Firewalling Sexual Abusers

"Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't.” - Mark Twain

My view of sexual harassment, domestic abuse especially against women and children, slander or libel against women especially for merely speaking out against those who are abusive, has always been the same. Stop it from happening, support women in fighting back. Firewall those who are abusers, cut them off, block them.

Stop calling women liars, stop slandering them, stop muckraking them through the media mud. Support our women, support the abused, don't just ignore them, turn away, abuse them even more!

This is not a partisan issue, nor a political issue. It's a human issue. Men need to lock arms with women over this. In a nonsexual, platonic, professioanl fashion, supporting women for their worth, their skills, their equality to us men. And not just a pretend equality, but a real and substantive one.

I suspect most men may be good and decent people, but enough men are not that this has to be addressed and we have to stand for those who are abused and then more especially abused when they are brave enough to speak out about it and who is being abusive toward them.

We have a culture of abuse against women by men in power over them.

We have elected a president in Donald Trump who has admitted he is a predator. We have people declining invitations to the White House because of him and that. Enough obfuscation about peopple like Bill Clinton, or even Al Franken, when we have an actual accused predator in the oval office RIGHT NOW.

And Republican Judge Roy Moore. A man who has been an historical embarrassment and obvious sexual predator of minors. Who been removed from the bench twice for refusing directions from the Supreme court. Who had his own community when he was a district attorney, ban him from their Gadsden Mall, and from the local YWCA for inappropriate behavior of soliciting sex from young girls. And he is still running for Congress and being supported into it.

Women who have a claim against Bill Clinton should be supported to seek their closure, but as a nation we need to pay attention to what is here and now of those in power at this time. As for Franken, it feels less than it's made it out to be and regardless, an investigation is in the works. But I suspect it will end in little being discovered as those who know Al seem to see it as I do, that what was reported was an outlier in being a bad behavior, and not a bad actor as we see in Trump, Moore and others like them.

We are America and we need to start acting like it, and clean up our act!

It's wrong. I can't believe this is happening, still! But then, I first saw this kind of thing when I was in my teens and in a way that really put my life on the line for it. In part that event from 1974 set a tone for me throughout the rest of my life even up to today.

Maybe it's because I had so much of my childhood governed by women, my sister, my mother and especially my mother's mother, I've always been more understanding of their plight. And I've always been easily angered at hearing of their abuse.

I had an awesome grandmother. In so many ways, she has my thanks for who I am today. In finding out I hadn't learned multiplication tables because of how often we had moved, because at one grade school they learned those tables in fourth grade while my next school in third, she wrote out the multiplication tables from one through twelve all over her kitchen wall. At every meal we would go over them whenever I stayed there, until I had learned them all.

I grew up loving women, respecting them, and also in having a solid sense of self respect in that regard, in having a great respect for women. I had trouble learning and K-12 was kind of a nightmare. I had a step father who seemed to hate me and tell me at every turn that I was stupid. It wasn't until the military and later college and a university that I truly began to believe that just perhaps, I wasn't stupid after all.

So men who lay blame for their actions against women are because they had poor self esteem, or couldn't talk to women and so use their power and control to get sex, just doesn't wash with me. It's lazy, it's abuse pure and simple.

There is a theme going all though my fiction of empowered women. Or of bad things happening to the men who abuse them. An example from my own life of my orientation in being pro women, is uniquely available to the public, as I've written a true crime semi biopic screenplay.

This may seem like a shameless plug for a screenplay I'm shopping around to producers and studios, but hey, it's hard getting a screenplay sold. That being said however, it is also a pretty amazing example of my orientation on supporting women in my life and I would also argue, a very good example of how we need to stand up for women. More than once I've put myself physically on the line for women against some guy, usually their guy, and women that I sometimes, many times, did not even know. AND most importantly, I had expected NOTHING from them for my efforts.

I stood up for them merely because... it was the right thing to do!

I currently have two titles for it as I shop it around. Teenage Bodyguard, or Slipping "The Enterprise" (see links for more). "The Enterprise" was what that mafia group called themselves and what we tried to do that week in trying to slip by them until the woman in the screenplay could leave town at the end of that week.

She introduced me to a lifestyle that I'd had no idea about. I'd read The Godfather in high school, I saw the film. But didn't realize just how women truly were treated by some of these guys, if not most.

The screenplay details an actual week in my life at eighteen in 1974 where I protected a woman from the local Tacoma Carbone crime family until she could leave town. Why do I bring this up? It's not to go on about a screenplay I'm currently shopping around, but to point out that even at eighteen, I felt strongly about women's rights and treating them decently, that I put my life on the line for a woman.

I've gone through my younger years and throughout my life being disgusted by what has been put upon women, merely for being female, or attractive, or in a position where a guy having power or control over her, can feel free to be abusive. Not just in sexual but also in issues of power and control. To be fair, these men I'm detailing in this were abusive to human beings. They abused their control and power over men also, and in many cases, murdered them. The ultimate abuse.

