The works of JZ Murdock - Where to Find Them today?

A bit about myself and where my works are to be found today, on my birthday. I'm offering for 1 day, my epic ebook DEATH OF HEAVEN for free! 

Coupon (1st 100): C3ULQ

Cheers! Sláinte!

My writings, my film works? As for my social media links, those can be found on LinkTree. Like easy ones such as JZMurdock.com or LgNProductions.com.

I have been interviewed a few times. Here's my December 2019 Slash Night Shorts interview, a monthly film festival a friend and I created, until Covid hit and killed it. We had local indie filmmakers show up and it was basically a party once a month, with films and on stage interviews and networking of filmmakers and fans.

Below is a photo of some years ago at a gallery in Port Orchard, Washington, during my author reading for my book, DEATH OF HEAVEN.

This is an interview from February 2018.

Regarding my books, ebooks, and audiobooks, they are all available at Amazon, Smashwords, and Audible.com.

Many of my covers are produced by artist Marvin Hayes.

There is more than anyone should ever want to know about me, on my website.

My films, are different...

Some are available on my TheJZMurdock YouTube channel.

Some are on my LgN Productions YouTube channel.

"Gumdrop", a short horror, is currently only available (for $1.99) on the LgNProductions video site. This is a rough film, indie film, but also a film noir/horror film shot with a nod to the film, "Henry: Portrait of a Serial Killer". Technically, there are interesting things going on in it as well as some things often missed going on in the background. 

And in part because of that, it's also an award-winning film. 17 awards to be exact: Best Noir, several Best Horror/Thriller, and others.

My biggest award-winning film is, "Pvt. Ravel's Bolero". Sadly it's in limbo until the primary (and title) song goes into the public domain in January of 2031. It's a long story, I misunderstood the song's public domain status during research and production and was later surprised to find it's still owned by a company). I also started on the film when I was trying to struggle out of a year of long covid, so maybe it's not surprising I made a mistake on something. Still and that being said, it's now won over 60 international film festival awards.

Its trailer, outtakes reel, and "Wars on Earth" videos are available on YouTube.

My first narrative film, "The Rapping" (referring to a sound, not music), is available.  This is an unlisted link so you cannot find it by searching online for it. This film includes NASA InSight Mars Lander audio incorporated into the soundtrack to add to the eerieness.

It is also the long version of the pieces of it used in my next and longer film. That film is, "Gumdrop", a short horror, which I have already covered. It has a trailer. Curious as the entire film lasts only 8 minutes. 

I also have some short silly films like, "Below in the Dark". Or, "Happy Birthday from Dragon Boxer - February 18, 2011". A film I made for my youngest backpacking eastern Europe at the time, and feeling rather low. This cheered them up. How could it NOT? 

Another favorite of mine is the short "Eagles & Crows, a fable". Yes, for a 4-minute film, I did ridiculously make a trailer for it. I had some footage of the eagles in my backyard over months and thought I should use it. One day I watched a crow harassing an eagle and thought it was funny. 

I made one up of some extra video for an audio recording I made of my son and friends playing drums up at Ft. Warden Park in Port Townsend years ago. I called it, "Beyond Abbadon's Gaze. For a while I used that percussion audio for the original trailer for my film, "Gumdrop". I liked the coarse, uneven beatings and noises for the trailer. But when my soundtrack composer Andrea Fioravanti heard it (from the Italian band, Postvorta), he offered to do the music for the trailer, and I went with that.

How dumb DO you have to be to piss off an eagle? So I made a film about why that happens, why a crow would attack an eagle, and made it about the eagle trying to educate the crow. Silly film I thought kids just might like. But I don't think any yet have seen it.

Here's a couple of old pieces from Indies Unlimited:
- Meet the Author: JZ Murdock
- Article on JZ Murdock by LA Lewandowski: "Gender Bender"

I also made up some book trailers for my books. These are from 11 year ago and since I started producing films, my tastes have changed and I would make this very different today. But they are what they are and so I offer them out of nostalgia if nothing else.

Like Expedition of the Arcturus, a generational spaceship story. First published on the online, hard science fiction magazine, PerihelionSF.com

• Death of heaven (Revised 2014) / Death of Heaven (2012)
• Synesthesia (non-fiction/psychology)
• Some Notes on Field Theory and Psychology (non-fiction/psychology)
• The Conqueror Worm (1st story from, Death of heaven)
• Mr. Pakool's Spice (zombie story)
• Anthology of Evil (collection of older short fiction-horror/scifi)
• Poor Lord Ritchie's Answer (surreal horror)
• In Memory, Yet Crystal Clear (1990-dystopian America & giving one man, all power)
• Quantum History (humor-science experiment gone mad)
• Gumdrop City (story the film "Gumdrop", a short horror is based upon)
• Simon's Beautiful Thought
• Sarah ("Twilight Zone" type story)
• EarVu (horror/scifi-science experiment gone mad)
• Japheth, Ishvi and The Light (religious cult/zombie story)
• Andrew (novella that Death of heaven is in part based upon)
• The Mea Culpa document of London (medieval witch hunter story)

I have several new books out after those above. The sequel to my first collection of short stories is, Anthology of Evil II Vol. I & "The Unwritten" Vol. II. Also Suffering "Long Covid". 

And that's a list of where all or most of my works are located, should anyone be interested. Have fun!

Cheers! Sláinte!

Next time you hear, "America is a Republic, not a democracy."

I'm not writing full much of anything the past couple of months. Long Covid came back to bite me hard. April will be two years with it, for the second time (which led me to writing a book about it that's not doing too bad, Suffering "Long Covid"). It's not that I'm not writing anymore, just that it's been harder in not feeling well too often. 

I am also finishing up editing a film companion book for my WWI antiwar film wrapped in the music of Maurice Ravel: "Pvt. Ravel's Bolero" with over 80 international awards. You can see the film at that link above on that indie film site (or the YouTube trailer free). It's $5 to see the film and join, but the filmmaker you select gets half that fee and you can then see other indie films. 

If you stick around for monthly, it helps support indie films and the filmmaker you selected at sign up. For indie filmmakers it's a pretty cool setup. Otherwise we tend to get very little from streaming sites or their algorhythms tend to push only the bigger films. And there's a lot of great smaller films around people just don't get to see.

I hope to get back to more serious work soon. I've also been getting use to using AI. I've been testing out Chat AI for a while now, Bing AI Copilot and Bard, among others. It takes a little getting used to. Mostly I've used them as over glorified Google search functions. I've been posting discussions I've had with Copilot on here this past week because it gives people an idea about how to use them. They do have limitations. But that will fade quickly over time. And probably not that much time.

