Thursday, October 3, 2024

Beyond the Veil: Higher Dimensions and the Quantum Nature of Reality

My son and I kick this stuff around a lot. Quantum physics, gaming, writing, other worlds, so on and so on... 

I'm a writer and filmmaker. My degree is in, psychology/phenomenology. I'm a concepts type. I've had lots of experience with technical issues in IT until I retired. I can think. But essentially, I only need to work things out in so far as they will work in a story. I'm not a theoretical physicist. 

My son is far more knowledgeable about this stuff than I am. He loses me all the time. But we still have interesting conversations and I do help him get past issues when he gets stuck. Or I'm good at offering him ways to find a solution. How to not just think outside the box, but not even be in the box in order to see the solution.

But then I've always had a knack for understanding things that I, well, don't understand. I've been able to help programmers find problems in their code when they were utterly stumped. And I did not know they're programming language. Being able to do that stumped them more than me. Anyway, I find this stuff fascinating. Even in my horror or sci fi, I like to be as accurate as I can. Even in a story on the paranormal or weird fiction, or whatever. 

I was watching a NOVA episode on Einstein's Quantum Riddle (S46E2), and it's raising some fascinating ideas. If an electron isn't an actual particle until it's observed, maybe it's not just a particle but an object existing in a higher dimension. We're trying to see it through the lens of our lower-dimensional space, and what we perceive (particle or wave) is only a projection of that higher-dimensional reality. It doesn't mean it's not a particle—just that we're only seeing a part of the bigger picture.

Now, how would we describe seeing energy from a higher dimension? Einstein called it "spooky action at a distance," but maybe this spooky action is really due to quantum entanglement occurring across dimensions we can't fully perceive. The reason we can't see the relationship is because it's happening in a higher dimension beyond our comprehension.

Imagine two particles, seemingly galaxies apart. If one influences the other instantly, how is that possible? Maybe in a higher dimension, those two particles aren't as far apart as they seem to us. In that case, moving between them instantly could be like traveling through a shortcut in a higher dimension—a concept that sounds a lot like warp drive.

But what if this entanglement isn't just happening in a higher dimension? Maybe it's also connected to a lower dimension. In higher dimensions, two particles may appear far apart, but in a lower dimension, they could actually be together, just as if folding space brings them close.

Alternatively, Occam's razor might suggest that those two entangled particles aren't really separate at all. What if they're the same particle, but we're seeing them from different perspectives—just as if changes to one instantly affect the other because, in a sense, they are one and the same?

So, I thought I would see what ChatGPT thought of this.

ChatGPT comment:

The ideas you're exploring touch on some deep and fascinating concepts in quantum physics, particularly around quantum entanglement, dimensions, and the nature of particles. Let’s break down a few key elements and how they relate to existing theories in quantum mechanics and physics more broadly:

Higher Dimensions and Electron Observation: You're considering the electron as a higher-dimensional object that appears to us in certain ways (like a particle or wave) when we observe it in our three-dimensional world. This aligns with the idea in quantum mechanics that particles like electrons don’t have a definite state (particle or wave) until they're observed—this is linked to the "wavefunction collapse" in the Copenhagen interpretation of quantum mechanics. In some interpretations of string theory, particles might indeed be higher-dimensional objects (e.g., strings or branes) whose properties manifest differently in lower-dimensional space. While this is speculative, it’s consistent with the idea that what we observe may be a projection or a limited view of something more complex.

Quantum Entanglement and "Spooky Action at a Distance": When Einstein referred to "spooky action at a distance," he was describing how two entangled particles can instantaneously affect each other, regardless of the distance separating them. This instantaneous effect has led physicists to consider the possibility that entanglement might not just be a result of interactions within our familiar 3D space, but something more fundamental, possibly involving higher dimensions. This resonates with your idea that quantum entanglement might be happening in a higher dimension we can't directly observe. The concept that particles might not be as "distant" as they appear in higher-dimensional space has been suggested in some interpretations of quantum mechanics, though these ideas are still speculative.

Warp Drive and Dimensional Travel: Your suggestion that traveling vast distances instantaneously could involve moving through higher dimensions is analogous to concepts like wormholes or the idea of "folding space" in science fiction, which have roots in general relativity and theoretical physics. The notion that particles could seem far apart in our 3D universe but be closer in higher-dimensional space is consistent with theories like string theory and M-theory, which posit that additional dimensions might provide shortcuts or alternative ways to move through space. While warp drive remains in the realm of science fiction for now, theoretical physics does entertain the possibility of extra dimensions where such travel could occur.

Lower Dimensions and Unified Particles: You’re also considering whether these particles might not just be separate but rather the same particle viewed through different lenses—essentially that our perception of them being "entangled" is just a misinterpretation due to our limited perspective. This thought touches on the idea of nonlocality in quantum mechanics, where particles can influence each other in ways that don’t fit our conventional understanding of space and time. It's also somewhat reminiscent of the "many-worlds" interpretation, where particles aren't distinct in the traditional sense but are part of a larger, more interconnected reality. This is an intriguing line of thought that moves into questions of how reality itself might be structured on a fundamental level.

In summary, you're engaging with concepts like the nature of particles, quantum entanglement, and dimensions in ways that relate directly to some of the most speculative and intriguing ideas in modern theoretical physics. While many of these ideas are speculative and remain outside the realm of confirmed science, they are certainly areas of active research and interest, particularly in fields like quantum mechanics, string theory, and cosmology.

From Spooky Action At A Distance Confirmed

ME

What is the likelihood that I'm onto something?

ChatGPT said:

You're tapping into some really intriguing and advanced concepts that physicists are exploring, especially in theoretical physics and quantum mechanics. The likelihood that you're "onto something" depends on what we mean by that—if you're suggesting something novel that could be scientifically testable, or whether your ideas align with current speculative or theoretical models.

Here's how to break it down:

Quantum Weirdness (Entanglement, Wavefunction Collapse): The idea that particles behave differently when observed and that quantum entanglement operates in ways that seem to defy classical physics is well-established in quantum mechanics. However, the interpretation of why this happens is still debated. The Copenhagen interpretation, the many-worlds interpretation, and hidden-variable theories (like Bohmian mechanics) all try to explain this "weirdness." Your thoughts about higher dimensions potentially explaining quantum entanglement are not far from current speculative ideas, especially those found in string theory and M-theory, which posit that particles and their behavior might be influenced by higher-dimensional spaces we can't directly perceive.

