Monday, June 3, 2019

To AI or Not and Yes, I Do Talk To My Alexa

Indeed. I do. I have two. One in the living room I call Echo. I called it Alexa until I got my second to avoid confusion if one heard me addressing the other (that was weird), and I tried Computer but Echo is shorter. The one in the bedroom I call, Alexa. You have three name choices sadly, one voice, one accent. The name Echo is kind of weird.

But this talking to an inanimate object isn't something new for me. Years ago I was with a somewhat new friend and after we were together a few hours she said, "You spent a lot of time alone as a child, didn't you." Indeed, I did. I had to find ways to entertain myself. It wasn't great back then many times when I wished I had a friend. But it gave me a lot of imagination and creativity and it's paid off in a way that is neverending.

IF you can talk to yourself and learn something, you can talk to a "smart speaker" and learn. Or exponentially more so, with an "AI".

First wave Internet AI
I also dabbled in AI in the late 80s. Used to talk to ELIZA on the internet through its various incarnations and versions:

"ELIZA's key method of operation (copied by chatbot designers ever since) involves the recognition of clue words or phrases in the input, and the output of corresponding pre-prepared or pre-programmed responses that can move the conversation forward in an apparently meaningful way (e.g. by responding to any input that contains the word 'MOTHER' with 'TELL ME MORE ABOUT YOUR FAMILY').[9] Thus an illusion of understanding is generated, even though the processing involved has been merely superficial. ELIZA showed that such an illusion is surprisingly easy to generate, because human judges are so ready to give the benefit of the doubt when conversational responses are capable of being interpreted as "intelligent".-Wikipedia

I also talked to my dog. I talked at times to the air walking down the street. Or to a wall. You are you, talking to you, to be sure. But you CAN learn things. Once I discovered that it opened many doors and windows for me. When I was a kid someone heard me talking to myself. Really, I was just bored and muttering aloud what I was thinking.

Still, they said, "You can't learn anything if you talk to yourself." I thought, really? I wonder. So I actually tried it.

Why? I'm not nuts, actually. When I was a kid, I had to learn to play chess alone because no one was interested. Surely not as much as I wanted to play it. I've blogged about this before, how I did it and all. It took time but I learned to take both sides, try not to know, or use info on what the "other" side was thinking. And so I applied this to talking to myself as if I were two people with two orientations. Basically just picking an orientation and then taking the devil's advocate POV. And just go at it.

That first time I tried that I was stunned. Because I realized, I actually did learn something from it. that person was wrong. You CAN learn something by talking to oneself. Now understand, you CAN. But you also, can NOT. After all, it depends on what you are doing, what your goal is and how you go about it.

Years ago I read something a famous philosopher who said that it doesn't even take two people to have a valid and productive discussion. So I tried it. And again, I learned from it.

It's important that we ask questions. But it's also important when we don't. Not when you can work out the answer yourself anyway. If that is the case, in asking a question that you can actually answer yourself simply by accessing long term memory, or by analyzing the concept at hand, then you're just wasting another's time by asking them for the answer. It's lazy.

Now you could say, "But what if I just want to hear another's perspective, what answer(s) they came up with. That's valid too. But, you have to first know what YOU think the answer is before you ask another. Otherwise, you rob yourself of the exercise and weaken your own mind. But answering the question first yourself it's like doing pushups. IF you always ask someone else to exercise for you, how does that make you stronger? People don't always think about that. That in doing, you are enhancing.

Now that is different from another concept I believe in. "Being lazy." For that concept is different. I tend to go about my life in what I see (perhaps somewhat humorously) as being lazy. I've gotten some interesting comments in the past from coworkers and even a spouse on this. They would say that I never seem like I'm busy, or that I don't seem to work that hard and yet, as they claimed (and it was true) I always seemed to get a lot of work done. In many cases in multiples of what others were doing in the same or similar efforts. To be sure many times I was doing twice or more the workload of others in my department or area, or team.

I came to realize that was because of a few things. I was told in twelfth grade that I need to get my anxiety levels down because of my childhood and family life being stressful for me. Mostly because of my step-father, family dynamics and our parent's relationship. I had to learn to be relaxed, not be a Type A personality, not be a perfectionist as I was. So I studied that. Found Asian philosophies I had first learned in martial arts in grade school. Found Buddhism, and TM and all kinds of information. This being in the early 70s. Eventually, I turned into that person people found difficult to understand in how relaxed I usually was.

There was another reason for that. I started being "on call" in the late 1970s in the USAF. We were on call for nuclear war (I worked at a SAC base supporting B-52s and nuclear weapons). I found that morally and ethically difficult to deal with back then. I found it stressful. It was hard to get through but I did well. I received commendations for my work, a Good Conduct medal and other benefits.

When I got out, years later I worked in IT at Unversity of Washington Medical Center and Harborview Medical Center in Seattle. Later, I was in IT at various places like UW West Technologies and then eventually retired from a large health insurance company.

When I first got to that last company, there was a day when things were going very wrong at work. Some system broke or something, I don't ever remember. But I do remember one woman coming up to be and asking me how I could be so calm when everyone was freaking out so much and we were in such a dire situation.

I thought about it and my mind shot back through my past and I asked her, "Is anyone dying?" She got an odd look on her face and said, "No. Why?" Then I told her about my USAF and Hospital jobs. I explained to her that since we weren't about to go to nuclear war, since no patients would actually die because of a mistake I made in IT, this? Was a cake walk. I couldn't be happier here. Right now. We'll fix it. It will be OK. Then we'll address the next "dire issue" when it arises. I think that actually calmed HER down some too.

Getting back to what I was saying before, I discovered in 10th grade in high school that I kept asking questions. Discovered it, not so much. It was blatantly pointed out to me one day in class. The teacher at some point, though I was being a bit of a smart ass, politely asked me if I was just asking to be asking. I thought about it and said, "No, I seriously want to know these answers." The teacher was a pretty great teacher.

They said, "Okay then, if you really want answers, talk to me after class. Because now we're taking up everyone's time for you to get your answers. And some of those answers, if you just have patience, you'll learn in the course of our classroom time today. And what you don't, you may just find out if you allow yourself to think about it, to discover the answers by yourself. For yourself."

Okay, seemed fair. So I shut up. And they were correct. Over the next fifteen minutes or so, I did discover all the answers to my questions from what I heard in class, from our interaction with the class, and from my own deductions. I could indeed, think.

Pretty damn cool! Again doors and windows into intellect were being opened for me.

What I did discover in the future, in college, however, was that if I did ask questions in class, many times they were the same questions others had. I could see it in some of the student's faces when I'd asked a "stupid" question. I could see in turning back and looking over my classmates, a look of appreciation and relief someone else asked the question.

Some of these classes and professors were very high level and very intimidating to put yourself out there on the line, to perhaps been seen as ignorant. I felt that way my first month or so of college but eventually got over it and got brave enough, once I got into the swing of things. to take the risks.

As I'd learn so much and when you asked the question, you could direct the next question perhaps into a more interesting question and answers than others in the class might delay knowledge, dragging the class into areas uninteresting or banal. IF I controlled the next question, we had a better chance, as I discovered, of going into deeper and more complex issues.

