Showing posts with label commentary music. Show all posts
Showing posts with label commentary music. Show all posts

Thursday, August 25, 2011

Cows with Guns - Dana Lyons - music with humor

Dana Lyons rocks.

Well, he's excellent anyway, funny, funny guy. He has a great sense of humor.


How can you forget, once you hear "Cows with Guns", the magnificent vision of those cluckers flying (riding?) in choppers over the hill tops with guns a blazing, coming to rescue their poor bovine brothers? "Cows with Guns" was #1 For The Year on Dr. Demento, #2 on Australian Country Charts, 10 months on Seattle’s Top 40, 6 months on Ireland’s Top 40. Ireland, now that's the big time. Go figure huh, Ireland... cows... guns....



The video of "Cows with Guns" on YouTube (cartoon) and another version of Cows with Guns (Claymation).

We need more humor in the world. Dana gives us a fresh way to look at things and I for one, greatly appreciate it. I need more lightheartedness in life. Have you looked around lately? Life has been tough, and it may be a while before anything lightens up. So any chance at taking few moments to enjoy, smile, grimmace at bad puns, I'm there.


According to Wikipedia: "He is known for his environmentalist song "Our State Is a Dumpsite", which was actually the subject of a serious proposal in the Washington legislature during the 1980s to be made the official state song. He went on to perform music for the environmental group Earth First! and to record an album of children's music, At Night They Howl at the Moon, and more recently, he has moved from folk music into alternative rock with the album Cows With Guns."

What a guy, huh?

If you want to check him out in concert, take a look at his calendar, he's next scheduled to be in Port Angeles 0n September 16th at 7:30PM (Price: $12 / $10 for Friends Members). For Oregon, Salem in October.

According to his web site, Two of Dana’s songs have been made into award-winning illustrated books: Cows With Guns, published by Penguin (winner of the Bullitzer Prize), and The Tree, published by Illumination Arts. The Tree was endorsed by Dr. Jane Goodall, has forwards by Pete Seeger and Julia Butterfly Hill and has won numerous awards.


Dana’s songs have been re-recorded by many artists, but perhaps his highest honor as a songwriter came when Pete Seeger called him to get the music for Dana’s song “I am an Animal.” Dana has shared the stage with many notable performers including Willie Nelson, Neil Young, Dave Matthews, John Mellencamp, Steve Earle, Lucinda Williams, Pete Sears of Jefferson Starship, Stephen Stills, River Phoenix, Nickel Creek, Country Joe McDonald, Utah Phillips and John Trudell.

Dana was born in Kingston, New York. He graduated from Swarthmore College in Pennsylvania. He lives in a nice garage in Bellingham, Washington, with his cat Oliver. His astrological sign is Taurus.

What a guy....

Monday, May 30, 2011

Anti-Squatch Music Festival?

The People's Festival

"Can't afford Sasquatch? A Spokane 21-year-old and his high school friends think they have the answer for you." Read the Inlander.com's Leah Sottile's article here. No really, read this, then go there, then read that.

Anti-Squatch Festival

Austin Mell is a character, there's no doubt about that. I've known him for a couple of years now. He is always thinking up interesting stuff. But he and his friends have come up with a very good idea.
Austin, the guy who had enough courage to step forward and propose the idea of anti-(sa)squatch as well as organized and help put into motion the events of which some of us partook. Even though the performers and attendees did something too. - Wraith Snow

There has been a lot of talk in the NorthWest about how the Sasquatch Festival has started to suck and has lost its roots. I've been hearing this from the kids who have gone to it the past few years or longer and well, it's lost some of its originality, its "specialness".

javascript:void(0) Yes, it's definitely an event. Maybe even an event to attend but it depends on what you are looking for. If you are looking for what it was originally all about, well, you should probably attend an entirely different festival.

In fact, this year, there was one. Fifteen miles south of Spokane, Washington. I wasn't there, I only just heard about it, but I know Austin and I thought I should point this idea out here. Kind of help along the movement, you know? No, I haven't been to Sasquatch, I've never much been into things of that size. I like smaller venues, less renowned artists. I prefer the grass roots of things. Even big bands admit that once you get to a certain size, somthing gets lost.

That's why Pearl Jam used to throw impromptu shows like one at the Crockadile downtown Seattle years ago. People showed up and hey, Pearl Jam is playing tonight, awesome! There are many more examples of bands doing things like that. My point is, they do that for a reason. Because to be really big, like Sas is, is to lose something you still crave.