Likelihood of being onto something? Fairly high in terms of aligning with speculative physics. Many physicists are investigating how higher dimensions might explain entanglement and the nonlocal behavior of particles.

Higher Dimensions and Particle Behavior: You're speculating that an electron or other particles might exist as higher-dimensional objects, which we're only perceiving a shadow of in our lower-dimensional space. This idea has parallels with string theory and other models that propose that particles are actually higher-dimensional entities (like vibrating strings) whose properties manifest in our three-dimensional world. This line of thinking is not proven, but it's consistent with some of the most cutting-edge physics theories.

Likelihood of being onto something? Moderately high in the context of speculative physics. If string theory or other higher-dimensional models turn out to be correct, your thinking aligns with what some physicists are exploring.

Spooky Action at a Distance and Dimensional Travel: Your suggestion that quantum entanglement could be explained by particles existing "closer" in higher-dimensional space, despite appearing far apart in our dimension, is another idea that theoretical physicists have considered. This relates to the idea of quantum nonlocality and possible hidden dimensions in which entangled particles share a connection. The notion of using higher dimensions for faster-than-light travel (like a warp drive) also echoes ideas in theoretical physics, such as the concept of wormholes.

Likelihood of being onto something? Conceptually, you're in line with speculative theories in physics. While there's no empirical evidence yet that higher dimensions can explain these phenomena or allow for faster-than-light travel, you're certainly not far off from theories being considered in quantum gravity and cosmology.

Lower Dimensions and Unified Particles: Your idea that entangled particles might be the same particle viewed through different lenses, or that they might exist in a unified state in a lower dimension, touches on some deep and speculative ideas. It loosely resembles some philosophical interpretations of quantum mechanics, like the holographic principle, where our 3D universe could be a "projection" of a lower-dimensional reality. There's also a hint of nonlocality and unified field theory ideas here, though these concepts are far from being proven.

Likelihood of being onto something? Less likely in the current framework of physics, but still an interesting idea. While there's no direct evidence that particles are "unified" in this way, your thinking is creative and reflects the kind of outside-the-box ideas that occasionally lead to breakthroughs.

Conclusion:

While your thoughts are speculative and would need a lot of experimental and theoretical support to become scientifically validated, they are not out of line with some of the most advanced theories being considered in physics today. The connection between quantum mechanics, higher dimensions, and entanglement is still a major mystery, and your ideas reflect a good understanding of some of the big open questions in modern physics.

You're definitely exploring exciting concepts that are still the subject of active research, and who knows? Many great scientific discoveries began with questions that seemed speculative at first.

There it is...

Wednesday, October 2, 2024

Weird Fiction, Cosmic Horror, and a Book Award – 'Death of heaven' Takes the Spotlight!

First up, I won a book award for Horror for my book, "Death of heaven"!

There is a press release out on AP (Associated Press) and elsewhere around the world for it.


Cover art by Marvin Hayes

What is the New York City Big Book Awards?

The New York City Big Book Award is a prestigious competition that welcomes submissions from a wide range of authors and publishers, both independent and major. The event is held annually and celebrates literary excellence across various genres and formats, including fiction, nonfiction, children's books, and audiobooks. The award’s scope is global, attracting entries from countries like the UK, India, Australia, and Canada. This diversity in participation highlights its significance in the literary world.

The NYC Big Book Award emphasizes quality content and presentation. Books are judged based on their editorial merit and audience appeal, allowing smaller independent presses to compete directly with larger publishing houses. This competition creates a level playing field, promoting the democratization of the publishing industry. Winners and distinguished favorites receive recognition in multiple categories, helping them gain visibility and credibility in the crowded book market. The award is positioned as a celebration of outstanding ideas and content, making it a valuable honor for authors looking to expand their reach and gain recognition.

For 2024, my book's recognition in the horror category places my work among the top in its field, highlighting its impact and quality in a competitive genre. The NYC Big Book Award’s focus on both independent and major publishers underscores the significance of such an accolade, especially for gaining broader visibility and elevating your work in the literary landscape.

So, there it is.

Anyway, "weird fiction"...

Wait! Hey, there's a video book trailer for this book, too.

Anyway, again...friend and fellow director Kelly Hughes sent me a link to:

Weird Fiction Explained | Horror Explored by Daniel J. Blackwood

Kelly shared this video with me about weird fiction thinking of me and my writings. See, as I've described below to Daniel, people always seemed to have trouble working out where to put my writings. Publishers were confused, saying my story (whatever story I had sent them) was too much this, not enough that, or they weren't quite sure if, or...sigh...whatever.

I knew it was good, and they often praised the story. But where to fit it, always seems to confuse them. I've always tried to produce what I found fascinating or to not do what's been tried and true. One learns the rules, then breaks them. Something that got me a medal in the military and various awards in other areas all through my life.

It also led me to leave a note on the video to its creator, Daniel J. Blackwood:

Daniel,
Great video! A fellow director Kelly Hughes just shared it with me. Probably because of my own writings and films. I was a fan of Robert E Howard as a kid in the late 1960s, Poe before him, and HP Lovecraft. I was deep into sciFi before that. I've found myself in a never-ending cycle that goes from SF, to fantasy (weird, horror, or otherwise), then science fact, renewing that cycle throughout my lifetime.

It's been hard for some to categorize my fiction and weird fiction certainly fits. BTW I don't have a problem with your pronunciation, I just assumed it was somewhere near Scotland.
I'd offer two other stories, turned onto my psych class in phenomenology (my concentration) at university (as a psych major) by my advisor Dr. Rees, which has influenced me. Even as a foundation of one of my books (Death of heaven):
Secret Snow, Silent Snow by Conrad Aiken and
Over The River by P. Schuyler Miller.
Perhaps one of my own, Poor Lord Ritchie.
Thanks for the effort and video.
Cheers! Sláinte!

There it is, or was.