I also realized I had a responsibility, to the class, and to the professor. It only took my abusing this situation once or twice in the beginning, to have a professor, as my high school teacher had done, to intellectually swat me down like a fly. The professors didn't suffer fools. And I did my best not to be a fool. And it paid off immensely.

Some students didn't want to ask questions because of that. It could at times, be brutal. Some wanted to ask but didn't care as long as their question got asked and answered and I felt the same. As long as anyone asked my question, great!

Eventually, I started to realize that I was asking questions others weren't even thinking of and they were happy to hear them (and in some cases felt relieved, these were difficult, but challenging classes as I said). Then after class somestimes, they'd come up to me and thank me for taking the chance of asking, or we'd continue the conversation between the two, or three or four of us and all learn even more. Sometimes leading us tot he professors office for more questions. That was also something I discovered was invaluable. A professor's office time. It is a benefit many did not avail themselves of.

I know those things as I said because we were all friendly after and out of class and everyone had the same orientation: To Learn. It didn't matter who or how we got answers, as long as we were absorbing as much knowledge as we could. I felt the same when someone else took the lead, or if I was having an off day and wasn't tracking that well that day. It's not about ego. It's about answers and exploring topics, especially ones I found fascinating. Something I found I could manage somewhat in the classes I chose to take.

It was an exhilarating environment, being at university. One that hurt not having it after graduation. Few jobs are ever like that. Few have that kind of drive and fascination toward the Truth or the group motivation, that thirst for knowledge.

The university environment can be intoxicating. It's a protected environment. Contrary to common belief, it's not about grades but learning. Though not all see it that way. You could see them striving for straight A's and not necessarily learning all that much.

So, what the hell is my point and what about talking to my Alexa, or an AI (or myself)?

My point is, it's all about what you make it about. What you want to get out of anything. What you can get out of even the banalest situations or the dumbest question, or the most boring person.

IF you direct the path you are on, you can learn, and sometimes, the amazing happens, and they learn something.

You can learn from talking to a wall, literally. And you can learn talking to an AI.

Am I polite to my AI? (OK, Alexa sadly, certainly ISN'T an AI, but you will sooner than you think, be talking to one, or many). So yes, I talk to my dog like it's human and do not expect it to be. As well I talk to my smart speaker, or an AI as if it were a human. We are creatures of habit and I'd not like to think that my being succinct or rude to an AI or smart speaker or pet, could make me more than way to other people. Especially, people, I see once in my life and move on.

What I do, do, is understand it is NOT human (yet?). I do not get emotionally involved with the inanimate. Maybe one day we can and will. IF one gets to anthropology an inanimate, a process, one is setting oneself up for some serious emotional or psychological issues.

IF your AI (or smart speaker) breaks, should you feel as you would if your favorite pet, or a loved one dies? Well, you can feel bad to be sure as it breaks connections in one's mind. But keep it reasonable. And many times we may be able to run a backup into a new device and reclaim exactly what was lost. In that case, was it the device, or the intellectual property you built with it over time that is most important?

That may not always be the case. One day we may be able to get back a loved one who is merely a copy and no, that is not the same as the original.

And yet, that too may one day becomes a moot point.

Humanity is on a path into the future and a journey. And it is about to get interesting, very interesting indeed.



Monday, May 27, 2019

Judging the Gorst Underground Film Festival - The GUFF

First off, I would like to address that today is Memorial Day 2019. In these trying times when wrong is sold as seemingly right and confusion is the rule of the day, we need to reflect on who we are and who we want to be. Part of that we celebrate today, in how we remember the fallen, those who protected us and died in our service.


"On May 5, 1868, General John A. Logan, leader of an organization for Northern Civil War veterans, called for a nationwide day of remembrance later that month. “The 30th of May, 1868, is designated for the purpose of strewing with flowers, or otherwise decorating the graves of comrades who died in defense of their country during the late rebellion, and whose bodies now lie in almost every city, village and hamlet churchyard in the land,” he proclaimed." History.com

But part of that is also in how we treat the living who return, broken and hopeful, and what our orientation is and should be in going into the future.

“Patriotism is when love of your own people comes first; nationalism, when hate for people other than your own comes first.” – Charles de Gaulle

Now, on to the Film Festival:

I was a judge in a local indie "underground" film festival. The first annual 2018 Gorst Underground Film Festival (GUFF). We're gearing up now for the 2nd annual 2019 version in a few months on September 7, 2019. I was only one of a few judges so regarding my voting. Some I rated highly were also rated highly by other judges and the winner I chose actually won overall. While a few I had liked and rated highly didn't get rated quite as highly by some other judges. Just how it goes.


Our judging wasn't made public or shared with the filmmakers. It can be problematic. To be sure. But I thought I would share some of my notes on some of the films I watched.

Like it or not, here it is. I will admit as the films flew past, I realized I'd started my ratings rather high as the quality of the submitted films was higher than I had expected. I was pleased to discover that. Judging is a learned behavior. With time and experience.

I'm sure I'll get better at it. As a long time screenwriter and a newly minted narrative filmmaker (I'm working now on my second film), I do have some insight from years of growing up loving cinema in the classical sense, and through my college cinema classes as well as through perfecting my own screenwriting and filmmaking skills.

About that. You do the best you can as a judge, using your experience and orientation in life and trying to be enlightened, not of a limited scope. You try to be neutral, academic a fan, a viewer.

I believe in being an advocate for the festival filmmakers. One judge may see things differently, may have more or less understanding about a film they watch. Or may be more or less educated about life, the world or cinema. But that is part of the package you have to accept in entering any film festival.

It's also why there is not usually just one judge and uses an overall average to decide a generally well-accepted film as the winner. Ratings are 1-10.

First up?

Beloved Beast - Director: Jonathan Holbrook

There is a lot to digest in Beloved Beast by filmmaker Jonathan Holbrook who mostly pulled it off. For a film pushing three hours in length one really needs to bring it. I think this could have worked very well instead as a three-episode miniseries in Twin Peaks fashion. Though perhaps it wouldn't have worked so well simply as a 90-minute film, though perhaps one with a sequel. Then, however, I'd have considered making it a trilogy and writing, or picking up some cutting room floor footage and putting it back into the project.

The film seemed to me to be unmistakably from the Lynchian universe of bizarre scenes and characters as well as uncomfortable moments being extended longer than is well, comfortable. Some scenes, though well-executed could have been shorter; though this could be argued as the director's divergence from Lynch.

While Lynch is succinct, Holbrook leans into the indulgent. Other reviews have noted Tarantino in the beginning, but I noticed a shift, so this seemed to me to be far more inside Lynch than Quentin.

What Lynch does is nearly impossible to reproduce. He's a master at it. To attempt it is audacious. Still, to approach it is commendable. Die-hard Lynch fans will certainly appreciate moments in this film as remarkable, though perhaps, too far between. The usual suspect with a long film. After all, the less one speaks the more genius may (seem to) appear.

On the other hand, if you don't like Lynch (or for that matter, Tarkovsky), perhaps watch another film. At times the film misses the mark in going beyond or even not quite far enough. If Lynch's works were an unwavering strand of titanium, Beloved Beast is the vibrating thread striving to be nearby it.