It's something you just can't get or feel in a festival the size of a Sasquatch. Should Sas be killed? Perhaps not. That isn't the point. The point is, those who started loving it, have lost interesting. And you have to ask yourself, why?

I think Ausin and his friends have hit the nail on the head. Or smacked the rock star in the face with his guitar. What a concept, throw a festival with good people, art and artists that are trying to make it at reasonable people's prices.

Kudos to Austin and friends!

Now, what's next on the horizon? Because once you get on a roll, well, don't stop. People are counting on you.
From Inlander.com

Monday, March 28, 2011

Some Iconic Music History

I'm shooting for an iconic blog posting for an iconic topic....

Have you ever had an iconic song that affected you, that you have known most your life, and wondered what it meant, who was it about, why was it written, all because it affected you so much? You might think by some of the songs I'm about to mention, that I'm showing either my age or my orientation by way of music genres.

But if I kept talking about music on this topic, you would see me delving into blues back to the turn of the century; swing and I don't mean the light type; classical; experimental; industrial; various kinds of metal (obvious from this blog posting); electronic (again, various types going all the way back to the beginnings); classical guitar; calypso; ska; reggae; world music; on and on. But just for this blog I'm pulling out some obvious ones and some well known ones.

There was a Carley Simon song like that, "You're So Vain" that caused conjecture for many years, even decades after it came out. Simon has never publicly acknowledged in full the subject of "You're So Vain". Before the song became a hit single, she told an interviewer that the song was about "men," not a specific "man." Since its release, many have speculated about the identity of its subject (or subjects). In a 1989 interview, Simon acknowledged that the song is a little bit about Warren Beatty but said the subject of the song is a composite of three men from her L.A. days. In a 2007 interview, Beatty said, "Let's be honest. That song was about me." Simon has said that Beatty had called and thanked her for the song. Mick Jagger was also alleged to be the subject and who contributed uncredited backing vocals to the song. (from Wikipedia)

First, its hard to find originals on some of these songs, so I've substituted with later renditions by the artists in question, where necessary.

I have one like that, it was Roberta Flack's 1973, "Killing Me Softly With His Song". This video on youtube sounded pretty good, but it would appear the person who posted it was incorrect in it being about Elvis. According to Wikipedia, it was about another favorite singer of mine from back then, Don McClean, of "American Pie" song fame.

From Wikipedia:

"Norman Gimbel explains the genesis of the writing of the song "Killing Me Softly With His Song" as follows:
I came to California in the mid-sixties. I was introduced to the Argentinean born composer named Lalo Shifrin (then of Mission Impossible fame). I ended up writing songs to a number of his motion pictures. I suggested we write a Broadway Musical together. He gave me an Argentinean novel translated into English from the Spanish to read as a possible idea. Suffice it to say, we never made a musical from the book -- but in one of the chapters, the principal character describes himself as sitting alone in a bar drinking and listening to an American pianist "Killing me softly with his blues". I put it in my "idea" book for use at a future time with a parenthesis around the word "blues" and substituted the word "song" instead. Many years later, Lori Lieberman saw Don McLean in concert. I then wrote the lyric and gave it to Charles Fox to set to music."
"According to Lori Lieberman, the artist who performed the original recording, the song was born of a poem she wrote after experiencing a strong reaction to a Don McLean concert. She related this to Gimbel, who took her feelings and put them into words. Then, Gimbel passed the words on to Fox, who set them to music."


It would also seem that the Fugees came out with their own version that hit pretty well when it came out too. It's good, but pales in comparison to Roberta's if you ask me. Others have tried it but no others really made it as big.

Don McClean's 1971 "American Pie" song (on the album of the same name) about "the day the music died", is another great example of a song that we didn't understand right away, what it meant. This video explains it pretty well although when asked what the song meant, McClean said, "It means I never have to work again." Then stating he believed a singer/songwriter should make their statement and move on. It's generally understood to mean the day a plane crashed in a field back in 1959, ending the career of several famous musicians who were on tour. I heard recently on a documentary of rock stars, a British musician said he remembered when it happened, that day in 1959 and he felt that it was a day that music died, too. It was great fun eventually learning what such an iconic song meant.

But I thought there were other great songs on that album, as I did with Roberta's album. On Don's album there was the flip sides Babylon round robin with his own overdub. There was the other iconic song that also has lasted down through the years, "Vincent" about Vincent Van Gogh (one of my favorite painters) which affected me strongly for year after year and had lyrics that spoke to me deeply all those years ago, and still does to this very day.