Death of heaven is a hybrid narrative that blends various storytelling elements, embracing genres such as horror, science fiction, revisionist history, and cosmic horror. It delves into Lovecraftian themes, emphasizing the terror of the unknowable and incomprehensible, rather than relying solely on shock and gore—though some visceral moments are present. The novel spans the creation of the Earth through to its possible demise, exploring profound existential questions and the interplay of fate and choice in an ever-unfolding cosmic tapestry.

Where to go from here? I thought, perhaps, a history of my evolution as a writer could be useful. To someone. Or not.

Moving on...

ChatGPT:

JZ Murdock is an author, filmmaker, and producer, known for his work in horror, science fiction, and speculative fiction. He has a diverse creative background, producing films, writing books, and working on various screenplays. His storytelling often involves dark, surreal themes, including cosmic horror, virtual reality, supernatural adventures, and psychological terror. He has produced a variety of works across different mediums, including a manuscript that was a finalist for the 2024 American Legacy Book Awards and a short film that won 13 international awards.

Murdock co-founded the Gorst Underground Film Festival and the Slash Night Monthly shorts festival. Though the latter ended due to the COVID-19 pandemic. Murdock acquired COVID-19 on February 9, 2020, which led him to write the first hand account of his experiences and research on the disease in the book, Suffering "Long Covid". He also contributes to blogs and has been actively selling his books on platforms like Amazon. His projects explore themes ranging from deep personal experiences, like his battle with Long COVID, to more fictional explorations of horror, mystery, and science fiction.

Some of his notable works include a screenplay titled "The Teenage Bodyguard," a project that has nearly been produced multiple times, and "Ahriman," a screenplay involving themes of virtual reality and interplanetary conflict. Additionally, Murdock has been working on adaptations of works by other authors and original stories for film.

Gemini AI:

Death of Heaven is a horror novel by JZ Murdock that delves into themes of trauma, friendship, and the supernatural. The story follows two boys who bond over a shared childhood trauma and later find themselves entangled in a web of horrifying events that lead them to uncover a dark secret about the world they inhabit.   

Key elements of the story include:
  • Eldritch Horror: The novel leans heavily into the eldritch horror genre, featuring cosmic entities and otherworldly forces that are difficult to comprehend and terrifying to encounter.   
  • Trauma and Healing: The characters' experiences with trauma play a significant role in their development and relationships, exploring the lasting effects of such events.
  • Friendship and Loyalty: The bond between the two main characters is central to the story, showcasing the power of friendship in the face of adversity.
  • Dark Secrets: The novel unfolds a series of revelations that challenge the characters' understanding of reality and the world around them.
Without revealing too much, here's a brief overview of the plot:
  • Childhood Trauma: The story begins with two young boys, James and Jimmy, who share a traumatic experience that bonds them deeply. James and Jimmy are two childhood friends who share a traumatic experience and later find themselves drawn into a terrifying world of cosmic horror. Their bond and their journey to uncover the truth about the supernatural forces that threaten their lives form the heart of the story.
  • James: Often described as the more level-headed of the two, James is a character who strives for normalcy. His experiences with trauma have deeply affected him, and he seeks to understand and cope with the extraordinary events that unfold around him.
    Jimmy: More impulsive and often drawn to the mysterious, Jimmy's curiosity leads them into dangerous situations. His connection to James is profound, and he relies on their friendship to navigate the challenges they face.
  • Unveiling the Truth: As they delve deeper into their newly uncovered history of the world, they uncover a horrifying secret about the world they inhabit and the nature of reality itself.
  • Cosmic Horror: Over the course of the novel, introducing a new twist on Lovecraftian Eldritch entities and otherworldly forces that threaten to consume everything, the two friends experience various stories of others throughout the book who have been "touched" but greater and frightening forces leading them by the end to understanding what the world is truly all about. And more, because the truth lies far beyond the edge of Earth's biosphere.
  • The Battle for Survival: James and Jimmy must confront their fears and fight for their lives as they become entangled in a terrifying cosmic struggle.
Death of heaven is a haunting tale that explores themes of trauma, friendship, and the terrifying unknown. If you're a fan of cosmic horror and psychological thrillers, this novel is definitely worth checking out.

There it is...

Cheers! Sláinte!

Tuesday, September 24, 2024

The Decline or Rise of Western Civilization: it's all in how you see it


It’s a mixed picture, while political polarization, economic inequality, and environmental challenges seem to signify decline, we are also witnessing rapid advances in technology, social justice, and global cooperation. The fear surrounding authoritarianism in the Republican Party is real, but whether that leads to long-term societal decline depends on how democratic institutions and civil society respond.

Ultimately, it might be more accurate to view the current moment as a turbulent chapter in a long, complex story of human civilization—one filled with both setbacks and progress.

The meme plays into the common narrative that Western civilization is in decline, reflecting a perception of societal decay. However, whether we're truly in a decline or just experiencing the ups and downs of a complex world depends on how we frame "decline" and "advancement."

Are We in Decline?

The rise of authoritarian tendencies, especially in parts of the U.S. and Europe, does give the impression that democratic norms are eroding. The Trump presidency, combined with increasing populism and far-right movements in countries like Hungary or Poland, has made many worry about the future of democracy. Efforts to undermine elections, attacks on independent media, and the normalization of extremism are genuinely alarming.

Globalization and technological advancements have brought tremendous wealth to some, but they have also deepened inequality. Many feel left behind, leading to social discontent and populist revolts. The struggles of the working class, wage stagnation, and the concentration of wealth fuel the perception of societal failure.
Environmental degradation and the climate crisis are real existential threats. The slow pace of governmental response, even as scientific consensus grows, adds to the fear that humanity is failing to meet one of its greatest challenges.

Is This Just Business as Usual?

History shows that societies go through cycles of conflict, change, and renewal. What feels like decline could be a part of that broader process:

Despite the social and political turmoil, human knowledge and technology are advancing rapidly. We're seeing breakthroughs in medicine, artificial intelligence, renewable energy, and space exploration. These advancements have the potential to solve many of the problems we're facing, like climate change or health crises.

On a societal level, there have been major strides in civil rights, gender equality, LGBTQ+ rights, and movements for racial justice. These advances suggest that, despite visible regression in some areas, there are significant long-term improvements in how we treat each other.