My best advice on using AI for now? Vet and verify what they say/respond with. Do check their URL references as they can be completely wrong at times. That being said, here's a new one. I just had a long drawn out argument with a conservative, Trump supporter online about democracy". It's a stupid argument that's been used for decades to argue against the status quo and delved into the nutcase right wingnut mindset that led to a Trump insurrection. Let's not do that again, or elect a career criminal, autocrat/wannabe dictator, narcissistic baby to office again.

So, I asked Bing AI Copilot: 

There is a certain part of Americans who have long used the concept that America is a Republic, not a democracy as a whistlecall to much that is supported by white supremacists, MAGA conservatives, and antigovernment types. How would you counter their argument to dispel their mindset and lame argument?

Copilot:

This is a complex and controversial topic that has been debated for a long time. There is no definitive answer, but here are some possible ways to counter their argument:

You can point out that the United States is both a republic and a democracy, and that these terms are not mutually exclusive.

A republic is a form of government where the people elect representatives to make laws and decisions on their behalf, while a democracy is a system where the people have a direct or indirect say in how they are governed. The United States has elements of both, such as the popular vote, the Electoral College, the Congress, and the Supreme Court. Therefore, saying that America is a republic and not a democracy is a false dichotomy12.

You can also challenge the assumption that a pure democracy is necessarily bad or leads to mob rule, tyranny, socialism, or communism. These are scare tactics that ignore the diversity and complexity of democratic practices and values around the world. Democracy is not a fixed or static concept, but a dynamic and evolving one that can accommodate different contexts and preferences. Democracy can also foster liberty, peace, and prosperity, as well as civic engagement, accountability, and human rights.

You can also appeal to the ideals and principles of the American founding and constitution, which were influenced by both republican and democratic thinkers and traditions. The founders did not reject democracy, but rather sought to balance it with checks and balances, federalism, separation of powers, and the rule of law. They also recognized that democracy is not perfect, but rather a work in progress that requires constant vigilance, participation, and improvement. They also left room for amendments and reforms to adapt to changing circumstances and needs.

ME:

What about when they start pointing things out in the federalist papers to support their contentions that America is not a democracy?

Copilot



The Federalist Papers are a collection of 85 essays written by Alexander Hamilton, James Madison, and John Jay to promote the ratification of the Constitution of the United States1. They are not official documents of the government, but rather personal opinions and arguments of the authors. They also do not represent a unified or consistent view, as the authors sometimes disagreed with each other on various issues.

Some of the essays in the Federalist Papers do express skepticism or criticism of pure or direct democracy, such as Federalist No. 10 by Madison or Federalist No. 63 by Hamilton. However, they do not deny or reject the value or necessity of democratic principles and practices in the American system. Rather, they advocate for a mixed or balanced form of government that combines republican and democratic elements, such as representation, federalism, separation of powers, checks and balances, and the rule of law.

Therefore, when they point out things in the Federalist Papers to support their contentions that America is not a democracy, you can counter their argument by showing that the Federalist Papers are not authoritative or conclusive sources of the American political identity or philosophy. You can also point out that the Federalist Papers acknowledge and appreciate the role and importance of democracy in the American experiment, and that they propose a complex and nuanced model of government that incorporates both republican and democratic features.

There are various groups that oppose or undermine democracy in America, often for extremist, violent, or hateful purposes. Some of these groups are:

Right-wing armed groups, such as white supremacist, anti-immigrant, anti-government, pro-gun, and survivalist militias, who envision a coming civil war or a collapse of the state. Some of these groups, such as the accelerationists and the Boogaloo Bois, seek to hasten or provoke such a scenario.

Hate groups, such as neo-Nazis, Ku Klux Klan, anti-Muslim, anti-LGBTQ, and anti-Semitic organizations, who promote bigotry, intolerance, and violence against marginalized or minority communities. According to the Southern Poverty Law Center, there were about 1,225 active hate and anti-government groups in the US in 2020.

Anti-democratic politicians and media figures, who spread misinformation, conspiracy theories, and lies about the legitimacy of the electoral process, the integrity of the institutions, and the rights of the people. These actors seek to undermine public trust, incite violence, and subvert the will of the majority. Examples include former president Donald Trump, who falsely claimed that the 2020 election was stolen from him, and some of his allies and supporters, who attempted to overturn the results or storm the Capitol.

These groups pose a serious threat to the health and stability of American democracy, and they require vigilance, resistance, and counteraction from the public and the authorities.

ME: Do they have their own flag? I know for a while the right wingnut crowd acquired the American flag and the word "Patriotism". If you flew a flag, people avoided you thinking you are a right wing crazy. I'm a veteran. I used to fly an American flag at home, but I stopped for a while because I didn't support those people or POTUS45, Donald Trump. Or when you used the word, "Patriotism", people assumed you were a right wing, gun nut. I think we're on the road to taking both those things back. 

Copilot:

Some of the groups that oppose democracy in America may have their own flags or symbols that they use to identify themselves or their causes. For example:

Right-wing armed groups may use flags that feature guns, skulls, snakes, or slogans such as “Don’t tread on me” or “Come and take it”. Some of them may also display the Confederate flag, which is seen by many as a symbol of racism and slavery1.

Hate groups may use flags or symbols that are associated with Nazi Germany, such as the swastika, the iron cross, or the SS runes. They may also use flags or symbols that represent white supremacy, such as the Celtic cross, the Odin’s rune, or the black sun2.

Anti-democratic politicians and media figures may use flags or symbols that are related to former president Donald Trump, such as the MAGA hat, the Trump 2020 flag, or the QAnon flag. They may also use flags or symbols that are related to conspiracy theories, such as the QAnon logo, the Pepe the Frog meme, or the Punisher skull34.

These flags or symbols are not endorsed or recognized by the official government or the majority of the American people. They are often used to provoke, intimidate, or incite violence against those who disagree with them. They are also widely condemned and rejected by many civil rights groups, religious organizations, and political parties.

ME: How would you summarize all this in a closing comment to someone to give them hope and support their fighting against ignorance and this kind of extremist right wing divisiveness?

Copilot:

America is a great nation that was founded on the principles of republicanism and democracy. These principles are not incompatible or contradictory, but rather complementary and mutually reinforcing. They allow the people to have a voice and a choice in how they are governed, while also protecting their rights and liberties from abuse and tyranny. Democracy is not a threat or a weakness, but a strength and a virtue. It is not a fixed or static concept, but a dynamic and evolving one that can adapt to changing circumstances and needs. Democracy is not perfect, but it is worth defending and improving.