In my screenplay and back then in reality, I had been introduced to a woman who was around ten years older than me. I was initially just asked to give her a ride to her new location where she was to stay there for a short time. I found out later it was because my "friend" wanted her out, fearing the mafia who was looking for her and in the process, put me front and center in their crosshairs. To be fair, they didn't know I'd accept helping her. They just asked me to give her a ride.

I was naive about many things in life back then, and in some ways so was she. She was also obviously traumatized. My reason for bringing this up regards why I took on the challenge of protecting her, with a gun, for that entire week.

Once I got her to where she was going to be staying for that week, she sat me down and handed me a newspaper clipping about a recent murder. It was the murder of a bouncer at a local (Tacoma's first) topless club, run by this crime family and called the Tiki restaurant in Lakewood, Washington, just south of Tacoma. It was a murder she said, even though to this day it is labeled an anonymous murder, was done by the crime family, to one of their own.

She outright asked me if I had a gun. I admittedly said, yes. She then took a chance, seeming lost, asking if I would get that gun and stay with her for that week until she could leave town. She feared they would find her and take her, and potentially murder her too for what they believed was being a murder witness against them. They did that kind of thing fairly regularly, all through the 1970s. I didn't know what to say until she explained further.

It was her explanation that convinced me that I had to help this woman.

I bring this up because even at eighteen, I felt I needed to stand up for women. And, as this case clearly exemplifies, I put my money where my mouth is. I put my life on the line for this woman, because I was so horrified at the abuse this woman and others at her job had been put through.

I've had that orientation all my life. I've stood up for women when I saw them being abused but sadly, many times, the women went right back into that abuse, much to my shock and dismay. But we do what we can. And in this case, I did.

I'll just share that scene in my screenplay:


SARA
Do you have a gun? You don’t happen
to have a gun do you?

ME
A gun? A gun. Oddly enough, I do.

SARA
What. A rifle, probably--

ME
Yeah but a handgun, too. .357
magnum actually.

SARA
Can you use it? You know how?

ME
Yes. Yes, I do.

Self-assured but naive and it slightly confuses her.

SARA
I don’t know why, but I trust you.

ME
Again, I have that affect on
people. I’d have to go home, just
to get the gun.

SARA
You live with your parents?

ME
No. I have an apartment.
(light chuckle)
Graduated, got out at seventeen. I
have a job, an apartment, car
obviously. I’ve had a job since
ninth grade. Days. I’ll need to go
to work. Have to pay the bills,
rent and stuff. Could take the week
off but, really can’t afford it.

SARA
No, that’s fine, I understand, you
need to work, pay bills. If I need
to go anywhere I’ll just wait for
you. No one knows where I am or how
to find me. That’s what all that
was about at Erik and Dave’s. It’s
safe here. Really. I never told
anyone about them. I don’t want to
take any chances. Not mentioning
this to anyone goes without saying.
OK? And don’t let anyone here know
you have a gun.
I don’t want to-- freak anyone out.
Especially Mary being PG and all.
You know?

ME
I get it, I’m used to it, really. I
don’t show if I’m carrying. About
these guys--
(Indicates newspaper clipping)
Dangerous I take it?

SARA
Sometimes. I was in the office that
day with Ron. He was all worked up
over something so I let him throw
me up against the wall for a bit.
That always calms him down. I know
they killed Danny. The bouncer. He
was nice. To me, to all the girls,
not like the others.

ME
Sorry? You let him throw you up
against the wall?

SARA
(Confused he doesn’t get
it, uncomfortable)
You know. Sex. Most of the girls
let him do that. Like I said, calms
him down then he’s much easier to
deal with. Danny I think just got
in their way. He stuck up for us.
Maybe they finally had it. I know
they killed him though. I do know
that.

ME
Why not just fire him?. Who kills a
guy for sticking up for women?

She looks away.

SARA
Johnny Carbone does. May have been
something more, I donno. Maybe he
heard something, spoke up at the
wrong time? Who knows?

ME
OK, well, look. I’ll head home.
Back in a few. I won’t be long.

When she asked me if I had a gun, I told her I did, but I wasn't convinced yet. It was when she made it clear what her working environment was, and there was more than I put into the screenplay, in how it was for all the women there. And my research for this screenplay has proved this to be true and even then some. My mind was made up. Screw those guys, she had me 100% on her side.

That's the kind of motivation and support we need to give women today.

This nonsense has to stop. Men need to not just support women, but themselves in not acting like animals just because they have a little (or worse, a lot) of power.

Women, as has been said repeatedly over time, are our mothers, grandmothers, aunts, sisters, daughter and friends. They deserve our respect and support. Even if we have to pick up a gun to support them (obviously not illegally, go to the authorities if need be).

And that is the end of it.

We have now elected a president who has admitted he is a sexual predator. Well, I didn't and wouldn't have voted for someone like him. Women have come out against him for his abuse and what have we done, what has he done?