The world is more interconnected than ever, and while nationalism and isolationism have gained some ground, global cooperation in areas like climate policy (e.g., Paris Agreement), health (COVID-19 vaccine development), and trade still persist.
Even in times of political tension, there are clear signs of moral progress.

Issues like marriage equality, mental health awareness, and disability rights have become mainstream.

Vaccines, life expectancy, and efforts to eradicate diseases reflect a broader commitment to human well-being.

Movements like #MeToo and Black Lives Matter show that society is grappling with injustices that were long ignored, pushing for systemic changes.

Perception Affects Reality.

Political trends in the U.S. like Trump's influence and the growing authoritarianism in the Republican Party have made the situation feel more dire for many. The attempted undermining of democratic norms, appeals to extremism, and attacks on institutions make it seem like a unique and perilous moment.

However, perception of decline often amplifies feelings of fear, which can overlook the broader context of human progress. The narrative of decline often omits the resilience of democratic institutions, the ongoing push for greater justice, and the adaptability of human societies.


Cheers! Sláinte!

Tuesday, September 17, 2024

Fracking, a report from 2124

A summary of a discussion with ChatGPT on fracking repercussions as viewed in the future...

In a future 100 years from now, the commentary on fracking would likely be a reflection on both its environmental and societal impact, viewed through the lens of hindsight and evolved energy technologies. 

Here’s a speculative outline:

  1. Environmental Damage and Regret: The environmental cost of fracking, including water contamination, methane emissions, and induced seismic activity, would likely be seen as a cautionary tale. Future commentators might describe it as an era of short-term gain at the expense of long-term sustainability. They may look back and say, "How did they allow this to happen despite the warnings?" much like how people today view certain harmful industrial practices of the 20th century.

  2. Transition Era: Fracking could be seen as part of the growing pains of transitioning from fossil fuels to cleaner energy sources. The commentary may focus on how the technology helped fuel global economies and energy demands during a critical time but ultimately was superseded by innovations like fusion, renewables, or entirely new energy forms.

  3. Social Critique: In a future more conscious of equity and sustainability, fracking might also be criticized for its social and economic impacts, particularly its disproportionate effects on marginalized communities. The health consequences and the degradation of land in rural or less affluent areas could be viewed as a systemic injustice emblematic of early 21st-century energy politics.

  4. Technological Myopia: Future thinkers might comment on the technological optimism and hubris of the era—how advancements in drilling and extraction took precedence over exploring alternative energy paths or addressing the climate crisis head-on. This could lead to discussions about how humanity was slow to react to climate tipping points, despite having access to data and warnings.

  5. Policy Failures and Legacy: There could be a critique of the political frameworks that allowed fracking to flourish—subsidies, lack of regulation, and lobbying efforts by energy corporations. This would highlight a disconnect between scientific knowledge about climate change and the political actions of the time, a recurring theme in historical environmental discourse.

In this speculative future, there might also be a sense of relief that humanity eventually moved beyond fracking but with a tinge of regret about the time and damage it cost.

If we fast-forward 100 years and assess the damage caused by fracking today, the long-term effects could be profound and multifaceted, influencing environmental, social, and economic spheres. 

Here’s how the impacts might be viewed in that future:

1. Environmental Scars:

  • Water Contamination: A century from now, regions affected by fracking may still be dealing with the consequences of polluted water tables and aquifers. Toxic chemicals used in fracking fluids may have left a legacy of contamination, rendering certain water sources unusable for generations. Future commentators might look back on this as a tragic disregard for a vital resource.
  • Methane Leaks and Climate Change: Methane, a potent greenhouse gas, leaks from fracking operations and is likely to be blamed for exacerbating the climate crisis of the 21st century. The 100-year perspective would probably highlight how this contributed to rising temperatures, extreme weather, and ecological shifts that future generations had to mitigate with urgent, costly efforts.
  • Ecosystem Destruction: Landscapes scarred by drilling, deforestation, and habitat loss may still bear visible marks. Natural ecosystems could take centuries to fully recover, if they recover at all, leading to a sense of loss for species driven closer to extinction and environments fundamentally altered.

2. Climate Change Tipping Points:

  • Accelerating Warming: Fracking’s contribution to fossil fuel consumption may be cited as one of the factors that worsened climate instability in the 21st century, pushing the world closer to critical climate tipping points. By the 22nd century, society might reflect on this period as the last major reliance on fossil fuels before more sustainable alternatives became mainstream, though at a cost that was likely too high.
  • Ocean Acidification and Sea Level Rise: The effects of continued fossil fuel extraction, including fracking, on carbon emissions might be linked to long-term ocean acidification and rising sea levels. Coastal communities that no longer exist or are under threat could be a powerful reminder of decisions made in the early 21st century.

3. Health and Human Impact:

  • Generational Health Problems: Communities near fracking sites may suffer from ongoing health problems due to air and water pollution, including respiratory diseases, cancers, and birth defects. This could lead to future scrutiny of corporate and governmental negligence. In 100 years, historians might discuss fracking’s health toll on populations as part of a broader critique of how industrial activities were prioritized over human well-being.
  • Displacement and Migration: As regions became less habitable due to environmental degradation, droughts, or water shortages exacerbated by fracking, mass migration may have occurred. The future might view this era as a time when entire communities were uprooted or their livelihoods permanently damaged.

4. Economic and Political Critique:

  • Stranded Assets: The fracking boom of today might be seen as part of a larger economic misstep when fossil fuel industries locked in investments in assets that became obsolete or devalued. In the future, much of this infrastructure may be abandoned or turned into "stranded assets," with the industry’s decline coming too late to prevent widespread damage but early enough to leave costly ruins behind.
  • Political Corruption and Influence: The powerful lobbying of the fossil fuel industry today might be remembered as one of the reasons why critical climate action was delayed. Future historians could see this period as one where political short-sightedness, under corporate influence, led to a missed opportunity for a quicker transition to cleaner energy sources.