However, there are some groups that oppose or undermine democracy in America, often for extremist, violent, or hateful purposes. They use false or misleading arguments, symbols, or flags to justify their actions or beliefs. They spread misinformation, conspiracy theories, and lies to erode public trust and confidence. They incite or commit violence to intimidate or silence those who disagree with them. They are not representative or respectful of the diversity and complexity of the American people and their values.

We should not let these groups divide us or deter us from our democratic ideals and aspirations. We should not let them take away our hope or our courage to fight for what is right and just. We should not let them define or dictate who we are or what we stand for. We are the people of the United States of America, they are a minority, and we are stronger together than apart. Even though they praise division and fear. We are the defenders and the guardians of our republic and our democracy, and we will not let them fall.

There you have it...

Cheers! Sláinte!

My Writings...

I should say for anyone who was reading my Walking Thoughts series, it's winter now. Between my health being weird (Long Covid, going in and out), and the cold, not walking so much now. And? Soon... maybe.

So, I was writing up a bit to offer in yet another literary management round of seeking representation and I stumbled upon doing this. I'd always wanted to have a survey of my writings and really see what's up with me and what I am saying in all of my writings, even across my screenplays (and my indie films), though mostly in my fiction. 

Which are located mostly here:

Amazon books, Amazon ebooks, Audiobooks, Smashwords (now, Draft2Digital) and...

IMDb, "Pvt. Ravel's Bolero" ($5/mo & I get about half, you can see my film, outtakes reel, and other indie films...support indie films!). Also, JZMurdock.com and lgnproductions.com.

Anyway...

I noticed a while back that I've written about young kids (the novella "Andrew", the short story, "Jaonny's Apple Tree", screenplays like, "Popsicle Death") in how screwed up the world is through their eyes, or in how they are maltreated, at times with the best of intent. Which obviously speaks to my own curious childhood in having moved every year, in and out of the country before four, living in authoritarian semi-Fascist Franco Spain in 1958. Then moving almost every year once back in America and from one coast to another, and so on. 

I have a degree from Western Washington University in Psychology concentrating in phenomenology in their Awareness & Reasoning division and so the psychological elements in my writings as well as the observational (phenomenology) are reasonable and obvious. 

Anyway in doing this, it gave me let's call it, a survey analysis light, of my writings, as such:

Just thought I'd share...

Cheers! Sláinte!

Pvt. Ravel's Bolero - an antiwar, filmic poem, historical documentary film

In 2022 I produced a film, "Pvt. Ravel's Bolero", based on a poem I wrote of the same name, some years previous. It seems to be a well-received endeavor. To date I've received over 30 international film festival awards.

[9/12/23 update: Pvt. Ravel's Bolero now has 43 international awards!]

You can see it now, free, if you sign up for a free trial subscription on ThrilzTV.com. It's a safe site, you can watch the film free, then unsubscribe. No worry. I built most of the site myself with a few others and we're not trying to cause anyone problems. In January we're shifting into a large endeavor of which ThrilzTV will be a part of, with much more to come. So maybe get in on the beginning?

It's a serious film. But if you're a classical music, or if you're a history buff, especially of WWI, France, trench warfare, Maurice Ravel, Bolero, War...or a variety of other things...do check it out! I didn't get all these awards because it's not worth checking out. This isn't the kind of film that gets a standing ovation. It's about serious issues. But done in a way that is innovative and affecting. 

Documentary, Biography, War, Music, Independent, V (Violence), D (Suggestive Dialogue), 14-Jul-2023

The international multi-award winning, antiwar "filmic poem" and historical documentary, "Pvt. Ravel's Bolero". Experience WWI as told through music (played by Ravel), actual documentary footage and a poem that proposes a question:

"What if the composer of Ravel's Bolero, Joseph Maurice Ravel, had not simply been a truck driver in WWI, but had actually been the trenches?" What if he had drawn the French and German enemies lining both sides of their deadly "no man's land", to enter the deadly, horrific space between the soldier's trenches, and played his new song? A ghostly meeting of soldier musicians and the dead...all among the horrors of their shared zone of death which laid horrifically between them.

Forty-Two International Awards, including:

BEST WAR SHORT - Arthouse Festival of Beverly Hills.

BEST DIRECTOR EXPERIMENTAL SHORT FILM, Indiefest Film Awards

BEST SHORT DOCUMENTARY - New Orleans Film Festival.

BEST HUMAN RIGHTS & SOCIAL FILM - RunDoc Film Talent Award, Hong Kong.

BEST DOCUMENTARY FILM - World Film Carnival, Singapore.

DOCUMENTARY-BEST FILM - Grand Jury Prize Bronze Award - Los Angeles Motion Picture Festival.

EXCEPTIONAL MERIT - Docs Without Borders Film Festival.

And over many more...

Cast

Brel Martínez "Adelaide", Ravel's Truck

Jey Martin, Narrator

Joseph Maurice Ravel Pianist/Conductor

Crew

JZ Murdock, Director

Walkabout Thoughts #56

My thoughts, Stream of consciousness, rough and ready, while walking off long Covid and listening to podcasts… July 17, 2023, Monday

Weather for the day… 67° starting out, 72° when I got home

Podcast Deja News by Rachel Maddow, final episode of the season: Episode 6: “Hello America, this is Addis Ababa.” This episode is relating our defense of Ukraine, through to something that happened many many years ago in 1935 when blacks signed up to defend an African country, Ethiopia who were a member of the League of Nations, precursor to the UN, when there were only two black governed nation states in Africa. This was Mussolini, the Italian fascist, not the current fascist Putin in Russia. Mussolini thought if other countries are taking land in Africa, why shouldn't we? So instead of our decision to support Ukraine against Russia today, in 1935 America decided not to for Ethiopia against Italy. This is that story. Mussolini conjectured, they take over another country in a continent where other nations have colonized them. Why was that wrong? Because the era of colonization was over, dumb ass.

An anthropologist once said, "The human race is designed to raise up certain individuals and then take them down. While they were raised up in being something new, different, maybe better (hopefully), at some point they become an irritation to the overall organism and must be eliminated. Thus in example, Jesus was raised up and then eliminated. Where is that happening today and with whom? And are they that useful to humanity or just a small minority who have wrested power to abuse the entire nation (organism) as we see when authoritarianism takes countries over? To be sure at times a majority gets into it, supporting it.

I have published two of my screenplays as books, but for only a short time. I ordered my own copies, and when I receive them, I’m going to turn them off. I'll leave them there until these are produced as films and then, turn them back on again. “The Teenage Bodyguard", is a biopic and true crime story that’s been winning awards. I worked with producer, Robert Mitas (who was a producer on films with Michael Douglas) as consultant and producer to rewrite it is a shorter screenplay. 