While one is unwavering and solid the other vibrates at times either too far or too near to its goal. Though how often and for how long is for the viewer to decide. I found the intermittent narration about the "Rabbit King" unnecessary, pulling the viewer out of the scene. At times even diluting the scene's crafted effect.

Other times it nailed it. Though the dialog at times can be too spot on. That too is very Lynchian. Still, the subtext here could be better executed in support of the underlying structure. As well, motifs and subplots could be better tied in, especially for a work of this length. As could the pathways or "roads" between characters. Something Lynch is adept at if not auteur.

All that being said, I found myself intrigued by the film at times. There are moments where the Grand Guignol, perhaps needing its moment, stepped outside itself into a wry piece of humor. More than once I had had to cringe or laugh out loud at something obviously planned that way. Overall it was a fairly well-executed film that needed restraint in the editing bay.

"A story can be both concrete and abstract, or a concrete story can hold abstractions. And Abstractions are things that really can't be said so well with words." - David Lynch

Man In Camo - Director: Ethan Minsker

A well produced and interesting documentary on a creative, rather fascinating art community builder. One of my most favorite docs that I've seen of late. Ethan Minsker is a force to meet if you ever get the chance. He actually flew in from New York, this native of Washington DC. Check out his other films and books, too. His documentary was creative as expected. I didn't think it was too long as someone said in the Q&A afterward.

It was in a way a tour de force of documentary filmmaking and I highly recommend it. His documentary actually won the festival.

Missed Connections Anthology -  Directors: Pamela Falkenberg, Jack Cochran 

A familiar topic shown in an interesting and entertaining light.

1/2 - Director: Raffaele Salvaggiola

Some beautiful shots in this film with some very decent cinematography and an interesting, well acted and properly directed story. A film no doubt by a lover of cinema for lovers of cinema with inherent references to some classic films and auteur directors.

Path of Egress - Director:  Vincent F. Baran

An audacious effort, if the filmmakers brought up some of its problematic issues to the level of other better-produced parts, they might have a winner. Audio / ADR levels/soundtrack, some editing issues, and a few other things needed better execution. Not to say there was a problem with the music soundtrack which was pretty good.

In the end, they followed my own belief in no matter what, give it a good ending and it pulls people up to a better consideration overall of your project. While a not so good ending can make a better film seem worse than it is. In the end, an entertaining crime flick with some decent humor, intense scenes, and some interesting elements.

Refuse

Hard to know what to say on this one. Kudos for finishing! Keep making films? I'm not sure where this filmmaker is headed, but somewhere I think. As for this piece..."Refuse" as a noun refers to food waste, scraps, or garbage. As a verb, refuse means to reject. As a double entendre, we have a film which exhibits and supports both of these definitions.

In the protagonist's refusal to help, he does so anyway but is denied, or refused. In asking for help in order to help, he is refused any attention. In standing at the bridge he seems to refuse to be affected by the beautiful scenery.

In breaking the fourth wall, he refuses to play the part of actor for that of the interactor. This didn't quite work for me, or others I spoke with about it. But if this is what the filmmaker was proposing then he may be evolving into something after producing more of these and gaining skills in doing so.

And so in the end, we as audience would also gain. A curious piece to be sure.

Search Engines - Director: Russell Brown

The film, Search Engines, isn't my usual cup of tea. But I laughed out loud several times watching this. Likable characters, well acted, this was just a sweet little message movie that walks the fine line of bashing one over the head with a message, and it's up to the viewer to decide if they maintained their balance or fell off. For me? Well, I kind of liked it.

Single Palm Tree - Director: Puthiyavan Rasiah

Rating, seven on execution, ten on message. I've seen other such films over the years from those disenfranchised as in Ireland, Syria, Lebanon and places in Africa and elsewhere. A noble endeavor. The world is finally hearing the truth about abuse by governments worldwide toward subsets of their citizens, typically minorities disliked for ridiculous reasons such as religion, caste, or simply socioeconomic status. And the world finally but slowly reacting.

This has to stop, to be sure. Sadly, the world has also gone more autocratic, xenophobic and nationalistic. You could tell Single Palm Tree was a labor of love, social responsibility, or both. It is a film whose message far outweighs its capability in execution.

As there are three codirectors it would appear the directing is qualitatively inconsistent for obvious reasons. Subtitles are at times more problematic than usual for subtitles for basic issues of mechanics (that is, unneeded spaces in words). Which in my experience are nearly always lacking in transliteration, to begin with.

 Some of the actors seem not to be actors and I'd even go so far as to say the casting is for some almost up to community theater standards while others are quite good. Overall some of the production is well executed but most are simply inconsistent. Cinematography sadly fails at times, while at other times, is quite beautiful

The Witches of Dumpling Farm - Director: Martin J Pickering

A nice effort, interesting if a bit uneven film but with some truly scary moments making it worth the effort. Just when you think it's done surprising you, it hits you again. Don't worry about the logic of it all in the first half, just let it happen.

Once the action gets going, they gain their stride. If the Pickering brothers keep on this direction they will be a force to reckon with. You almost wonder a few times...are these guys Sam Raimi's cousins across the pond?

So! Those are just a few of the 43 submissions we had received. The festival itself was a great time and I highly recommend showing up for this year's festival. It is in a rustic location just outside Port Orchard and Bremerton, WA, in Gorst.

For this 2019 season, we already have 48 submissions! I'm currently working on my own film, Gumdrop Sampson, based as a prequel to my short true-crime horror story, Gumdrop City. Obviously, I won't be allowed to judge my own film.

Kelly Hughes, local horror indie director and all around friendly raconteur may also have something in this festival which he started and runs. His new music video with Italian band Postvorta's song, "We're Nothing" is something to experience and has been making the rounds at festivals this year. Kelly also has a new documentary "Hush, Hush, Nellie Oleson!"

From a write up on Kelly's documentary: "After shooting a low-budget horror film, director Kelly Hughes gets a chance to work with his childhood idol Alison Arngrim, the actress who played the scheming Nellie Oleson on TV's Little House on the Prairie. But fitting Arngrim into the finished product becomes an exercise in futility as Hughes shoots increasingly absurd (and gory) scenes with Arngrim that don't have much to do with the original plot. Featuring extensive interviews with the cast and vivid film clips, Hush...Hush, Nellie Oleson! is a love letter to low-budget filmmakers and the former child stars who enable them."

There you have it. Judging is not the easiest thing in the world to do. You have to sit and evaluate, judge and select a lot of films and some are way too long, while others are way too short. It's a rewarding experience to do especially if you are submitting your own works.

Some judges admittedly don't have a clue what they are doing while others are far too critical. It is that just right spot you have to attain and maintain through the course of a season's judging one has to try to find. Which is why you never submit to only one festival and why you select your festivals with care, choosing those most reasonable for your project and what you're trying to achieve.

That being said if you are a filmmaker and you have finished a project, submit! And congratulations because it is a labor of love and effort unlike anything I've experienced elsewhere in my life.

One more thing to filmmakers, believe in yourself and believe in your project. Here is a video that exemplifies what I'm talking about from Filmmaking Stuff.