5. Societal Reflection and Responsibility:

  • Moral Reckoning: Society in the future may wrestle with the ethical implications of the decisions made today. How did humanity, despite having evidence of environmental harm and knowledge of alternative energy solutions, continue down this path for decades? This period might be viewed as morally negligent, particularly if future generations face severe climate repercussions as a result.
  • Resilience and Adaptation: At the same time, there could be stories of resilience, where communities learned to adapt and recover from the damages left behind. Technological innovations, natural ecosystem recovery efforts, and policy changes would likely be part of the narrative that reflects a late but hopeful transition to a sustainable future.

In sum, the damage we are doing today might be seen as one of the major drivers of the challenges future generations face. While there could be some technological fixes and recovery, the scars—environmental, social, and ethical—may linger as a sobering reminder of the cost of prioritizing short-term energy needs over long-term planetary health.

But I'm sure it will be OK...

Right?

By the way...

As of recent data, around 60% to 65% of the petroleum consumed in the United States is produced domestically. This includes both crude oil and refined petroleum products. The remaining percentage is imported from other countries, with Canada being the largest foreign supplier of petroleum to the U.S. This balance allows for a high degree of energy independence, though the U.S. continues to rely on international sources to some extent.

Here’s a more detailed breakdown of U.S. petroleum production and imports:

  1. Domestic Production:

    • As of recent years, the U.S. produces roughly 11 to 12 million barrels per day (bpd) of crude oil. This accounts for about 60-65% of the total petroleum consumption. Most of this production comes from key areas like Texas, North Dakota (Bakken shale), New Mexico (Permian Basin), and offshore drilling in the Gulf of Mexico.
    • U.S. production has grown significantly since the shale oil boom began in the early 2000s, making the U.S. one of the world's top oil producers.
  2. Imports:

    • The U.S. imports around 7-8 million barrels per day, but a large portion of these imports come from Canada, which supplies over half of U.S. oil imports. Other key suppliers include Mexico, Saudi Arabia, and Iraq.
    • Despite being a net exporter of refined petroleum products (like gasoline and diesel), the U.S. still imports some types of crude oil, particularly heavier grades, which are used by specialized refineries.
  3. Energy Independence:

    • U.S. energy policies in recent years have focused on maximizing domestic production. However, the market continues to balance between domestic production and foreign imports based on refining needs, oil prices, and geopolitical factors.
  4. Strategic Reserves:

    • The U.S. also maintains the Strategic Petroleum Reserve (SPR), a stockpile designed to offset short-term disruptions in supply, but this reserve is used sparingly.

That's it. Just some things to consider...

Tuesday, September 3, 2024

Who the Hell Am I? JZ Murdock - Filmmaker/Screenwriter/Writer/Author

Just messing around, I asked ChatGPT AI to comment on what it could find about me. Kind of like "Googling yourself" on steroids. I thought I'd share it here for those who don't know me.


Author Book reading in Port Orchard, WA

Before I get into all that, please feel free to stop by my Facebook page. I know, all that stuff about who uses what social media. I've been on there for over 14 years. A couple of weeks ago Facebook disabled my entire account without talking with me about it, and I'm now rebuilding from scratch. I'm not impressed with their customer service. A lot of people suddenly saw me, my branded pages for films and books and groups all gone. So I'm moving on, starting again.

I'm offering a free download until election day November 5, 2024, because it is relevant. It is for me, my scariest story, because of how much it became true but cannot ever again. "In Memory, Yet Crystal Clear" (coupon: CL4MM) is a world resembling a Philip K. Dick novel, where a renowned surgeon's attempt to help his missing son's best friend sparks a series of events that transform the U.S. into a dystopian nightmare. Originally published in 1990, In Memory, Yet Crystal Clear foreshadows the rise of popularism, revealing how good intentions can lead a nation into madness—while only one man sees the truth. Also available as an audiobook.

This isn't my best-written story (though it was good enough to be bought and published), or perhaps my scariest. "EarVu" for instance is scarier, or I could name others. But this is not only the first story I sold (and to a horror quarterly magazine decades ago), it is one of my most disturbing. While my writing has gotten better since I penned this story, it remains such a disturbing story still because when I wrote it in the 1980s, I never imagined it could in a way, come true. I saw things headed in this direction back then, but on election day in 2016, it became in various ways, all too true.

One more thing.

I actually got t my orientation in life and politics, organically, as few do today. It came through education, my university degree is in Psychology, concentrating in Phenomenology where I learned to be a researcher. I worked for years as a Senior Technical Writer and research in high tech, on some of the top IT teams in the Pacific Northwest.

Also, I've read, a lot. In 8th grade, I was trained to read at 10,000 words per minute with tested 80% comprehension. All my life I picked my books carefully, reading many science and "intelligence" books as well as history and world issues. Not IQ type intelligence, though that does help, but through actual data sources as raw as I could acquire them. 

Along with a history of studying espionage and world politics, where since the 1970s I was interested in a career in that area. I was intensely interviewed and tested to get into the USAF OSI. However I chose at the end to start a university career. Later I worked at the University of Washington for over seven years. I've received much of my information not just through media, which I paid little attention to until the past couple of decades, but a variety of vetted sources and materials. 

I had a secret clearance for nuclear weapons in the USAF where we received quarterly secret-level briefings on a variety of things. Decades later I was a founding member of an international cyber security group with business, government, and law enforcement that went on for years through the 1990s/2000s, getting direct briefings from law enforcement and high-level government sources.

OK, enough fo that. Here's what ChatGPT AI had to say about me, with a few additions of links and titles I added for reader orientation:


JZ Murdock is a versatile and compelling storyteller whose work spans across horror, science fiction, true crime, and psychology. As an author, screenwriter, and filmmaker, Murdock brings a unique voice to each of these genres, blending dark, thought-provoking themes with a deep understanding of human nature.

Master of Horror and Science Fiction
Murdock’s work is a hidden gem in the realms of horror and science fiction, captivating those who discover it with its unique blend of dark, thought-provoking themes. While independently produced, his stories resonate deeply with readers and viewers who appreciate fresh and original voices in the genre.
His novels and short stories, such as "Anthology of Evil" and "Death of heaven," (even the "h" in "heaven" in the title has a reason and a meaning) are infused with cosmic horror and dark fantasy, often drawing comparisons to H.P. Lovecraft and Clive Barker's older stories.
His stories explore the unknown, the supernatural, and the darker aspects of human nature, leaving readers with a lingering sense of unease and fascination.