But this is the longer original, a very well researched screenplay that got his attention. The second screenplay book I published is my horror and kind of comedy, “Gray and Lover, The Hearth Tales Incident". I entered a screenplay festival, where a side benefit was getting your screen place published as a book. I thought what the heck? But I also thought that if you  are really serious about having a screenplay produced, publish the screenplay as a book after the films is released, or at least after its purchase toward production (maybe not then).

Speaking of other works, my antiwar documentary filmic poem, "Pvt. Ravel's Bolero" is available exclusive on ThrilzTV. It has 18 short film awards internationally including, Best War Documentary, Best Experimental Film, Best Director, and others. In my previous blog you can see my previous poster for the film.

It sure seems like we usually know a war is coming, before it starts. So why don’t we do things ahead of time. as if the war has started? I also never understood, we have NATO and we have the UN, and while there are countries not part of NATO, why do we let that stop us from refusing war, ever again? Or at least do everything we can before one starts to cut it off. Yeah, yeah, I get all the contraindications, but while we're still at a point in our infancy, in our adolescence that we continue to allow wars, aggression against other countries? Come on! Sometimes after long paying your dues, you simply have to accept that you are a professional...or you ARE mature enough to do what is right and correct.

Aggressors, either Mussolini, or Hitler, or Putin, do not learn lessons. Donald Trump did NOT (never will), as one Republican Congresswoman Susan Collins had said ("Trump has learned ‘a pretty big lesson’ from impeachment"), learn a lesson from his bad actions. Nope. ain't gonna happen. What these dictatorial autocrats learn from failure is how to succeed further, the next time. What you do with these people, as we saw in World War II with these imperialistic aggressors, is you physically stop them, disallowing them their desires. We have still not done that with Putin, or helped Russia out of their delusions. Putin has fed them propaganda and dezinformatsiya for over 20 years. They have generationally been inculcated through the Soviet union since 1917, and before that as a country of serfs under a czar. Putin should have been reacted to long before the Ukrainian invasions. He should’ve been stopped before the 2014 invasion. Not just western democracies and America seem crippled when it comes to being proactive. One can offer climate change as evidence. I offer Ukraine here as evidence. At some point one has to learn you do not put up with bullies or you actualize them and propagate their existences.

In 2014, when "little green men" we’re running around, supporting Ukrainian Russian separatists, when still no one knew who they were, that was when we should (all) have supported Ukraine. 100% in all ways possible. Because Russian would not have taken Crimea and we would not now be involved in the Ukrainian war because of this delusional, Russian dictator once again. When will we learn that? Never? Apparently. Well, we're doing (a little) better, now.

I also think we need to sign on to the agreement about cluster (bombs) munitions. We need to sign on about land mines (thanks again, Trump). We need to get the world into a knee jerk reaction against international aggression at some point and, granted this may be a little premature, though I hope not, because earth really needs to stop allowing war.

The bombing of Japan that ended the war in the Pacific was a horrific event that did with Oppenheimer thought it would do. What he pushed for. It horrified humanity. Perhaps what we need now is for Russian nationals themselves to set off a nuke. A college kid can create an atomic bomb, they just need some fuel. Once they find specifically were Putin is at the moment and trying to minimize "collateral damage" as the military prefers to say, that might just wake the Russians the fuck up. But if anyone other than Russians do that, it just simple not serve the purpose to turn Russia around in their current despicable course.

Why do we allow people like Putin or Donald Trump even to breathe the same air as decent people? This is not a conundrum, by the way.

As Rachel says in the podcast, "Dictators force you to consider your own interest against others." In the hope that yours will win out, to support theirs in the end, and the beginning. In this far too narcissistic world anymore (See, MAGA), an entire political party apparently devoted to narcissism, and the needs of the one each one over that of the group or the group over that of all citizens.

Putin has shown himself to be a callous anachronism...someone who displays a lack of empathy or sensitivity in a context where such behavior has become (by him...or them) no longer appropriate or acceptable. And the same is true of Donald Trump, and those who support either of them.

I agree NATO shouldn’t be going to war against Russia because of Ukraine. The United Nations Armed Forces should be. Which doesn't exist in that form. And if it did, might prove problematic. But does end  justify the means?

According to Donald Trump, his January 6 insurrection was an FBI false flag operation. But if we put him in jail, his supporters will do it again. That’s what we’re up against? One has to be unavailingly stupid to buy that line of bullshit. Well...MAGA.

Putin: the greatest catastrophe of the 20th century was the fall of the Soviet Union. Excuse me, while I guffaw. Donald Trump: his not being reelected is the greatest catastrophe in the entire 21st-century. Which we just started. Double guffaw. Moronic comics.

If Donald Trump‘s allegedly mushroom shaped penis were to "eat" all of his ego for a solid year until it was found to be engorged, like him, it would vastly larger than his character could ever attain. The man has no character, from a time when "character" was considered a comment on good character and not the existence of merely ANY character at all. Some "character" is not to be acceptable, or locked up, or wiped from existence for the benefit of Humankind. Remember when we were, "kind"?

After Trump's so far now, mere six court trials get going, I’ll need to be sure to get a photo of him now and from a year ago to compare to his photo from a year from hence. Because I would think his decrepitude will be easily observed in advancing exponentially.

The only metaphor I could think of just now for Trump's ludicrously adoring fans would be if he were seeb as their "cake", where instead of icing, it's just an inch of fat with no sugar, and maybe a little rancid, and they lap it up, loving it. And of course he and they, "want their cake and eat it, too."

Those especially in Congress or Governors of states, or Attorney General’s of states, who still disingenuously cannot clearly see how Donald Trump is criminal and how what he did was criminal, truly should be removed from office. So much of what these people do is not direct logic and they have to be able to draw conclusions and synthesize information, to apply it elsewhere. Tim Scott, saying he doesn’t hold Donald Trump accountable because Trump didn’t personally come and try to kill him on January 6, is probably the most disingenuous thing I’ve ever heard him say. Remove him from office. And he therefore has no right to run for POTUS.

I love Pad Thai. My son told me he read somewhere that Thai people don’t usually eat Pad Thai. That saddened me. On the other hand, there is a lot of other Thai food that’s much tastier. There’s Chinese food too, which I love that you can’t find in China because while it’s Chinese food based or China fusion or something. Chinese people in China wouldn't recognize it. I just don’t much care for Pad Thai with a solid wafer of egg in it. I only started seeing that in the past few years. Chicken, cut up in it is fine. I think when I started eating it, it was with pork, probably, but I’ve come to really like the chicken version. Even the tofu version can be good.