Now. Got out and be brilliant. Show us! We WANT you to succeed!

Monday, May 20, 2019

Legal Assassinations?

I'm beginning to wonder if we shouldn't legalize Presidential assassinations. IF we EVER have a president for longer than two four year terms and thus the agent of American realignment reaping a medal as well as financial rewards. I would suggest a military coup, but that never seems to go well and is unquestionably illegal.

Let me just mention we don't assassinate leaders of foreign counties. Though with some like JFK apparently, we do domestically. Allegedly. Regarding foreign leaders, the thought is that if we do it to them, they'd do it to us, so...stalemate. It's hard enough as it is for the Secret Service to protect the standing POTUS from not anymore our own domestic nuts, but actually decent people wishing to have a decent president once (or ever) again.

I do not believe in capital punishment, murder by State or otherwise, typically Although I will agree that there are some who have no useful potential for humanity and should be put down like a dog and with prejudice.

No, I'm not talking about the charlatan and criminal "First Citizen" Donald Trump, but rather some serial killers. And there's really only a few like that. There are allegedly around 300 serial murderers active in America at any one time. Even Charles Mason does not qualify in my book. He's just a nutcase.

You really have no idea what's out there. Yet, Trump is giving us an insight into one foe we never knew about and now wish we still didn't, but ...we need to.

IF Trump lasts longer than a single term, which he shouldn't, but if he lasts longer than two terms as POTUS, which again he shouldn't, however IF enough of America still delusionally and ignorantly, and stupidly somehow allows someone like Trump more than the legal maximum of two presidential terms, merely in order to keep us from being the banana republican Trump so dearly wants us to be and desires for us in order to allow him dictator (or king) status along with his childish dictatorial pleasures of near Godhood, he will then have to be removed from office, literally... by any means possible.

Hopefully, this will not become an issue. But IF we did that, we'd definitely need to act. China just made their own president "king" for life. Which I'm told he can still be removed if he acts up. But doing such a thing, elevating a personality cult in such a way, is ludicrous at the head of any nation.

Look, personality cults, and nationalism are to be avoided at all costs.

Now I'm NOT calling for this now. I'm facing and responding to a potential dire reality in our near future. One that needs to be addressed so we avoid this necessity hopefully by Congressional decrees and legally passed laws.

Simply retiring someone like Trump, someone with that kind of money, Klout, power, will not be enough. Like the Mafia boss who rules from within his lifetime prison sentence, better for America and this planet if he is eliminated.

Potentially I suppose, Trump could go to a CIA black site. Forever. It's really what he deserves.

Look at our prime and best example in all this. Vladimir Putin. How's getting rid of him working out for Russia? He keeps coming back like a bad case of National (international) herpes!

Could you IMAGINE nineteen years of a Donald Trump? Those poor people in Russia? And Putin is far more functional than Trump. But also a far more functional criminal and essentially, murderer.

We do not WANT that in America (though you could argue Trump is our version). It is anathema to our existence, to our foundation, to the desires of the Founding Fathers' intentions in making America. Our "Great Experiment" is being seriously tested and I hope NOT, failing.

Anyway, assassination in that contest is not criminal under those circumstances. It's more like State sanctioned murder which we have now and politely call it, capital punishment. We also have State sanctioned murder in war, we just don't call it that because it makes people feel bad, citizens won't support murder much, and it makes the soldiers in the field feel bad.

Even though they frequently know quite well they are murderers and come home with PTS from it. Aside from all the other reasonable reasons they end up with that perfectly natural and normal response to trauma. Unless it gets pushed over the type and does become a permanent disorder.

Anyway, THAT would be patriotic. Not nationalistic. And would need to be passed... legally, by Congressional demand. More than eight years of the holding presidential office? It goes instantly to the SEALs perhaps, to end that reign. Or I suppose Russian would be perfectly happy to poison the guy with polonium. They, Putin, do love their radioactive poisons.

But, this is not a Constitutional crisis. We have a Constitution for that purpose. This is a moral crisis where Trump supporters simply cannot see past their hand on a ballot and so, they will be the death of us. If we are not prudent and productive for the welfare of all. Including them.

Now, let's see how long this lasts online.

This is an idea we could franchise.

To Russia with good old boy and faux Republican himself, Vlady Putin.

And maybe elsewhere. Assad comes to mind. Some guy in Saudi Arabia comes to mind. I'm sure we won't run out of candidates.

Citizens finally freeing themselves from some real rat bastards!

Or, we can just get back to facing reality, believing in things like science and facts, put away our childish things like religions and bigotry and racism and abusing others for our own satiation, and act like modern adult Americans.

It's all really up to you. All of you. All of US.

Monday, May 13, 2019

National Confusion

There is a lot in our nation we have confusion over. People are frequently arguing on the same side of an issue. Ignorance, improper education, confused politics, lying politicians, special interests, Russian and other intrusions...it goes on and on. People grab their ideology and hang on for dear life.

Better to hang onto truth and reality, adjusting your ideology as you go. Except that is not what religion teaches. Especially those, especially on the right, who choose to make their religious beliefs, so unreasonably a part of all of our national politics. They teach absolutes and the "untouchable" power of a "God's Word" and all that. Cutting one off from critical thinking.

Then, we hear how education is bad for theology. Good grief.


ANYONE who tells you knowledge is bad, that to learn is bad, to seek clarity and understand history, to find assimilation acclimation is anything but a good thing, is misleading you. If your "God" or religious leaders are telling you things like that...biblically speaking? End them. Or at least, be done with them. I have also discovered that in general, any belief system that claims to have ALL the answers, has logically in some way got to be defective, divisive and disingenuous.

In a word, it is a Lie. Not the Truth, as they claim.

Or perhaps even better in these modern times, simply get another religious leader. Or better still, quit religion altogether and join a more enlightened humanity.

The trouble with that is that some in that group of "enlightened" humanity, not only dumps religion but then believes nothing needs to be adhered to. Not all. That is the argument by religion against leaving religion.

"The atheist has no grounding and so can turn to the vilest of human pursuits." Nonsense. Fearmongering by the theistic. Never follow those who use fear as a precursor to adherence to their beliefs. We see this now in the current GOP, in Donald Trump their leader. FEAR! Fear, fear! Please, that only works on the immature. The ignorant. And so we hear Trump claim, "I love the uneducated!" Of course, he does. It makes his Grand Con even easier.

Alas, those who dump religion do still have a responsibility to themselves as well as to humanity. But cutting ties with restrictive religions (and the more restrictive the more this tends to happen)...people do tend to find they just want to have fun!


Here's the thing (not about religion, but my actual topic)...

Anyone who is asking for a socialist America is poorly educated in history. Anyone who thinks most people talking about socialism in a democracy are talking about socialism, are also poorly informed. If not poorly educated, then they are being disingenuous to trick people into continuing to follow their ill-advised way of thinking.

You are an American citizen by right if born here, or if naturalized. That means there is some responsibility of the Government to help you make it from birth to death. Unless you're Republican, then you THINK it means, well... I don't think they even know sometimes.

Let's take the current vast morass of nonsense about healthcare.