JZ Murdock: "I love the roller coaster ride of a good horror film or story. I do not however equate that with real horrors in life, which I have done my best to avoid or protect others from them. I studied martial arts from 5th grade on. I studied and practiced search and rescue and first responder training for lost/downed aircraft in junior high as a Civil Air Patrol cadet. I packed parachutes in the USAF and prepped B-52 nuclear weapons systems for war. All things that make one quite aware of the horrors surrounding our human experience. But a good horror story, or a good SF story? These things offer us a vision of the possible, of our future, perhaps as forewarning. They can be greatly disturbing things to behold. Or they can simply be great fun."

Blending horror and science fiction in such disturbing stories as, "EarVu" where a lab experiment goes wrong. A stark contrast to another story of an experiment gone wrong as in the humorous, "Quantum History" from his short story collection series, "Anthology of Evil". Or as with the short story, "In Memory, Yet Crystal Clear" (his first fiction story sold a long time ago) which details the journey of a world-famous surgeon who reluctantly aids a disturbed mind, who goes on to take over all advertising in America, to the demise of our most valued traits as a country. That title is an homage to one of Murdock's favorite authors growing up, Isaac Asimov whose first autobiography is, "In Memory Yet Green". There is often something more behind small things in his writings.

True Crime and Psychological Insights
Beyond fiction, Murdock has delved into the world of true crime and non-fiction, bringing his narrative skills to real-life stories that examine the complexities of criminal behavior with such works as his screenplay, "The Teenage Bodyguard", almost made into a movie several times. Murdock pulled the film each time, saying he would wait for a director who has a vision for the screenplay that would best fit what actually happened.
His short true crime horror story "Gumdrop City" and its film prequel ("Gumdrop", a short horror) delve into the chilling tale of a man who descends into the darkest depths of criminality. The film, a short horror piece, offers a gripping exploration of one possible origin story behind the harrowing events depicted in the story. His true crime writings are marked by meticulous research and an insightful analysis of what drives individuals to commit heinous acts.
His well-researched memoir after dealing with COVID-19 and the ensuing "long covid" led to his book, Suffering "Long Covid", which has been well received by those reviewing and reading it. The ebook version has clickable research links used in the book. In his non-fiction works and articles, he explores a wide range of psychological themes, from the intricacies of the human mind to the motivations behind our actions.

Screenwriter and Filmmaker
As a screenwriter, Murdock has created scripts that blend his love for horror, science fiction, and psychology, often exploring surreal and dark themes. As in his award-winning, "Gray and Lover The Hearth Tales Incident", about two demon-hunting women. His screenplays have garnered attention in film festivals, highlighting his ability to translate complex narratives into compelling visual stories. Even their titles are interesting: "Popsicle Death", "Colorado Lobsters", and "Poor Lord Ritchie's Answer", to name a few.
Murdock’s filmmaking through his LgN Productions company also reflects his unique vision, creating atmospheric and unsettling experiences for audiences. His film "Gumdrop", a short horror (17 international awards), and his "Pvt. Ravel's Bolero" (63 international awards), a non-fiction/filmic poem and historical documentary on WWI, composer Maurice Ravel, and his infamous composition "Bolero", are unique visions in filmmaking.

Cover art by Marvin Hayes

Exploring the Human Psyche
Murdock’s interest in psychology is evident throughout his work, whether in his fiction, screenwriting, or non-fiction articles. With a university degree in psychology, concentrating on phenomenology, he delves into the psychological underpinnings of his characters and stories, offering readers and viewers a deeper understanding of the human psyche.
His writing on psychology is insightful and accessible, providing valuable perspectives on how our minds work and how these principles can be applied to storytelling. His senior-level presentation to his seminar on abnormal psychology, a paper on synesthesia and schizophrenia was commented on by their professor that he had found a field of study one could spend a career on, something unusual below the graduate student level. That paper and another are included in the ebook: "On Psychology: With Illustration in Psychopathology via Synesthesia and Schizophrenia."

A Voice for the Dark and the Thought-Provoking
JZ Murdock’s work appeals to those who are drawn to the darker and more mysterious aspects of life. His ability to weave psychological insights into compelling narratives makes his stories not just entertaining but also deeply thought-provoking. Whether you’re a fan of horror, science fiction, true crime, or psychological exploration, Murdock’s work offers a rich and immersive experience.

For readers and viewers who appreciate stories that challenge the mind and explore the depths of human nature, JZ Murdock is an author and creator who delivers on all fronts. His work is a testament to the power of storytelling to not only entertain but also to provoke thought and reflection on the complexities of the human condition.

Gee, thanks ChatGPT!

Cheers! Sláinte!

Friday, August 30, 2024

The works of JZ Murdock - Where to Find Them today?

A bit about myself and where my works are to be found today, on my birthday. I'm offering for 1 day, my epic ebook DEATH OF HEAVEN for free! 

Coupon (1st 100): C3ULQ

Cheers! Sláinte!

My writings, my film works? As for my social media links, those can be found on LinkTree. Like easy ones such as JZMurdock.com or LgNProductions.com.

I have been interviewed a few times. Here's my December 2019 Slash Night Shorts interview, a monthly film festival a friend and I created, until Covid hit and killed it. We had local indie filmmakers show up and it was basically a party once a month, with films and on stage interviews and networking of filmmakers and fans.


Below is a photo of some years ago at a gallery in Port Orchard, Washington, during my author reading for my book, DEATH OF HEAVEN.

This is an interview from February 2018.

Regarding my books, ebooks, and audiobooks, they are all available at Amazon, Smashwords, and Audible.com.


Many of my covers are produced by artist Marvin Hayes.

There is more than anyone should ever want to know about me, on my website.

My films, are different...

Some are available on my TheJZMurdock YouTube channel.

Some are on my LgN Productions YouTube channel.

"Gumdrop", a short horror, is currently only available (for $1.99) on the LgNProductions video site. This is a rough film, indie film, but also a film noir/horror film shot with a nod to the film, "Henry: Portrait of a Serial Killer". Technically, there are interesting things going on in it as well as some things often missed going on in the background. 