There are many great "B" side songs on the albums of hits. Nazareth, famous for their Love Hurts hit, I liked much more their great Hair of the Dog song, equally, Whiskey Drinking Woman on the flip side, but mostly, Please Don't Judas Me, which I've always thought was quite excellent.

Roberta's album was one of covering other writer/singer's works. Jesse by Janis Ian (Janis was more famous for At Seventeen, I had her great "Between the Lines" album with these songs on it, that was great on rainy days with coffee or teas while writing; and the infamous Leonard Cohen's Suzanne, which had already made one career for "The Girl From U.N.C.L.E." (a spin off from the famous "Man From U.N.C.L.E.") TV show's Noel Harrison (son of famous British actor, Rex Harrison).
There are many of these kinds of song in the great song book of history. It's amazing how they are so tied to so many other things. So, if you have a song you have always wondered about and never knew the history of, and if you don't mind, finding out what it's really about, I suggest you go look it up. Check Wikipedia. Do a search on the song and artist. Many times, you will find that the information is not only freely available, you can hook up with the artist's newer music and find that, yes indeed, they are still out there alive and kicking.

Al Stewart is one of those. I always thought of him as some artist in the past. He was perhaps most famous for his "Year of the Cat" and "Past, Present and Future" albums (the latter with the popular "Nostradamus" song on it), but I then got to know him from his "Bedsitter Images" album and others. Then my (now ex) Vietnamese girlfriend, asked if I'd like to go see a guy that currently plays bass for him, and lives locally. I couldn't believe she meant, THE Al Stewart. Well, she did and he is indeed, still alive and kicking out the concerts.

Go on, look into your icons from the past, whomever they are. Because regardless of what people may tell you, or think of them, if they are an icon to you, they are important and just may deserve another look. Let's support our old artists after all, who enriched our younger selves and gave us a way to look at life, a way to make it through another day, and in some cases, may have saved your life.

At one point in my life, I don't know what I would have done if it weren't for Donovan (Leitch), "Sunshine Superman", "Mellow Yellow", "To Susan on the West Coast Waiting" (an anti Vietnam song)), "Atlantis", 'Wear Your Love Like Heaven" (which was the theme song for a very popular women's fragrance that was nearly iconic for the 70s, that being Eau De Love (by Menley and James) and the associated fragrance commercials that featured Ali MacGraw.), and many others.  He's music kept me calm and focused. In 1965 he played on "Ready, Steady, Go!" and became known as "Britain's answer to Bob Dylan". He was for me, a more understandable answer.

Official web site. More recent interview with Donovan on BBC.

I was very happy to find a documentary, "A boy called Donovan", made on Donovan before he became famous and found on a Russian youtube site of all places; showing him busking, eating on the beach, living with friends, doing their "thing", smoking pot which lead to the police watching him and finally raiding his home in London, which he told us about at a concert at the Paramount. It was great fun, after forty years or more since I first heard Donovan tunes, to see who Gypsy Dave was, and others, who he sang about. I always wondered if he was real, or someone Donovan made up. He's real.

I saw Donovan, alone on a pillow on stage with his acoustic guitar at Seattle's Paramount Theater in the 70s. Incredible night where it was Sunday, all the music stores were closed and he broke a first string, with no available replacement, leaving him a bit peeved at his roadie, but a second string saved the evening (after one also broke, but the second attempt worked through the rest of the evening). Without his music, I would never have made it out of tech school in the Air Force by his music keeping me from going crazy, maintaining and even strain and being able to sleep at night.

A lot of people thought Donovan was lame. But consider this:

"Donovan developed a strong interest in eastern mysticism and claims to have played a significant role in awakening the interest of The Beatles in transcendental meditation. In early 1968 he was part of the group that traveled to India to spend several weeks at the ashram of Maharishi Mahesh Yogi in Rishikesh. The visit gained worldwide attention thanks to the presence of (for a time) all four Beatles as well as Beach Boys lead singer Mike Love and actress Mia Farrow and her sister Prudence (who inspired John Lennon to write "Dear Prudence"). See also: The Beatles at Rishikesh.

"According to a 1968 Paul McCartney interview with Radio Luxembourg, it was during this time that Donovan taught Lennon and McCartney various finger-picking guitar styles including the clawhammer style, which he had learned from his St Albans friend, Mac MacLeod. Lennon went on to use the technique on songs including "Dear Prudence" and "Julia" and McCartney with "Blackbird" and "Mother Nature's Son". - Wikipedia.