It really annoys me to see a healthcare plan that has listed a lifetime limit. Or, that's fine, IF the government then picks up the tab if you go over that limit. What is the alternative? Death? Nice.

Come on! I mean... Really?

Those who have plenty of money seem to love this limiting idea. Love pre-existing conditions disqualifying people. And that's fine, as long as someone/something is there to bridge that gap for citizens between pre-existing condition and death.

Look. It is our right to be a citizen. But there are responsibilities.

Republicans and the wealthy seem to miss that concept entirely. They believe the money they make is all theirs. Screw everyone else. That you should be able to make as much money as you can, regardless. But in a closed economic system on this planet, that is a destructive methodology.

And yet it's funny how, if they lose all their money, if they find themselves in that situation needing help, suddenly they change their tune. Government handouts THEN are just fine with them.


Hypocrites? Or just stupid? I'd say, Republican, uncompassionate, and ignorant. Not stupid, just hoping everyone else is stupid and has a short memory. Which time and again they are and do have.

A citizen pays their taxes, as they can and are required to do, by how much they make.

When they exceed that amount in something like healthcare, who then pays? The government should. Obviously. It's what government is there for. To protect and serve the people. Not to protect the wealthy and serve up the poor as a method of enhancing their wealth and ideals. This is a group thing. not a special, elitist group and screw the rest of the majority.

You're thinking about how communism has worked, pal. And Soviet-style socialism.

That is not the case, however. Instead, we allow people to go into debt, bankrupting them perhaps in some cases for the rest of their lives. We're even doing that to college students now in their government educational loans. Ruining their lives and their family's life. Possibly even killing them due to the stress. All when it can be avoided, by not giving those who have, all they can acquire.

Capitalism, need limits and controls. The free market system has failed time and gain. Because one COULD argue, it's impossible to allow it to work because immediately people in power and wealth skew it to their advantage. Because they can! Deregulation strangles the economy, the citizens, and the environment. In a kind of feedback loop. It's a type of pyramid scheme where those on top survive while all below them die off.

Rich people pay their taxes as required, and then have massive amounts of money they don't need to live. When you make so much money you can live in luxury and have so much money left over, some of that money needs to go into the public coffers.

There needs to be a limit to topping out just as there should be a limit to bottoming out.

Oh God, how conservatives and Republicans hate that idea.

But it is fair. Because you see, we live in a country. We all pay to be citizens. Or should be. The poor cannot pay as much as the wealthy, so they pay according to their designated schedule what they can so they can also still live and not be a burden on society. The masses make up in toto what the individual cannot. While the wealthy do not makeup in the individual or their small mass. Because they can get away with it because they control and make the rules. Because, they can.

Wealthy people pay their scheduled amount, but can be taxed at a higher rate because it really does not affect their baseline. Surely we shouldn't take all their money. They deserve luxury because of their position, But it's not like all those people have earned that position.

The mistaken belief that the wealthy deserve because they have achieved is a fantasy.

And the mistaken belief that the rest of us do not deserve anything because we haven't achieved is simply a fantasy in the other direction.

We are in the end, all in this together. We just all need never to forget that. And to stop this national confusion merely for the sake of making all the money it is possible to make and see where it is not only ludicrous to make more, but criminal and immoral.

Want to make America great? Do your part. And stop taking that part of what is really all the others'.

Dear hurting America...
To put this another way...America is waiting. America is hurting. America is bleeding.

America is in a state of Post Traumatic Shock.
Until we heal that, we're stuck with us.
Our childhood was traumatic,
Then the two world wars damaged us and the cold war insidiously damaged us low key and long term.
We rounded up Japenese and put them in internment, or concentration camps. We concentrated a single ace on race alone and locked them up. Americans were locked up.
We did that. And we never really heald from it. Prof is today in how we are treated asylum seekers and illegal immigrants.
The Korean war damaged us.
The Vietnam war damaged us.
Before we had a chance to heal 9/11.
Then more wars. And finally our longest ever.
We have PTS. it's not a disorder because it's a natural reaction to trauma.
It's worse when we did it to ourselves.
Once we heal from this, perhaps we will begin to act like mature adult human beings. Other older countries are and have.
We just seem to be getting worse.
Because we keep doing it to ourselves.
We have broken capitalism.
We have people seeing the opposite of reality can calling it good.
We have drug companies breaking the law, ripping us off in a healthcare system that is breaking us and yet we call it good.
How can it be different?
We have PTS.
We are broken.
We have private prisons and a broken prison system we DEMAND cannot be fixed. DAMN don't talk about, it is, like our laws, ad destructive as we can get away with and it's the only way it can be.
We have PTS.
We are broken.
When prisoners and victims have been brought together, at the victim's request, the alien, the animal, the demon, the monster is revealed and... it is just another person, themselves perhaps once damaged, perhaps now broken and sorrowful. Not just for getting caught, not just for being imprisoned, but truly sorry for perhaps a single moment, stopping being human and simply becoming a machine.
And let to regret it then forever.Why are there so many people in prison who could be more appropriately dealt with differently, productively and humanely?
We have PTS.
We are broken.
We can be proactive, but profit comes first.
We are broken.
We are broken.
We are broken.
And, we don't have to be. But it's up to us.
not those who do not wish no longer to be broken.
But we have put many of them in our highest offices in this country.
They are broken.
We no longer have to be.
There ARE better ways.
We ARE beginning to see that now.
We can get better.
There's just a lot of people who don't want that to happen.
It's up to us.

Monday, May 6, 2019

No Budget PreProduction on Indie Horror Short - Gumdrop Sampson

Hi. Ever made a movie? Not a home movie, but one you want others to see, others you don't know and will never meet? Putting yourself out there for comment. Making a statement. Sharing what you are thinking and showing how you think? Want to make a movie? Then stop listening to others who say you can't and just DO IT!

If you want to or are going to do it, this might be interesting. If you've done it, then this might just be sad, or hilarious. I know something about movies. Studied it some in college. I'm no practiced expert, but I've figured out a few things and I'm learning as I go. That's part of the fun of it.

I was with friend and local indie director Kelly Hughes when were at the Port Orchard Film Festival yesterday, to support the festival and see his music video collaboration "We're Nothing", entered in the Experimental Block of films, as I write this. From his website:

NEW COLLABORATION! To promote my docu-series Acting Up, I made a music video set to Postvorto's song We're Nothing. Postvorto is a post-metal band from Italy, and they have an intense sound that inspires me. The music video includes new footage I shot in Gorst and Sunnyslope, WA. One of the band's guitarists, Andrea Fioravanti, is also composing new music for me. I've heard several of his tracks already, and they are pretty amazing.

Kelly asked who he should introduce when we got (today) to Crypticon in SeaTac. We're spending the night, hitting panels on film production and Kelly's music video is also playing there. I'm obviously an author, blogger, aspiring screenwriter and now functionally, a filmmaker. I suggested that.

Kelly smiled and said, "Well, wannabe filmmaker."  I thought about that for a moment, a bit bummed out. But maybe he's right. Though, I would alter that slightly and say, "aspiring filmmaker". I have perhaps a few more projects to go, and maybe a feature-length film to go, in order to consider myself a full-fledged filmmaker.