And in part because of that, it's also an award-winning film. 17 awards to be exact: Best Noir, several Best Horror/Thriller, and others.

My biggest award-winning film is, "Pvt. Ravel's Bolero". Sadly it's in limbo until the primary (and title) song goes into the public domain in January of 2031. It's a long story, I misunderstood the song's public domain status during research and production and was later surprised to find it's still owned by a company). I also started on the film when I was trying to struggle out of a year of long covid, so maybe it's not surprising I made a mistake on something. Still and that being said, it's now won over 60 international film festival awards.

Its trailer, outtakes reel, and "Wars on Earth" videos are available on YouTube.

My first narrative film, "The Rapping" (referring to a sound, not music), is available.  This is an unlisted link so you cannot find it by searching online for it. This film includes NASA InSight Mars Lander audio incorporated into the soundtrack to add to the eerieness.

It is also the long version of the pieces of it used in my next and longer film. That film is, "Gumdrop", a short horror, which I have already covered. It has a trailer. Curious as the entire film lasts only 8 minutes. 

I also have some short silly films like, "Below in the Dark". Or, "Happy Birthday from Dragon Boxer - February 18, 2011". A film I made for my youngest backpacking eastern Europe at the time, and feeling rather low. This cheered them up. How could it NOT? 

Another favorite of mine is the short "Eagles & Crows, a fable". Yes, for a 4-minute film, I did ridiculously make a trailer for it. I had some footage of the eagles in my backyard over months and thought I should use it. One day I watched a crow harassing an eagle and thought it was funny. 

I made one up of some extra video for an audio recording I made of my son and friends playing drums up at Ft. Warden Park in Port Townsend years ago. I called it, "Beyond Abbadon's Gaze. For a while I used that percussion audio for the original trailer for my film, "Gumdrop". I liked the coarse, uneven beatings and noises for the trailer. But when my soundtrack composer Andrea Fioravanti heard it (from the Italian band, Postvorta), he offered to do the music for the trailer, and I went with that.

How dumb DO you have to be to piss off an eagle? So I made a film about why that happens, why a crow would attack an eagle, and made it about the eagle trying to educate the crow. Silly film I thought kids just might like. But I don't think any yet have seen it.

Here's a couple of old pieces from Indies Unlimited:
- Meet the Author: JZ Murdock
- Article on JZ Murdock by LA Lewandowski: "Gender Bender"

I also made up some book trailers for my books. These are from 11 year ago and since I started producing films, my tastes have changed and I would make this very different today. But they are what they are and so I offer them out of nostalgia if nothing else.

Like Expedition of the Arcturus, a generational spaceship story. First published on the online, hard science fiction magazine, PerihelionSF.com

I have several new books out after those above. The sequel to my first collection of short stories is, Anthology of Evil II Vol. I & "The Unwritten" Vol. II. Also Suffering "Long Covid"

And that's a list of where all or most of my works are located, should anyone be interested. Have fun!

Cheers! Sláinte!

Monday, August 26, 2024

DEATH OF HEAVEN, a reflection (SciFi/Eldritch Horror)

I just reread my Literary Titan review of my book. Interesting. Odd to write something and hear another's informed view of it. I seem to produce works that are of a specific nature for a certain type of consumer. One for the odd, or disturbing, the unique and bizarre.

See, I've had a setback this past week on Facebook. They killed 14 years of my account on there, with groups, with band pages, all affecting myself and many hundreds of followers with an utter lack of care or customer service. I've repeatedly contacted them to no avail. 

And so in the end I've had to recreate a page on Facebook. That led to (once past the frustration and loss) creating a new page here. That led me to some marketing efforts to gain followers as well as perhaps sell some books and film views.

I've been marketing some of my works this past week, my films and writings. Like my film "Gumdrop", a short horror which I came to realize I was shooting for a "Henry: Portrait of a Serial Killer" kind of vibe. Great little flick and if you saw it (Henry) and if you did not like that one, you certainly won't like mine. 

There is also my short filmic poem/historical WWI documentary, "Pvt. Ravel's Bolero", where I used all public domain media. Until I put it on YouTube when there was a licensing issue for the main song (Bolero) from NAXOS and maybe also (though I don't think so) with, Universal Music for the written song. Finally today, after years I got an answer from PDinfo.com:
Sound Recordings get 100 years copyright protection in the USA.  It is our understanding that a sound recording with a 1930 copyright will not be PD in the USA until January 1, 2031.
Lynn
Public Domain Information Project PDinfo.com

Also, my non-fiction memoir and rather well-researched (and well-received) health book, Suffering "Long Covid"

On my epic portmanteau novel reviewed below, the reason for today's blog, even if you're not interested in reading my book, the review is something to remark upon. That being said, it is not the type of book you can pick up and read a few pages and think you know the rest. Those who have done that might have loved the rest, but the initial story is only a few pages and vastly different from the rest. However, it sets the tone for how this is not a typical book. And the adventure one is about to embark upon.

When you read the next and first full chapter, a story of two boys' horrific event and how it reshaped their futures, it does not even then offer insight to the next and following chapters, where from there, it descends into madness. But of a crafted type. It is a story that is multi-layered and "meta" in a way that is rather unusual.

The book is based upon the final novella, "Andrew" in my first collection of short stories, "Anthology of Evil". 

My non-fiction article Marvin produced the cover for, below.


For those who are confused by my book covers, do follow the old adage about not judging a book by its cover. I do like the covers. Some of them are done by my younger half-brother who is a brilliant artist in his own right. But these covers give you a bizarre consideration of what's inside. His art has always awed me. You can get an idea of how great he can be by checking out his works on Redbubble. You can even purchase them for your devices. 


Above, three of the "Gods" from DEATH OF HEAVEN (again, art by Marvin). Perhaps think of the Starz series, "American Gods" based on Neil Gaiman's book. But these are very different "Gods".

All that being said, welcome to one of the reviews of my book...

