|Post for Gumdrop, a short horror|
By the way, my other major project, "The Teenage Bodyguard", my true crime biopic screenplay I have spent years researching and writing and am currently working on with producer Robert Mitas, is still healthy and underway. We're waiting on a lookbook to be finished up for the project and will then be moving on with finding a director and production company to film it.
As far as Gumdrop, I started looking into music for the soundtrack a few months ago. I contacted producer Joe Wilson who offered the use of one of his artists, Alex Dewell, with songs from her 2018 album, "Hund". It is on CDBaby and where you can hear samples of the songs I've used. I have discussed this artist in a previous blog in 2014. I met her some years ago and even then she was obviously talented.
The songs I settled on for "Gumdrop" are: Get Away, Gotta Run, IDK, and, Tell Me I'm Alright. This album was produced by Joe when he took Alex to London and recorded it at Abbey Road Studio with some great backing musicians. Here are some older songs by Alex on CDBaby.
They are already now incorporated into the film. These are lighter, more pop songs and represent a female character in the film named, Miranda (played by Aura Stiers, a practicing event "Mermaid" which I incorporated into the film.).
However, my film needs rougher songs, something harder for the main character, "Sampson" (played by Tom Remick). He who's Sampson character grew up extremely abused in old Czechoslovakia back when the Iron Curtain still existed back in the 1950s. I also needed more current music.
My original thoughts were to come up with some 1950s Eastern European Soviet Bloc country's music and maybe fuse it with heavy rock music of some sort. As well as plane old modern heavy metal, or post-metal, or Gwar or some such.
A while back, friend and fellow filmmaker Kelly Hughes at his Lucky Charm Studio, got hooked up with a band in Italy, Postvorta, when they contacted him about a collaboration. We liked their music and so he did a music video for them using their song, "We're Nothing."
I'd considered asking them if they would like to be involved with my film, as I knew that Andrea whom Kelly worked with on the video, was interested in doing some film soundtracks. So I asked Kelly to ask them about it for me.
We've been busy with our current endeavor, the Bremerton, Washington monthly event for horror and local indie horror filmmakers, "Slash Night" at the Historic Roxy Theater.
Brief aside... Slash Night has been going on now for four months as of this coming weekend event on January 11th, 2020. Last month our last show of the year was our best show so far and it's getting bigger and better each month. Drag performers Bobbie Lee and Bobby Rae, a local performance team did a live performance for us that they created just for this event and it was pretty amazing!
Since I hadn't heard back from Kelly yet on the Postvorta request I'd made, I was about to remind him, when...
I got a suggestion to like a Facebook page called, 22Decemeber Records. They claimed they were into Post Metal, Sludge, Post Rock and Ambient. Which I thought was great. What a coincidence!
So I liked them and emailed their 22December company email account. I got a timely response.
But unexpectedly, it turned out that it was Andrea Fioravanti, from Postvorta! He whom Kelly had done the music video with. He was excited to look at my project. And so we are communicating and moving forward. Now that I think about it, I think Kelly did once mention something about a 22Decemeber. I just forgot. Living with my memory is an exciting and at times annoying condition. To be sure.
There is still much to do before finishing the film and getting it out there to film festivals. I project another month or two before I'm ready. I will be submitting it to our own Gorst Underground Film Festival, now in its third year. As I've been a judge and nurturer helping Kelly in his efforts (and each year it's been bigger and better),
I obviously won't be judging my own film. And I don't expect any extra consideration because of my position. Honestly, we just don't work that way. Trust me, Kelly is pretty critical. But then also, because we're an underground festival, we don't necessarily judge things as many mainstream festivals would. Which is part of our charm?
Our Slash Night monthly event is attached to our annual festival as a way to build a community for the annual GUFF event. But my film won't show in the monthly events as it is not a "short", even though, it is indeed, short.
GUFF will be moving to the Historic Roxy Theater this September and perhaps an after-party at another venue. We're still working out the details.
OK, Kelly is still working out those details. And a great job he does, too!
Stay tuned. For all of it!