To be sure I have earned the title filmmaker in having produced and documentary and a short. That's only fair to me. But, to be fair to more established filmmakers, I really should wait on that until I have a few more projects under my belt. Let's not jump the gun. Yes, you CAN call yourself a "filmmaker" after one project regardless the length. Or quality? Just Do it! But, strive to be more and really and proudly call yourself a filmmaker, once you have truly and fully earned. it.

I may add to this in the future as things progress if I find anything I left out. But following is the history and mindset I've had in building this project to production and preparing to shoot on set.

But that's not why you make films. As in being a writer, you produce because you have a need to produce. Because you enjoy it. You have a story to get out. Or you have a need to tell stories. Filmmaking, however, is not for the faint of heart. And then you put it out for others to see and you have to steel yourself for someone sooner or later shredding your work and your ego.

So do your best.

I started this by considering my next project, obviously. In 1993 I produced a documentary for public access cable TV at Viacom in Seattle. A studio up on Roosevelt Way Northeast. It was a comedy of errors like you wouldn't believe. I had moved out of Seattle and hard to return to work on the project, finished it, it "aired" twice in the PNW and that ended my work in production.

Until 2016. I got new equipment, I started writing. I came up with a viable project as a test after all these years and working with new equipment and produced "The Rapping". I have also been working with local indie horror director Kelly Hughes for a few years now.

Because I wanted to get on set and get a better understanding of what happens to my writings once it hits production. It's been fun, anxiety invoking (like when the police showed up wondering why a woman was screaming things like "Let me go!" "Why are you doing this to me!" That was actress Jennifer True. The cops couldn't have been nicer and said now that they knew we were shooting they'd be aware for the rest of the day.

art by Marvin Hayes
So, in choosing my next project I considered my original and recent reason for shooting films. To take some of my own published writings and turn them into live action. I decided the one with least special f/x could be Gumdrop City. I wrote about this before. Originally written in 1983, it was first published in an anthology in 2010. Then I put it in my own Anthology of Evil in 2012. And I wrote about this new film project in April.

But this is about the production now that it's been selected.

Preproduction.

I came up with the idea to not produce the story itself, but to do a prequel. How did this all begin? The story itself is based on a true crime story I heard about in college toward my psychology degree in a class on abnormal psychology. It affected the class so strongly I felt in walking out of that class I had to write about it. I'd never even known such things existed back then.

But to do the story itself would require some difficult scenes I didn't want to get into, I didn't even want to get into in the short story. Special effects I didn't want to do on a first full narrative film project with my limited money and resources. So I settled on a prequel. An origin story of sorts. I just let my imagination go after re-reading the original story.

And a vision emerged. I decided to go a bit more bizarre. What if this was bigger than the short story. What if this guy wasn't such a degenerate as he is in the short story? What if, he lived the prequel storyline and then severely degenerated between that and the short story? That freed me up in many ways. Creatively. Financially. Resources. And it made it more fun.

So I wrote some notes out, then wrote my first draft. Over the next couple of weeks, I worked on other things and kept going back, adding ideas, fleshing it out, honing it to imperfective perfection.

I started to think about who should act in it. I had wanted to do something with my voice actor who has read a couple of my stories as audiobooks, Tom Remick. Nicest guy ever, playing the part of a sick demented murderer. Sure, why not.

I started to consider other actors I know. Tom said his son might be interested, and his two young boys. Excellent. I needed around ten actors. Three are voiceovers and never seen. I know actors from my friend and director Kelly Hughes' stable of actors (he and I will be at Crypticon Seattle in SeaTac this weekend, by the way). I've acted with some of them, done f/x around them, pyrotechnics, etc. As it turned out I'll only need a few of them. I now have the production cast.

I continued honing the screenplay. I started picking up props. I started researching the f/x I will need and some of the food props. That all in itself was an experience and an education. Any idea how expensive a lot of gumdrops can be? Single color? Red? Maybe easier to make your own.

Marvin Hayes who did most of my ebook covers and my print book covers had some f/x suggestions. That was handy.

A production is a collaborative effort. In a low budget indie, or no budget indie, it can have much more of a family/community feel to it. People volunteer their skills or efforts out of a love, not payment, for what they want to do. Some who never dreamed of doing it find they're doing it and living a kind of dream. But they still have to be able to pull off whatever it is they are offering. They still have to show up on time and pull their schedule off or they're replaced.

Some directors can get gold out of even problematic actors. Kelly is like that. I've been told I'm quite good too at directing by actors. We'll see soon enough. I'm used to working with professionals in other careers. I'd expect no less in this one. Demand quality and it shows on screen. Let the production take over your production, or your actors or crew, and you lose the production. Set up an environment for productivity and creativity and keep things moving forward, and you'll all feel the joy of creating something special.

Rule #1 in a production... Preparation: a solid screenplay, actors, camera work, f/x, and sound makes life so much easier and sets you up for a much better end product. Especially pay attention to sound. Because it can so easily ruin a good project.

Rule #2 in a production...Finish the production. David Lynch took five years to finish Eraserhead. But he finished it.

OK. So, I hit the point where the screenplay was finished enough to send to the actors. A screenplay is finished when the film is shown. It's perpetually in a penultimate state as things change on the set when shooting.

At the same time, I was working out practicals. Number one, gumdrops. Purchasing them was too expensive and finding only red ones even more problematic. So I decided making my own was the cheapest. AND, it gave me a new scene where Sampson, the lead character, makes his own. That gave me more opportunity to add in some more creepy factor.

That meant I had to research the recipes. That led to ingredients. One was problematic and expensive. More research until I found one source that was best and purchased it online. It's here now and more than we will need.

I had an idea for an opening camera shot involving my Syrp Genie and equipment. I continued honing that complex shot in the screenplay. I finally got around to digging out the equipment.

Syrp Genie configuration for this opening/closing shot
By the way, I charge all my equipment batteries the first of every month on all my equipment, something an assistant would be assigned to do if I had a bigger crew...or a crew. I set up the configuration I would need and began to plot out the setup and execution of the shot. Which, as it turned out, wasn't practical.

So I had to work around that. Splitting up the programming (there is a cell phone app where you program the equipment) into two programmed shots. The Syrp equipment simply won't do the shot I wanted.

The plan was to start high and happy and shoot downward slightly, tracking to the right and lower to and sad, at the other end of the track. Uncovering and exposing the other side of a face. Then I could take that shot and split it up, using the first half in the opening and the second half at the end. It was a moving example of "the Comedy and Tragedy Masks" or just "the theater masks".


Preproduction is so important in so many ways. Having a good screenplay. Rehearsing at least some. You want the actors to understand what you want of them which relaxes them some. Trying out camera shots ahead of time. Testing f/x and recipes for things like blood. Lighting issues and setups. Locations and test shots. Etc.

I've learned not to send my screenplay out to too many or ask for too many comments on it (same with dailies or rushes if you have them) as a lot of times it simply muddies your thinking. If you find someone who really does understand how you think and can productively critique and add to the project, they are simply gold.

I'm deep into preproduction now.