The number of Republicans who believe what Donald Trump did during his January 6 insurrection was criminal is under 10%. These are definitely low information people. Let me explain that. Information is real, it’s factual. They are however on the other hand, rather high DISinformation people. They're not stupid, but they are selective ignorant (on purpose).

What the hell is doing a shibboleth? That from Jon Lovett on the "Pod Save America" podcast: "Shibboleth is a single sign-on log-in system for computer networks and the Internet." Nope, not that. "a word or saying used by adherents of a party, sect, or belief and usually regarded by others as empty of real meaning." Maybe? What did AI said: "The phrase "doing a shibboleth" typically refers to using a particular word, expression, or custom as a test or a way to identify insiders from outsiders within a group or community." Ah, that must be why he keeps using it. "The term originates from an ancient Hebrew word, "shibboleth," which means "ear of corn" or "stream." In the Book of Judges in the Bible (Judges 12:5-6), it is described as a password used to distinguish between two groups of people who were at war."

I switched over to "Pod Save America" when Rachel’s double length, hour long, excellent podcast ended. And everyone should listen to Rachel‘s podcast of her season finale of Deja News ASAP.

Cheers! Sláinte!

3 Amazing WWI Documentaries - JZ Murdock, Peter Jackson, Brian Henry Martin

My WWI documentary is a filmic poem and an antiwar film. I wrote a poem years ago and tried to get it published. I worked on it once in a while, got comment from a professional poet and he said to just keep working on it. And so I did. Until one day I stumbled into the idea of making a documentary, and then a WWI documentary, and then a documentary built around my fanciful poem, "Pvt. Ravel's Bolero" (trailer). To be clear, the title of this blog is in an order I would suggest to watch these three films and has nothing to do with any lack of knowing the great quality of the other two filmmakers!

I've written about the experience of making this film previously. I am working on a film companion book for this film, which is about half written. It took me six months of editing to finish the documentary with years of research under my belt in acquiring public domain media and information. Something I continued throughout the production of the film. I had for several years intended on turning the poem it is based on into a minimalist animation. But no animator would touch it without more money than I could come up with. The finished film itself I had hope of eventually reproducing it with much better resources. Seeing what Peter Jackson did with his film makes that prospect even more desirable. 

New Poster for ThrilzTV where it can be viewed

"Pvt. Ravel's Bolero" is a film that only came into existence because of having Long Covid acquired from COVID-19, for at least the second time. Having first acquired this miserable disease and first noticing its symptoms on February 9, 2020. I eventually wrote a book about it: "Suffering Long Covid".

What I'm writing about here today, is regarding what happened over this past week. I'm suggesting an order one might watch these films in. Even if you do not (yet) have access to view my film, it will still make it's point if you watch these other two. I'm sure there are many good WWI documentaries out there. But this blog here involves only three. Mine, Peter Jackson's and one from Double-Band Films about photographer/Lance Corporal George . I just finished watching that one.

About "The Man Who Shot the Great War" (2014), from Acorn TV:

"Premiering in North America December 19th. Among the thousands of men from Britain and Ireland who fought on the battlefields of the First World War was Lance Corporal George Hackney, who did something remarkable: he brought his camera with him to war. Described as a "photographic discovery of the century," the images he took captured the brutal realities of the front lines and fueled a moral quest that altered the course of his life." 

The other day I watched Peter Jackson's WWI documentary, "They Shall Not Grow Old" (2018). From Warner Brothers Pictures' Youtube channel:

"The acclaimed documentary is an extraordinary look at the soldiers and events of the Great War, using film footage captured at the time, now presented as the world has never seen. By utilizing state-of-the-art restoration, colorization and 3D technologies, and pulling from 600 hours of BBC archival interviews, Jackson puts forth an intensely gripping, immersive and authentic experience through the eyes and voices of the British soldiers who lived it."

Three films about WWI. The "Great War", the "War to End All Wars".

My film as I said, took me, alone with what small resources I have in filmmaking and editing, took me six months of editing as I was coming out of a rough winter with long covid. My son got me playing a video game on my desktop video editing workstation and I did that for months. Part of an hour the first time until I was playing all day long after a few weeks (months?) and then realized I was not only able to get out of my living room recliner chair I'd spent most of the winter in just watching TV, dozing off and on and not feeling well, but I was actively engaged in this Fall Out 4 game. I'd put 700 hours into it. 

It was time to actually do something. Unable still to be able to handle a production with actors (and a schedule), the idea came to me to make a film of some sort that I could handle doing all by myself, on my schedule, if and when I could, whenever. In considering what to do, I landed upon the project I eventually finished. Twice after months of editing I wanted to quit, give up as it is exacting work of digitally splice media together, AI colorization, multiple layers and tracks and sophisticated audio work in syncing music and sounds and creatively doing Folly work, making sounds that come from one source being made to sound like another. But finally, I finished it.

I sent it to a few festivals and immediately that week got an "Official Selection" from one. Shortly thereafter, the next week, it won an award for "Best Documentary". I entered more festivals. Then it won "Best Experimental Film" at another festival. I entered more and continued winning, not all festivals, but more than I had ever expected. Far more than my previous and narrative film, "Gumdrop", a short horror. Yes, from horror film (really more of a film noir), to the horrors of our perhaps our greatest horror in wars in human history.

As I indicated above, I detail this all elsewhere as I had to hire voice actors and a poet to translate my poem, a center point to the project, for the voice actors to read. At one point I hired a sound engineer to clean up what I could not in digitizing Ravel's "Bolero from an original Polydor double record set from 1930 I bought online from a seller in Paris.

I used some visual media in the film that were never seen before like this because they were not of pristine or perfect quality or focus, all of which played into the "poetic" nature of the film as not just documentary but fantasy and visual poetry. That is important, because it has a lot to do with why I'm writing today about this and the other two documentaries. 

In my film you can notice the French always face and move to the right, which the Germans, their opponents in Verdun, France in this film, always facing and moving toward the enemy, the French, to the left. From the perspective of the French in the film, when they are headed to the right of screen they are moving toward, entering the war. When to the left, they are moving away from, leaving the war. When the visuals are blurry, the poem visuals are referring poetically to the "fog of war" and such metaphorical elements and considerations. 

In moving from my film therefore to Peter Jackson's tour de force of his, "They Shall Not Grow Old", documentary, the effect is intense. With all that Jackson has available to him, the money, the team/teams, the quality of media he could acquire, the legal team for handling all that, and his special effects professionals, what he could produce is truly, as I've said elsewhere... awe inspiring. I'm not here to review his film.