 The unsurpassable Allman Brothers Band at Fillmore East

I should mention, it was about that time that my new friends in the service who were from the south east (Atlanta, Georgia, mostly), introduced me to Southern Rock (Lynyrd Skinnard, Charlie Daniel's Band, The Marshall Tucker Band, .38 Special, Little Feat, the most awesome Allman Brother's Band, and on and on).
Roxy Music - 1974 Country Life album cover

I should also mention that as a side note, there were many icon album covers. The above album art notable since their were various versions, one with only the foliage and no girls on it (more in the supplied link). So many more that could be mentioned, but perhaps that for another article, another time.

There was a show on VH1 a while back called "Bands Reunited" from 2004-2006, bringing previously broken up bands back together to please their fans, if they were willing. I didn't like that tactics they used to get to these people sometimes. Someone called it, guerrilla tactics, I wanted to feel we weren't invading these people, because to be sure, we were just in format for what was being done. Anyway, some were interested, some weren't, but it was a blast seeing, learning about what happened to them. I'm sorry it didn't last longer. Because there were bands who meant, at one time, a lot to many people, who turned out what were, iconic songs or music to a lot of people. And it was interesting, filling voids in my mind that felt great to be filled with missing information that lasted years; and therein lay an industry unto itself.

My point being, several times in my life, music, saved my life, or so it seemed back then. Music does that sometimes.

So, perhaps take the time to explore some of your old favorites and fill in the gaps from back then, see what these artists are doing now if you've not heard from them for some time. You might be glad you did.

Thursday, May 20, 2010

Music, mine or yours, what is it?

Earlier this week I had a discussion about what constitutes "music". I was surprised to find, as I have been with others, that there is a disagreement on what it is.

How hard can it be, right? Music. But, what is it?

As a focal point, we picked old school Rap, as it was when it first came out. I really didn't like it. I didn't understand it. I liked music. Worse still, I mostly preferred guitar heavy music, instrumentals. Not just hard rock or "metal" but as I played guitar, I just understood that instrument best. I wasn't that hot on vocals and seldom could tell what they were singing about anyway. But, Rap. Rap was pure rhythm. Arguably, nearly percussion. More a blend. But, I liked "music".

Back when Rap first hit records, I had arguments with its fans that it wasn't really music. I said, until they add melody, it would remain a fringe genre and never make it big. It simply was not "music".

And so, when they did finally start to add melody to rap, only then did it explode commercially. I even started to like some of it. Some original rap was good, but much of it was just bad, still trying to find its form and a niche.

So the question is, can spoken word be considered "music"? I've always argued, N0. That's why its always been called, up until Rap, spoken word.

Consider some songs that have come out, even before Rap, where the "singer" isn't singing. Think, William Shatner in the 60s and plenty of exploitation songs\albums by the famous who can't really sing, but are such big stars their "songs" and albums sell anyway; some even made it big. Regardless, is THAT music? Now that IS a debate, I'll grant you that. But, when you have no singing voice, no melody, where's the concept of it being "music" come in?

Well, it doesn't.

I think part of the problem is in the definitions. One has to use words as they are generally defined and understood. That's what language is. We can't arbitrarily make up meanings. Although, we can specify definitions of words within a lexicon related to a specific field, your still can't simply just decide what a word means and expect others to know that.

Definition of "Music" from WordNet at Princeton University:

--an artistic form of auditory communication incorporating instrumental or vocal
tones in a structured and continuous manner

--any agreeable (pleasing and harmonious) sounds; "he fell asleep to the music of
the wind chimes"

--musical activity (singing or whistling etc.); "his music was his central
interest"

--(music) the sounds produced by singers or musical instruments (or reproductions
of such sounds)

---http://wordnetweb.princeton.edu/perl/webwn?s=music

And so, my argument came to an impasse. We basically agreed to disagree.

After this unsatisfactory ending to my argument, where my noble opponent thought music was pretty much anything anyone thinks it is, up against my definition it requiring melody, I then spoke with another who brought up two salient points.

One, that we need to define "melody" which I mistakenly assumed that everyone just intrinsically knows; and two, that this argument of mine had a lot to do with specificity and generalness; AND, definitions. Maybe, I wasn't in the right. But still I have a gut instinct, that I am.

So, what's music to YOU?