At some point, you need to write up a list of shots, or a shooting script. Some don't do it at all, some get very technical about it. Find your bliss, what works best, what turns out the best product for you and go with it. Always considering to enhance or alter as you find what works better, or you are eventually able to evolve into. The mission, the project, the product, the film is what takes precedence, not you. Kick your ego to the curb and produce quality at all costs.

You also need a schedule for the production and consideration for what needs to be on set before anyone arrives. You can send a screenplay to a company and they will produce for you a shooting screenplay, or cost estimates or all kinds of things.

Or you can do it yourself (preferable). it can be as intricate or simple as you like. All that matters is that it is good enough to make your life easier and the project more productive and aid in enhancing the quality of the end product.

What day, what actors, when do the actors /crew need to be where. If you have any crew and I suggest you have some. I hear, certainly, on a larger crew/production, an AD is so important, an assistant director to take on your more mundane or difficult tasks freeing you up for the real directing on set issues.

What do you need for all of them? Food and drink, to be sure, always keep your actors happy and fed and happy to return. Costumes? Practicals? Props?

The list of who is shot when and in what scene. You may have an actor in scenes all through the production, but do they need to be there in chronological order or can their scenes all be shot on the same day and edited into place later?

Taking the screenplay from its format and order and timeline into when is most economical in many/all ways is imperative. Logistics are important and getting them right in preproduction is a life saver.

I have children in this project. So getting them in as early as possible, their scenes shot all in one day makes my life, and theirs, and their parents lives, easier.

Paperwork. Do you need shooting permits from the city, county, area? Or are you guerilla shooting, shot and run shots? Actor waivers/agreements. I know many don't bother with them on no budget films but it's so easy to do, I think it's worth it.

That alone makes the actors feel more respectable, more professional, more respected and sets a tone overall for the project. Not to mention it gives you and them, the reasonable protections you want later on if something unforeseen does come up.

Now with all these things under consideration, preproduction is a matter of going over them until you hit your desired level of perfection and costs. Which is where I am now.

Last Friday Tom and Amy came over and we did a run through on Amy's scene and it was so enlightening. Table reads, rehearsals, save so much time and can really add so much to tweaking the screenplay. Iron your issues out before you begin principle shooting.

Next up? Production?

Actually, just a lot more preproduction. I'll let you know how it turns out.

CheersSláinte!

Monday, April 29, 2019

The Teenage Bodyguard - A True Crime Biopic Review

This is a couple of reviews for my true crime / biopic, The Teenage Bodyguard. I lived this story, I researched this story, I wrote this story. The names have been changed to protect the innocent, but not the criminals.
Ruger Blackhawk .357 magnum I carried
I have an alternate title for this story, Slipping "The Enterprise". Because what we were trying to do, was to slip by the Tacoma Mafia family who called themselves, "The Enterprise" and was referred to as such in local and national newspapers all through the 1970s. The question is, could someone like me, at eighteen years of age, protect a murder witness from an organized crime enterprise who was looking for her, and actually live to tell the tale?
Shoulder holster for the magnum
Obviously, I did survive. So the question remains and the intrigue is, who else might have, or didn't survive. And how did this all work out? Because the fun is in the telling of the story of how all of this came to be and how it ended up for everyone involved.

Was a magnum too much against a bunch of guys mostly carrying 38s and 9mm and shotguns? I'd argue, no.

My esteemed self partying at a drive-in theater with the friend in the screenplay the year previous
This is a story that oddly enough, involves and aside from the typical mafia environment and activities, parties, drugs, sex, skydiving, fast cars, flying planes, and... finding dead bodies.

In the end, the Pierce Country government near Tacoma, Washington, had to be changed so another crime or mafia family could not get their hooks so easily into those who were supposed to be involved in crime prevention and prosecution and not criminal support. Here are some photos of the actual things, vehicles, weapons, criminals and weapons involved in the story.

 

--

From BlueCat Screenplay Contest:
The story picks up relatively quickly after the explosion in the Carbone party—leaving Lena a few permanent scars. After witnessing the scenes involving [our protagonist's youth] Air Force background, we realize just what kind of a character he’s raised to be: someone who couldn’t really care about his own safety, but as witnessed with his reaction with Lena’s injury (as well as his eagerness to help Sara much later on), someone that has the capacity to care for others.

But it didn’t just stop there. Even with a skydive malfunction, it seemed like [the protagonist's] own life doesn’t even seem to be worth two dollars and fifty cents, as the repack itself was a bit out of his budget.

All this makes [the protagonist] quite the exciting character to follow given his astounding complexity. His nonchalant approach to life is intoxicating mainly because it’s like watching fire: although dangerous, it’s still alluring. The initial hook of witnessing [the protagonist] potentially murder someone, as well as echoing his words “do it” as he did with his first jump, is very well played out—as it shows parallels between one world and another.

The writer also seems to have done quite the research, and it’s impressive to know that the events are chronologically accurate. I was pleased to find out [the protagonist] actually made it out of everything and even had a family of his own. Given that it was a real story based off real events, I could’ve never predicted that he’d make it to that kind of life.

Overall, The Teenage Bodyguard is one heck of a life story that I’m surprised isn’t on the big screens already—a well-done thriller that knows how to lure you into a story about two unlikely people, the protagonist and Sara, and how they took a turn for the unexpected.

John Joseph "Handsome Johnny" Carbone, head of the Tacoma Carbone crime family
From The Blacklist Coverage:

The premise of a coming of age crime drama, where an eighteen-year-old protects a witness fleeing the mafia, could have solid commercial appeal, particularly as it is based on a true story. The narrative's period setting is rendered with a strong degree of authenticity and a specificity, through details like that of the commune, that makes the film's backdrop of the Pacific Northwest feel grittily alive and real.

[The hero] is an intriguing teenage protagonist, who is well-characterized, particularly on a physical level. His courage in protecting Sara from the Tacoma mafia is credibly rendered. The dialogue is well characterized as each member of the core cast possesses a clear, identifiable voice. The down ending, featuring the harrowing final scene of Sara in the mafia car, where she "closes her eyes, puts head back and hears sounds of children happily playing baseball.", right as the hitman next to her takes out a garrote, is chilling, surprising (in a good way), and sure to have a powerful effect on audiences.

Prospects

THE TEENAGE BODYGUARD has a viable premise and core concept that could have commercial potential, likely in the indie space and is overall a solidly written script.

--

Every industry type who has read this screenplay so far has really liked it.
I am obviously moving forward on this project.



#producers #studios #screenplay #biopic #truecrime

It is Past Time to Recognize Religion as Myth Worship

Society, especially so-called polite society, rules the day in allowing theists to pretend their reality is real. Isn't it finally time to call religion mythology and its worship of it characters myth worship?

That being said, regarding mass shootings of religious groups... that is not how you evolve beyond something. You cannot do it from outside. You do not have hate for others in order to evoke social evolution. That, is a sign you are on the wrong track.

We have a leadership in America right now in Donald Trump, that is nationalist and ignorant, greedy for power and wealth and evoking more ignorance. Denying science and reality and telling lies daily from our highest office which is inflaming the foolish and the mentally and emotionally and even socially, damaged in our society. Stop it. Americans should not kill Americans. The American government, should not kill Americans. Really, we should not be killing anyone, unless it is to stop them from killing or harming others.