However, Rotten Tomatoes said: 

"An impressive technical achievement with a walloping emotional impact, They Shall Not Grow Old pays brilliant cinematic tribute to the sacrifice of a generation. Read critic reviews"

I was stunned at the amazing quality Peter Jackson turned out in this film. I deeply and intricately know what it takes to do what he did in that film. I'm speechless, to be clear. Watching probably any WWI documentary prior to Jackson's could most likely give you the same effect as seeing my film and then his. But the difference in the quality of experience and visuals, not to mention the high quality level of his Folly work and audio dubbing, are truly inspiring. And that is all outside of the effect of the subject matter itself.

 

On "The Man Who Shot The Great War", Film Affinity said about it:

"Revealing for the first time what has been described as 'the photographic discovery of the century', this documentary uncovers the remarkable story of the Belfast soldier who took his camera to war in 1915 and how his experiences were to have a dramatic and unexpected outcome many years later."

It is a touching film about an amazing find so long after WWI.

Watching these three films in this order, for me anyway, was a very rewarding experience. My film is likely, for most people anyway, a bit of history and imagery you have never seen or known about.That is mixed up with a humanist, antiwar message through the people that runs throughout it and read by a female French actor as Ravel's Truck, whom he had named "Adelaide". 

Ravel's imaginary actions in the film brings the fear and evolution of a trench soldier into sharp focus. the end of the film with its long scrolling list of all wars on earth is a stark reminder of who we are and what our history has been. Evoking the question, why should this continue and how to stop it.

Going then into the Jackson film, the realization of his film is very impactful. It's almost like he went back in time and shot these war moments with a film crew. His ADR (Automated dialogue replacement, voice dubbing), his Foley work (sound effects), and his colorization and visual enhancements are impeccable. It's a moving film, in ways beyond my own film, while a perfect adjunct to it.

Then moving on to the George Hackney film and what it uncovers is touching and amazing in entirely different ways and I highly recommend it. 

These are short films, offering us a bird's eye view, even closer, and in ways no bird and few humans have envisioned. It is a set of films from a time long forgotten, which is repeating itself every decades since. We are changing our ways of war. They are becoming more exactly, civilians are not often "collateral damage" as they used to be. So often today, victims due greatly to specifically targeting them on purpose.

Such as Putin from Russia has so often done in his illegal war in Ukraine. And we are becoming more "green" in war with a realization that every weapon discharged is costing humanity in damage to our environment. And all too often, to civilians years or decades later in unexploded and lost munitions and toxic chemicals.

But the one thing that remains is, the cost to the human psyche, the friends and families of those soldiers and the damages to our world and ongoing blemishes to our history of humanity. 

Cheers! Sláinte!

I wish us all the very best!

Films:

"Pvt. Ravel's Bolero", available exclusively on ThrilzTV.com

"They Shall Not Grow Old" 

"The Man Who Shot the Great War"

Russia Invades Ukraine, Film Festivals & "Pvt. Ravel's Bolero"

My antiwar film, "Pvt. Ravel's Bolero" has an interesting evolution which I'm detailing in my book of the same or similar name:

“Pvt. Ravel's Bolero - Film Companion Book History, Form & Structure in the Antiwar Filmic Poem & Historical Documentary" I'm hoping to finish it soon. I am this day finishing up the DVD version of the film and it will soon be released exclusively on a streaming service I recently started with two other indie filmmakers called, "ThrilzTV.com". Pop over and sign up for a free month. If you like it, stick around. It's only $4.99/month! And we ARE going to evolve beyond a streaming indie video channel in support of our indie filmmaking community. 

But this is really a story about my submitting my film to film festivals and in particular, a Russian festival. It was in the week's leading up to and including Russia's ludicrous invasion of Ukraine, all due to their sad, ill, despotic leader, Vladimir Putin, a once middling KGB agent, how apparently had a bruised ego.

My history with Russia goes back to my interest in espionage. It began in high school and the Irish "Troubles" (I'm Irish on my dad's side) which I later transferred into curiosity about US/Soviet relations. In studying that, it led me quite obviously and reasonably into UK/Russia relations history for the past 100 years of their involvement with and against one another. 

Britain found it had to teach America about Soviet espionage leading up to WWII, as we were quite ignorant and disbelieving about things London would tell us. SO they painstakingly updated and educated us on what they'd learned about Soviet tactics, and their long term active measures against other countries, and their disinformation techniques.

This led our "Wild" Bill Donovan, head of our OSS fame being questionably (illegally?) involved in the ABC group of America, Britain and Canada. Eventually, after the war the OSS became the CIA. But in studying this history for decades, considering going into the business myself, entering the USAF with a security clearance for nuclear weapons and signing up with the OSI (Office of Special Investigations, their FBI), I learned a lot.

"When the United States entered World War I in 1917, Donovan, then a major, organized and led the famed 1st Battalion of the 69th New York Volunteers (the original “Fighting Irish,” and which, after the unit was federalized, was redesignated the 165th Regiment of the 42nd Division). He was soon promoted to lieutenant colonel, and his unit arrived in France in October 1917, ready for action." - America's Spymaster, from Warfare History

When in the 1990s I noticed Newt Gingrich started using old Soviet KGB disinfo tactics, the GOP had begun its long decline into autocracy. It was frightfully obvious to me in that decade that something untoward was going on with our Republican Party. Full disclosure, I was raised in my mother's liberal, Teamsters Union family. But I had always had a good head for what was right and fair between human beings, since before I was able to speak.

At some point I left the USAF, got a couple of degrees, started a family and realized I not going into that business after all. But I had learned a lot. I decided I had apparently wasted my time for decades assimilating a vast amount of useless knowledge. Then the "Iron Curtain" fell. I abandoned all those thoughts, thinking I had wasted much effort on useless knowledge. 

Until the 1990s played themselves out and I saw oddly similar things happening, not in Russia, but right here at home in America. I had experienced some of the right wing's white Christian nationalism while in the USAF in Spokane, in Eastern Washington, which I felt was more akin to Idaho (or eastern Oregon) where many from the beaten south after the Civil War had fled to. 

More like Idaho (or was Idaho more like eastern Washington?), than the western side of the Cascade Mountains where I had grown up in Tacoma and around Mt. Rainier. One of my degrees is from Western Washington University in Bellingham, near Canada's Vancouver (love it up there!). So when I heard the leader of the "Church of Our White Christian Heritage" up from Georgia spewing hatred in a chapel in he back hills of Idaho one day, about how Vancouver, BC was a "cesspool of humanity", I was shocked. My wife was terrified. A guy on base had invited us, he drove, surprised us in leaving Washington state for church and needless to say, we didn't go back.