Abused them in the media. Dragged their reputations through the mud and slime that sexual abuse leads to.

But that is changing. Times have changed and it needs to change. We will ALL be all the better for it! As we will when women more and more have positions of power and control over men and women.

Stand up for them. Support our friends and loved ones who have historically suffered abuse all through history.

#MeToo #SexualHarrassment #StandForWomen #Producer

Screenplay Review from The Blacklist - Teenage Bodyguard

After a couple of tense weeks waiting, I finally got my first review back from The Blacklist on my true crime biopic, Slipping "The Enterprise", also known as, Teenage Bodyguard. First off, this is a story that is set in a time and place that has not been harvested. The Tacoma Mafia? Seriously. Plus, it's a true story and kind of unique. One would think the right studio could make it something very interesting.

Anyway, I had originally slapped the Teenage Bodyguard working title on it when I wrote the screenplay for a London production company who had asked for it a couple of years ago. I wrote it in nineteen days after they asked for it, worked on it night and day. In the end, they didn't pick it up. But then it is about a teen in 1974 Tacoma, Washington, and the local mafia. It's a hell of a true story in a location and about people that are as yet untapped in Hollywood, or elsewhere.

Mostly it felt like the reader\reviewer liked it, just saw some issues (thankfully). These are $75 reads by industry professionals. According to The Blacklist themselves:

Think of blcklst.com as your personalized, real-time Black List. Instead of an annual list of the year's most-liked unproduced screenplays, you can log on at any time and get list of the week's, month's, and year's most liked unproduced screenplays AND a list of screenplays you're most likely to like based on your tastes and everyone else's.

I got the exact number rating from 1-10 that I'd expected. In fact, nailed it. On the specifics, some very nice indicated strengths including dialog and showing not telling. Finally, as that'd been an issue of mine years ago in a prose writer learning screenplay format. Part of the Strengths summary said:

There are a number of sequences in this screenplay where the pace of the dialogue really stands out. When conversations move quickly - as the exchange does between Gordie and Sara from page 44 to 46, for example's sake - it keeps the reader's (meaning prospective buyer's) eyes moving down the page and gives the scene an energy that can translate to the screen effectively. (But, be sure that those characters have distinct voices; a character's personality really comes to life on the page when their voice is unique and idiosyncratic.).

That last comment is important and I will go over the screenplay again to review and enhance the dialog.

Down side, as expected, the time line. It's a hybrid, it not linear. It's indie, it's nearly experimental. But properly handled by a deft hand at the helm, not only very doable, but a very entertaining and complex ride. But that doesn't sell easily. Part of the Weaknesses summary were:

This script could benefit from some serious streamlining. Ultimately, the 1974 timeline is the one that matters; Gordie is the true lead, and his central goal is to keep Sara safe until she can leave Washington. Let's focus on that plot, and have Gordie come across his primary antagonist - Caliguri - long before page 95.

I already have a fix for that. I will probably make the changes and put it out again for a new review. I have one more coming in as one review is always at least somewhat dangerous for a variety of reasons. Still, that's $150 for two reviews, but worth it.

Comments were also that an 18 year old lead will be a hard sale to producers/studios for this property. But let's face it, it would end up being most likely, some 26 year old baby faced lead. That's just the nature of some of the hurdles of some projects that one has to get over. As in studios not wanting senior citizen types as leads in a film and yet, we've seen some amazing films with older people as leads. Think, Driving Miss Daisey, for instance.

The reader also didn't like, quite as I had expected, a flashback in a flashback in a flashback. I've seen those done in big movies, mostly indies, and they can be fun. Again, a deft hand directing and it's quite doable. But I figured I'd get push back on that and will probably come up with a better format to exposit that information and that part of the storyline.

Again, not easy to sell originality (hopeful and perceived as it may be) because buyers are looking for easy money with little effort. I get that. I can fix that issue with little difficulty, even though it will drift away from an accurate docudrama to loosely held biopic. But then, I was shooting to make a biopic. And nearly all of them drift off from reality to entertainment. That's the nature of the beast.

I will save this current version of the screenplay, version twelve. The twelfth draft. But I will keep it as version one. After several more potential drafts this next iteration will become version two, just in case I get somewhere and someone wants to see the original. In the case that the revised version sells the property and that opens the door for the more convoluted and creative version or some form in between. I'm not tied to my original version, just looking to make the best film possible while remaining as true to reality as is possible.

Next up, gather my energy and get back to a new draft and start all over again. After I get the response from the second reader....

UPDATE 7/27 3pm: King of had the blahs today. Finally got myself motivated to get on my Harley and rode up a long road, turned around, came back to the Garage bar, had some tasty lunch lunch and a 22 ounce beer and read more of David Mamet's book on directing.

Then I got the idea. Move a teaser of a scene to the beginning of the screenplay, change all dates to the primary year and have it all happen within the one primary week in the story, then take one scene and make the leads be the ones to witness to a crime the bad guys perform.

Tightens most of the issues up incredibly well.