You Need To Consider The Possibility Your Religion Is Mythology
Still, there is a groundswell rising against religions in the world.

And we're seeing dysfunctional reactions within them against one another. Mostly based in the three desert religions of the Middle East. It's not really being noticed for what it is and is building in the so-called "First World" countries. And why is that?

Also, those Theists who support religion and do notice this are totally misunderstanding what is happening.

I don't believe anyone (certainly not me or anyone I know) are really against people exploring their spiritual beliefs, their religion, per se, or even wanting to end it tomorrow. This is still America, still a free country, regardless of the illiberal actions of some in power at this time.

Hopefully, with our attention and efforts, we will be putting an end to that very soon in 2020 and ending the conservative and Trump delusional form of governing.

However, there are still and always some obvious downsides to religion. Such as extremism. And religion's biggest travesty, "cherry picking" among their beliefs in order to fit them more closely into reality, sanity and logic.

Those who ignorantly profess their "faith" incorrectly and inaccurately enable their religions to continue and evolve when they should have died off centuries ago. It also enables those abusing others for their own misguided religions fundamentalism.

Those who are attacking such groups as transgenders, calling them child molesters, or ridiculously and ignorantly equating trans or gays with bestiality, when the reality is quite different and they are really quite normal, just different than the "norm".

If there's such a thing. When really it's about majorities and minorities. And where so often we see those types who call out others as degenerates, being charged with many of those same offenses themselves and so being outed as the hypocrites they were, to begin with. Typically all for reasons of position, power and wealth.

Kids More Likely To Be Molested At Church Than In Transgender Bathrooms

What this growing irritation is leading eventually to is a reaction against all those who are so-called believers. If they can simply follow their religion and keep their mouths shut, I don't think anyone would care to bother with actions against them in any way.

But when one considers all the bad actions and ill will that has been built around theism in recent times, what else could one expect? Pushing their beliefs into others faces, into our government, is illiberal and incorrect and even criminal. Certainly unconstitutional.

Those who say their religion requires them to do certain things, to get involved, to sway non-believer's beliefs in aggressive fashions, is just asking for a reaction against themselves, and others like them.

And then you have people like Donald Trump as POTUS who use religion in a morally reprehensible fashion for purely political purposes and lying, claiming he is a religious individual, which his only religion us capitalism and even beyond that to kleptocratic and oligarchical actions.

If you take this kind of behavior to its obvious conclusions, it's death for the future of religious institutions overall. To be sure it will take time. To be sure they may never really completely die off in a kind of half-life form of degeneration. Where they will halve in power and membership seemingly forever, but never quite go completely away.

Because religion is a symptom of the human mind, the human brain, and human evolution. It is a form of thought that should fade away as humankind evolves to the next stage and the ones after that. There are some beliefs that are more functional that some of the major religions today. Better than the ridiculous ones we hear of so often in the likes of Mormonism, Christian sects, Muslim sects, and even Jewish sects. As well as corporate thought style beliefs like Scientology.

Buddhism for one, the Buddha Dharma is far more functional that most if not all other "religions". While not a religion itself, but more of what we need in a mental discipline. I am not selling it as an answer. To be sure it too has fallen to the damages of the human reconstruction in ignoring its original teaches and adding nonsense to them down through the millennia so it too is viewed as more of another ridiculous religion.

The one saving grace is what Gautama (Siddhartha) Buddha Himself said, and you typically don't see in any religion, is to trust your instincts and if you're being taught something stupid, simply don't believe it. I dropped religion when I was younger, for sanity and reason themselves:

"In the time of the Gautama Buddha, many holy teachers and priests also wandered from village to village offering their teachings and principles to anyone who would listen. How can we differentiate an authentic teacher from a charlatan? According to tradition, Siddhartha Gautama offered the answer on one of his many journeys:
“Do not believe in anything simply because you have heard it. Do not believe in anything simply because it is spoken and rumored by many. Do not believe in anything simply because it is found written in your religious books. Do not believe in anything merely on the authority of your teachers and elders. Do not believe in traditions because they have been handed down for many generations. But after observation and analysis, when you find that anything agrees with reason and is conducive to the good and benefit of one and all, then accept it and live up to it.”
Gautama Buddha

In what other "religion" would you come across koans or one such as:

“If you meet the Buddha, kill him.”– Linji

Humankind seems to wish for Magic, rather than Reality. It needs buffers to the daily grind and abuse of living. I learned of ancient Asian philosophies in grade school Isshinryu Karate classes in that Okinawan martial arts and philosophical system.

Through my life, I found one similarity after another to that. I found some similarities in the Catholicism I was raised with and abandoned by 9th grade. I became well read in philosophy from the Greeks to the ancients in India and China and Japan. I found people who grew up in Buddhist countries seemed the most oriented toward Buddhism as a religion. Which to me was reversed to what it was intended to be.

I found that the Catholic teachings appeared to have a basis in Buddhism. At university for my degree in psychology, I found many of the beliefs in that discipline to be very Buddhist in nature. At least the most functional forms. I learned about humankind's relationship to ritual and repetition. And I studied phenomenology and began to see how religion had gone awry.

How through anthropology and philosophy, sociology and psychology, it became clear where we began and how we evolved.

Religion is not the end, but the beginning, sadly. As when one learns how to walk, one changes and drops that methodology when one learns how to run, ride a bike and fly a jet or a spacecraft. And yet we hang onto the old ways out of fear. Out of conservatism. Out of ignorance. An ignorance we no longer need to cloak ourselves in.

We just need to be brave, learn the better ways and move into the future along with our overall inevitable development.

Still some, especially the conservative mind, holds onto it as if life depends on it. And it thoroughly does not. We may never evolve fully into our potential if we cannot finally let it go.

On the one hand, while they want to expand their ranks while religion is in this current phase of dying off. They aren't considering the reasons for religion's warnings because it's been discussed as a part of their theologies and epistemologies simply because they've been persecuted in the past.

Humankind and society have tried again and again to purge themselves of religious, but have failed repeatedly because they needed a replacement. A modern and functional form of mind management. It will happen, but it is like fighting an addict's cravings for what they are so used to, what they are indoctrinated into from childhood, to need.

While the individual may need something in daily life, society at large obviously does not. And we're seeing the dysfunctionality of it all over the world today.

One wonders perhaps why anyone would want to persecute someone else because of their beliefs until you have had to deal with someone being really and truly religiously annoying on continual and daily basis. Those who flaunt their mythology in the face of reality and against reality.

While religion will surely not end once and for all anytime soon, and while we do need to allow people their freedom in their choices, the rest of us should not have to suffer through living within their delusions around our society. It is a kind of reversed abuse. To be sure, enjoy your religion, just allow us the benefit of enjoying not enjoying it.

We can and should at least all agree that others are worshipping their chosen myths from the past, and then go on our way. Undisturbed and unperturbed by those theists who still wish to continue with this internal mental standing bicycle of a mentality spinning its wheels and going nowhere. Certainly not progressing into the future of the continued evolution of humankind.