no shame as a narcissist, authoritarian. End of story. He has merely effectively tried things others haven't that proved useful. He throws things out, drops what doesn't work, and picks up what does. THAT'S not genius. That's sloppy work anyone can do. That's someone who doesn' know what he's doing and is guessing, failing, trying again, guessing succeeding, and doubling down. Typically pushing the "button" too hard. Like a child.

If I walk up to you, try hugging you, slapping you, shaking your hand and you react best to shake hands, how exactly does that make me a genius by seeing how best I can manipulate you by shaking your hand? That's all he is doing in the media! It's why he's on Twitter.

When you are all those things that he is, even stupid people would tend to rise. He simply very simply did things no one else would do. Period.

That happened to resonate. With a vocal minority, his base. And so he's now president.

Which says more about his supporters than the man himself, about Republican, conservative types, and says MORE about them NOT being geniuses than it does about Trump being more than of average intelligence. Don't lower your intelligence by raising his. It does no one any real good. Not in the long run.

Too many actually highly intelligent people who have had direct contact with him denigrate his intellect. YOU HAVEN'T worked with him. Why not believe those who have? People I know and trust have told me what he's like. I wouldn't even want to be in the room with someone like that. yes, he'd be nice and congenial but that is the tact of a narcissist. And it won't end well, for you.

Those who know him and speak out, they must be on to SOME thing there.

That's why I wrote this dystopian sci fi story decades ago, seeing all this coming. That we were headed into something like this even back then. As a sci fi story first published in 1990 in a horror magazine THIS was what I was concerned about. Someone like Donald Trump arriving on the scene as a national leader. A terrifying situation. And it's here. Now.

One man's mental illness as a leader brings America into a state of social mental illness.

Only it's even more insidious in this story by attempting to show how invisible this can be, and in a way that seems utterly unreal. Kind of as we're seeing today. Speculating on its effect regardless of the transport of the mental illness. Be it a Pres. Trump, or some sci fi technology. The fact remains, it is transported through media by tapping into the fabric of our consciousness, directly into the societal veins of America and then into the hearts and minds of her citizens.

And that's exactly what we're living now, in an entirely other and more obtuse way. Through, a president such as, Donald Trump.

Take another look at today, through a lens of a sci fi story that might just help put perspective on what we could be experiencing in our lives if we don't get a handle on it...very, very soon.

Anyway...have a great Halloween! 

While the kids are eating their acquisitions, or even while they are walking the neighborhood acquiring, you can be creeping yourself out listening to a new audiobook and gaining an interesting perspective on our current reality. As frightening at times as it can be.

What better time than on Halloween! Just keep a close eye on the kids as you wander and get lost in the atmosphere of the night and the story.

In Memory, Yet Crystal Clear by JZ Murdock...is now on Amazon, iTunes, and Audible.com. Narrated by Tom Remick.