When I left the USAF, I read up on these neo-Nazi loving "Christians" and was shocked at what was going on, right here at home in America (Ruby Ridge, Waco, Oklahoma City bombing, and so on). And how Oregon had been home to some very questionable types I won't go into here. 

Needless to say, I retained my fascination with Russia (and let's not forget Ireland, which I visited for my 60 birthday back in 2015). So when Putin took over, I easily realized it couldn't be good for Russia (for earth?), for a KGB agent to take be handed the reins by a predecessor criminal and alcoholic, as leader of a broken State such as the old USSR. Especially considering the agreement was Putin would protect Boris Yeltsin and his family for all his crimes as Russia's leader in having plundered their coffers. Just as Putin has done and now worries about leaving his position. As trapped in power and Russia it trapped under him.

So thoughts of submitting a work of mine (especially an antiwar film) to Russia, to Moscow, carried a lot of baggage for me. Needless to say, it was a somewhat entertaining notion to me. But I had no idea how it would end up, as so much Russian culture does, as involved and bittersweet as it would turn out.

It all started with that email, from Moscow... 

Wednesday, February 17, 2022:
"Hi, I’m representer of Fox International Film Festival. We heard a lot about your great work "Pvt. Ravel's Bolero". We would like to invite you to take part in our festival."

I checked them on FilmFreeway where I usually submit my films through. Their profile page there said their were a Moscow/Rome film festival. First time I ever saw that. Twin cities...with Russia. OK. Cool. Whatever. I have a long history with Russia since it was the Soviet Union (USSR). I had studied their disinformation techniques and history of espionage along with that of the UK and America (and somewhat therefore, Canada, as in the "ABC" secret America, Britain, Canada during and leading up to WWII).

February 18, 2022
I entered my antiwar historical documentary/filmic poem film "Pvt. Ravel's Bolero", to their festival being held in Moscow (with an associated event indicated in Rome).

Tuesday, February 24, 2022
Russia invaded Ukraine.

My film ends, end credits run, then a list of all "Wars on Earth" scrolls on, seemingly forever. The day Russia invaded Ukraine, I added one last war. So when it played in Moscow, that would be seen on the screen. They would have to know that in reviewing the film so to put it on screen would be a conscious decision. I doubted they would play it, or select it. I felt I had quashed my chances at winning an award, or even being selected. 

I really wouldn't blame them. But maybe they would appreciate just seeing it in watching it, judging it, privately as we do as film festival judges. As I've done myself in our Gorst Underground Film Festival, Kelly Hughes and I founded some years ago. It would take some kind of bravery under the dictator Putin to chance that kind of thing. But there are more Russian patriots that one might think. As happens in any country over twenty years under oppression. Would I have done something like that when the sexual predator and criminal Donald Trump was POTUS45 (or POTUS47 for that matter)? Absolutely. But to be fair, it's no where (yet) near the same thing.

Kelly and I, along with Tony Green in Montreal, Canada have started ThrilzTV streaming indie video channel. It's pretty cool. An indie streaming channel by and for indie film types. Utterly no bearing on anything I'm talking about here. I just thought I'd mention it. It's been a lot of work, but it's coming along well, and you will hopefully hear about it more in the future. And not just from me.

I guess I mention that because I mentioned Kelly. So I should mention Tony. And I'm talking about these two films of mine, both of which are now going to be on ThrilzTV, exclusively with "Pvt. Ravel's Bolero" to become available on there soon after a lot of promotion and hoopla (hopefully, the hoopla, not the availability as it's GOING to be available there).

Tuesday, February 24, 2022:
"Hi, dear JZ Murdock! Congratulations from FIFF team, as your work was selected to the second part of our December-January 2022 programme. Your work was something special and our jury was really excited watching it! We would like to inform you that in addition to being successful in your chosen categories, our jury has recommended you the following categories in which they think your work can be successful as well:
"Best War Film"
Good luck in the final part of our October-November 2021 programme!
With love, the FIFF team!"

Wow. No kidding? I found that brave of them. A statement perhaps against Putin's Kremlin in general. Especially since the last words of the film seen on screen are: "Putin's Folly" 2022

So I was up for "Best War Film" that Friday, on February 27, 2022. They thought that my film, THAT film... would play in Moscow? Even after Russia had invaded Ukraine? That, was pretty bold. I was having fond feelings for them.

Alas, in the end, I received only Official Selection. But thinking it was played in Moscow after Russia invaded a neighbor for no good reason was reward enough.

Plus, it allowed me to email Symbiotic Film Festival in Kyiv to tell them about this as it played out. I've talked about this before, like when it was happening. I wrote a blog about it.

Thursday, January 13, 2022:

Symbiotic emailed me requesting I submit my film noir, "Gumdrop", a short horror (trailer). 

Monday, February 23, 2022:

FilmFreeway:

Dear JZ,

Congratulations!

Symbiotic Film Festival has updated the Judging Status of your submission "Gumdrop", a short horror to Selected.

"Gumdrop", a short horror

Selected

Project has been selected to be included in festival!"

Wednesday 26, 2022:

Email to Symbiotic Film Festival:

"I'm hoping as we all are that you are all safe.

I just wanted to mention, my film, "Pvt. Ravel's Bolero", an anti war film, filmic poem/documentary was just given official selection by Fox International Film Festival in Russia, and they also nominated it as  "Best War Film", which I take as a form of support for Ukraine, if not also a form of dissent against what is going on. 

The world watching and is with you and pushing for ever more to be done to help you.

Slainte! May this all end soon and in your favor!"

I never heard from them again. But it is rewarding to see that they are still listed on FilmFreeway and their website is still up.

I only wish the same could be said for the Fox International Film Festival who had shifted their home reference only to Rome. Their listed website URL from before is not online and their listing on FilmFreeway is now gone:

.

I wish them well and can only hope my own response against their criminal leader Putin's illegal war in Ukraine did not adversely affect or cost them any difficulties. I'm not vain enough to think it had, but under a regime like that, anything is possible. Though I see a reference to them on someone's Twitter posting from last Friday, May 12th, 2023. I can only assume this is the Rome festival location.

What does make me happy is that the Symbiotic Film Festival seems to be alive and well. They are still today listed on FilmFreeway as being in Kyiv and their website and Twitter are up! Though their website is only updated through last year, their FilmFreeway listing indicates July 31, 2023 as their event date for this year's festival.

I wish them all well! Both festivals.

And now "Pvt. Ravel's Bolero" will be exclusively on "ThrilzTV.com". It's only 28 minutes long. But it packs a punch. Which explain why it's winning all these awards, I suppose. 

I wish you all well. We'll need it!