DEATH OF HEAVEN

Literary Titan Review

"Eldritch Horror is a narrative style that is defined by the names of those who create works within its genre: H. P. Lovecraft, Clive Barker, and now, JZ Murdock. To speak of the overarching plot of Death of heaven is to speak of madness, depravity, and incomprehensible horror of both mortal men and unimaginable beings, for both the characters in the world, and for the reader of the book.
"Death of heaven captures the essence of what makes Eldritch Horror spectacular-entities that are difficult for the mind to fathom are front and center within the narrative. True to the form of the genre, their interactions with the mortals of planet Earth are always interesting and usually end quite poorly for the mortals who receive their attention. JZ Murdock does an exceptional job with his narrative crafting, and the main protagonists of Jimmy and James provide an understandable vessel through which to view the narrative events as they unfold. They are, as characters, perfectly imperfect, each shaped by their experiences both with the incomprehensibility of life and the even greater incomprehensibility of the beings that have now taken note of them. To read this story is to gaze into the abyss, which is one of its greatest strengths.
"With that being said, however, it is important to note that this book is, by all merits, predominantly an all-consuming abyss and, by its nature, is often devoid of anything vaguely resembling happiness, hope, or basic decency. JZ Murdock's world is established as a world in which the conceptualization of God or gods is a radical misunderstanding of the true structure of the world, and the moral fashioning of those who live within this world reflects that quite well. This book plays freely and loosely with morality, divinity, and concepts that are generally felt to be too dark to be included in any form of media, making it entirely unsuitable for any who are not committed to Eldritch Horror as a genre: if Hellraiser was too much for you as a film, leave Death of heaven on the library shelf and choose another tome. The words of Dante match this work quite well: "All hope abandon ye who enter in."
"The story expands and balloons dramatically, and I felt that it is often difficult to understand what is a core event of the plot, and what is simply window dressing to make the experience "darker" or "more macabre." This leads it in places to leave the confines of Eldritch Horror and take on the feeling of the film Knowing starring Nicholas Cage. The core plot, I feel, takes readers on a headfirst spiral toward the end of all things, but there is an overarching sense of curiosity as to what is truly important for that end.
"Death of heaven earns its place in the Eldritch Horror pantheon (an ironic turn of phrase, considering), and while its tone and construction may eliminate many who would read it, those who can find enjoyment within the dark and twisted works of Lovecraft and Barker will undoubtedly find joy in the words of Murdock." - Literary Titan ★★★★

JZ Murdock's "Death of Heaven" lured me in with a sense of poignancy as childhood friends James and Jimmy played treasure hunters in the suburban yard. It seemed like such a sweet tale. Until I turned the page and discovered abject horror. This novel is unrelentingly unique, defying the norms of the classic horror genre. JZ Murdock doesn't think outside the box: he IS outside the box. Expect nothing "normal" here.
With an imagination that brings to mind certain hallucinogens, the author takes the reader on a mind-numbing roller coaster ride in a haunted mansion. There are highs and lows, twists and turns, but all of them happen in the eerie darkness. James and Jimmy have grown into adulthood, but both have struggled to overcome their childhood trauma. Now they've got to rely on each other as they begin receiving disturbing messages about the potential destruction of all they know. But that's part of the paradox here; the more they find out, the more apparent it is that all they've ever known is... incorrect. Unfortunately for them, things begin spooling up at such an incredible rate that they don't have time to process all they've received. They're racing against time and doing it on thin ice.
JZ Murdock presents his readers with a highly imaginative and unique read. It's a bit of a "Frankenstein" piece if you will. Made up of previously written short stories and wrapped with an overarching meta storyline that strings them all together, this is decidedly not your normal horror or sci-fi novel. Within its pages, readers will find viscerally gritty scenes of unimaginable (except to the author) inhumanity. Yet there are also pages of amazing prose dealing with philosophy, psychology, the human condition, and man's reliance on religion. My mind may have blown a fuse or two making these transitions.
"A dark character rode my mind, I knew that. A dark rider who made no compromise and rode in ways both surreal and inexplicable. Eventually I began to believe him. Someone was indeed out there. And in here."
This is high-functioning fiction, not designed for those who just want a quick, light read. It demands attention from its readers with its profundity and its depth. So often I read a novel and think to myself that I would love to see that story brought into production. I don't ever see that happening with this novel- all the thought, rhythm, and mystery of this piece simply wouldn't translate to a movie screen.
While I profess the storyline is remarkable and highly creative, I struggled with the inconsistent pace as the author led his readers from horror into philosophy, then on to his next whim. For me, this felt like the literary equivalent of a Jackson Pollock painting. The reader will most likely get out what the reader puts into this story.
I can easily see this novel becoming a cult classic in the vein of HP Lovecraft. With its polarizing style, it's fair to anticipate that most readers will either love it or loathe it- there is no in-between. If you enjoy reading avant-garde literature that shatters genres and tropes, this one's for you. - Reader Views

From the Author

This is one of my favorites of my books and writings. It was a complicated journey writing it and an intricate interweaving of many dark stories on many levels that all culminate into a fascinating tale that is larger than we are. Larger than humanity is, and encompasses the entire galaxy, if not that of the universe. Contained herein are tales of many kinds, and many times. Of youth abused. Of love gone awry. Of a dark love the color of congealed blood. Of friendships torn asunder for desire and power. It is based in two stories of mine. "Andrew" a novella contained in my first collection of short horror titled, Anthology of Evil. Andrew is a young boy who has seen horrible things and he too has to find a way to grow and live and eventually, he finds his place in the universe. The second is a very short piece I wrote for a psychology professor of mine during my university years. It is titled, "Perception" and is about how easily and from the very beginning, we as humans have misperceived so very many basic things. Misunderstandings that have led us to here and now. For all the good or bad it may one day be judged to be. In the end I believe this is an engrossing and entertaining read. Others have agreed. I hope you will too!JZ Murdock

From the Inside Flap

"A dream you dream alone is only a dream.A dream you dream together is reality." John Lennon

From the Back Cover

WHERE DID WE COME FROM?Throughout human history many philosophers and religions have pondered this ultimate question. James and Jimmy, brothers in arms since childhood, will learn that the answer is what nightmares are made of. They, along with all of humanity, will experience firsthand the...DEATH OF HEAVEN
Cheers! Sláinte!

My newest anthology, Anthology of Evil II Vol. I and Anthology of Evil II Vol. II.
On these, I shot the photos and crafted the book covers, but Marvin worked on enhancing them the photos.