Cheers! Sláinte!

June 1, 2023 update:

Since multi award winning "Pvt. Ravel's Bolero" is ONE, an antiwar documentary about WWI, I'm not surprised Moscow rejected it here in this festival, since...TWO, the last phrase in the entire film, after a long scrolling list of all wars on earth, is:
"Putin's Folly 2022" for the Ukraine war he instigated.
I so wanted to be impressed by them. But I also understand.
And I should be even more impressed that the Fox International Film Festival in Moscow in Feb. 27, 2022 did play it.
I have one final festival Moscow Film Party coming up, then I'm done there... Notification Date: June 20, 2023

Walkabout Thoughts 33a - ThrilzTV, Our New Streaming Movie Service

Well. Not much walking of late. But I thought I'd offer an update.

I've been saying for a while I was working on building a brand new streaming movie service. And so we have been. It recently went live online. We've yet to market it yet, holding off on that as we continue to build it up and other things. 

A streaming service by indie filmmakers for indie fiimmakers, and lovers of other than mainstream big studio films, with a taste for the unusual and unique. Some vintage, some bizarre, some docs on fimmaking, some movies you probably won't see elsewhere, and just stuff. We have big plans for it. Not just movies, but expanding beyond that.

Brief aside about streaming services from the WrapPro: "The Oscars Box Office Bump Is Dead – but the Streaming Lift Is Alive and Kicking"

I used to work at Tower Records, and Posters (started there) and Video (ended there, in Seattle, other than being a supervisor there, I took over Jeff Ament's job (of Pearl Jam). Our video employees would gather some nights to party, blow off steam after a week of dealing with the public (Have you MET the public?), and we'd bring some fun/weird films from work. And we'd always have a blast. We would have loved this, having a streaming service such as we're building. And no need to check out VHS tapes from work!

Mostly we're just testing it out, getting more movies on it every day, and already...somehow, we've  already acquired subscribers! So if you want to get in on something at the beginning...here we are!

From a post by our marketing department guy, Steve:

"I'm excited to be helping out with a new streaming movie service called ThrilzTV.  If you're a fan of fun, thrilling entertainment and looking for something a little different then come check it out.  Not your Hollywood blockbusters but a range of independent films and nostalgic "B" movies too. 

"If you're interested in being a beta tester and getting a free month send me a message and I'll give you a promo code.  All we ask is that you watch some movies and take a short 10 question survey."

So there it is! Thanks, Steve! 

Well, I said I'd share when it came online and here we are!  As always...

Cheers! Sláinte !

A Mafia Murder And An Armed Teen

This is the story of "The Teenage Bodyguard." Who? Well, if you haven't already heard about this, in 1974 a teenager protected a murder witness, a woman and cocktail waitress for a week, from the mob, the mafia, from their "Enterprise". And he kept her alive. But did she survive?

Graphic by Kelly Hughes

Welcome to the Pacific Northwest podcast, "Scene of the Crime", who recently did a podcast titled, "Enterprise" (Also, here - podcast currently seems unavailable), in June of 2020. It told of the story of the Tacoma, Washington Carbone crime family who abused local Pierce County law enforcement and government all through the 1970s.

Years later, in 1978 during their San Francisco federal trial of their "Enterprise", they again murdered one of their bouncers who had been subpoenaed. But he was not the first bouncer they had murdered. The first was in 1974, and his name was Danny McCormack.

In the spring of 1974, there is a particular story that is of interest to us here. And that is the story of Gordie. After receiving a phone call from a "friend", he gave a woman who had been staying with the friend, a short ride.

When she got into his car, a 1967 Camaro RS/SS red convertible (two years later this model would be renamed as the Z28 model), she refused to give him an address to where he was taking here.

The first red light, and sign there was something wrong. Instead shea just told him where to turn until they got to her new living space. Her new home was with four people she had just met recently. With no ties at all to her past, or Gordie's friend, or Gordie for that matter.

At this point one might ask, "Why isn't this in theaters yet?" And if you're someone who could see this film produced, surely, say, "Hi!"

Exactly. Even the podcast pointed that out. The Blacklist, indicated that on an evaluation of this film. The Bluecat Screenplay Contest asked that exact question.

The Blacklist: "Since 2005, each December, the Black List releases its annual list, a survey of the most liked unproduced screenplays of that year. The annual lists are aggregated using votes from film executives working in the film industry." From The Blacklist

Bluecat Screenplay Contest: "Founded in 1998 by award-winning writer Gordy Hoffman, BlueCat has remained committed in discovering unknown, gifted screenwriters and showcases their work to a global audience year after year. Through written analysis provided to all entrants, BlueCat has supported thousands of screenwriters with many who have gone on to successful careers in the film and television industry."

Actually, I've been working with Gordie, the protagonist of this story, along with Voyage Media's head of their Originals Department, Robert Mitas. Robert has had screenplays produced himself, and worked producing films with actor and producer, Michael Douglas.
We are currently working to see this screenplay and story produced and into theaters or via another of many viewer platforms. I'd be happy with Netflix or Amazon Prime or others.

Text from Thursday, January 24th, 1974 Tacoma News Tribune article:

Patron kills bouncer at Tiki

The bouncer in a Lakewood night spot was slain early Sunday as he argued with a disgruntled customer in the parking lot.

Danny Derrick McCormick, 25, 3102 S. 47th St., was pronounced dead at Lakewood General Hospital at 2:30a.m.

He was employed by The Tiki, at Villa Plaza.

Sheriff's deputies were told McCormick was shot in the chest by a young white man who earlier had been harrassing a waitress in The Tiki.

After closing at 2AM, the suspect returned to pound on the cabaret door, unsuccessfully demanding to be let in. When McCormick and a friend went to their car, the suspect and a companion drove over and began angrily discussing the Tiki operation.

The suspect pulled a revolver, deputies were told. McCormick's friend grabbed him and told the bouncer to "get the gun."

McCormick was shot as he approached the suspect, who broke away and fled with his companion in their car.

An off-duty school security officer who had left with McCormick but gone to his own car fired a shot at the fleeing car as it sped away.

Mccormick was rushed to the hospital but did not respond to treatment.

It was this murder of a coworker that sparked this whole story. A story that led to a cocktail waitress to go on the run because, as she contended, she was IN that parking lot when Danny was murdered. A murder she said was NOT performed by an anonymous disgruntled patron, but rather by one of the capos of the head of the "Enterprise", John "Handsome Johnny" Carbone himself.

Why isn't this on screen yet somewhere?

Getting a film made is a magical thing. But we continue to work toward seeing this produced so you can see this story for yourself. And maybe, make up your own mind.