The works of JZ Murdock - Where to Find Them today?

A bit about myself and where my works are to be found today, on my birthday. I'm offering for 1 day, my epic ebook DEATH OF HEAVEN for free! 

Coupon (1st 100): C3ULQ

Cheers! Sláinte!

My writings, my film works? As for my social media links, those can be found on LinkTree. Like easy ones such as JZMurdock.com or LgNProductions.com.

I have been interviewed a few times. Here's my December 2019 Slash Night Shorts interview, a monthly film festival a friend and I created, until Covid hit and killed it. We had local indie filmmakers show up and it was basically a party once a month, with films and on stage interviews and networking of filmmakers and fans.

Below is a photo of some years ago at a gallery in Port Orchard, Washington, during my author reading for my book, DEATH OF HEAVEN.

This is an interview from February 2018.

Regarding my books, ebooks, and audiobooks, they are all available at Amazon, Smashwords, and Audible.com.

Many of my covers are produced by artist Marvin Hayes.

There is more than anyone should ever want to know about me, on my website.

My films, are different...

Some are available on my TheJZMurdock YouTube channel.

Some are on my LgN Productions YouTube channel.

"Gumdrop", a short horror, is currently only available (for $1.99) on the LgNProductions video site. This is a rough film, indie film, but also a film noir/horror film shot with a nod to the film, "Henry: Portrait of a Serial Killer". Technically, there are interesting things going on in it as well as some things often missed going on in the background. 

And in part because of that, it's also an award-winning film. 17 awards to be exact: Best Noir, several Best Horror/Thriller, and others.

My biggest award-winning film is, "Pvt. Ravel's Bolero". Sadly it's in limbo until the primary (and title) song goes into the public domain in January of 2031. It's a long story, I misunderstood the song's public domain status during research and production and was later surprised to find it's still owned by a company). I also started on the film when I was trying to struggle out of a year of long covid, so maybe it's not surprising I made a mistake on something. Still and that being said, it's now won over 60 international film festival awards.

Its trailer, outtakes reel, and "Wars on Earth" videos are available on YouTube.

My first narrative film, "The Rapping" (referring to a sound, not music), is available.  This is an unlisted link so you cannot find it by searching online for it. This film includes NASA InSight Mars Lander audio incorporated into the soundtrack to add to the eerieness.

It is also the long version of the pieces of it used in my next and longer film. That film is, "Gumdrop", a short horror, which I have already covered. It has a trailer. Curious as the entire film lasts only 8 minutes. 

I also have some short silly films like, "Below in the Dark". Or, "Happy Birthday from Dragon Boxer - February 18, 2011". A film I made for my youngest backpacking eastern Europe at the time, and feeling rather low. This cheered them up. How could it NOT? 

Another favorite of mine is the short "Eagles & Crows, a fable". Yes, for a 4-minute film, I did ridiculously make a trailer for it. I had some footage of the eagles in my backyard over months and thought I should use it. One day I watched a crow harassing an eagle and thought it was funny. 

I made one up of some extra video for an audio recording I made of my son and friends playing drums up at Ft. Warden Park in Port Townsend years ago. I called it, "Beyond Abbadon's Gaze. For a while I used that percussion audio for the original trailer for my film, "Gumdrop". I liked the coarse, uneven beatings and noises for the trailer. But when my soundtrack composer Andrea Fioravanti heard it (from the Italian band, Postvorta), he offered to do the music for the trailer, and I went with that.

How dumb DO you have to be to piss off an eagle? So I made a film about why that happens, why a crow would attack an eagle, and made it about the eagle trying to educate the crow. Silly film I thought kids just might like. But I don't think any yet have seen it.

Here's a couple of old pieces from Indies Unlimited:
- Meet the Author: JZ Murdock
- Article on JZ Murdock by LA Lewandowski: "Gender Bender"

I also made up some book trailers for my books. These are from 11 year ago and since I started producing films, my tastes have changed and I would make this very different today. But they are what they are and so I offer them out of nostalgia if nothing else.

Like Expedition of the Arcturus, a generational spaceship story. First published on the online, hard science fiction magazine, PerihelionSF.com

• Death of heaven (Revised 2014) / Death of Heaven (2012)
• Synesthesia (non-fiction/psychology)
• Some Notes on Field Theory and Psychology (non-fiction/psychology)
• The Conqueror Worm (1st story from, Death of heaven)
• Mr. Pakool's Spice (zombie story)
• Anthology of Evil (collection of older short fiction-horror/scifi)
• Poor Lord Ritchie's Answer (surreal horror)
• In Memory, Yet Crystal Clear (1990-dystopian America & giving one man, all power)
• Quantum History (humor-science experiment gone mad)
• Gumdrop City (story the film "Gumdrop", a short horror is based upon)
• Simon's Beautiful Thought
• Sarah ("Twilight Zone" type story)
• EarVu (horror/scifi-science experiment gone mad)
• Japheth, Ishvi and The Light (religious cult/zombie story)
• Andrew (novella that Death of heaven is in part based upon)
• The Mea Culpa document of London (medieval witch hunter story)

I have several new books out after those above. The sequel to my first collection of short stories is, Anthology of Evil II Vol. I & "The Unwritten" Vol. II. Also Suffering "Long Covid". 

And that's a list of where all or most of my works are located, should anyone be interested. Have fun!

Cheers! Sláinte!

DEATH OF HEAVEN, a reflection (SciFi/Eldritch Horror)

I just reread my Literary Titan review of my book. Interesting. Odd to write something and hear another's informed view of it. I seem to produce works that are of a specific nature for a certain type of consumer. One for the odd, or disturbing, the unique and bizarre.

See, I've had a setback this past week on Facebook. They killed 14 years of my account on there, with groups, with band pages, all affecting myself and many hundreds of followers with an utter lack of care or customer service. I've repeatedly contacted them to no avail. 

And so in the end I've had to recreate a page on Facebook. That led to (once past the frustration and loss) creating a new page here. That led me to some marketing efforts to gain followers as well as perhaps sell some books and film views.

I've been marketing some of my works this past week, my films and writings. Like my film "Gumdrop", a short horror which I came to realize I was shooting for a "Henry: Portrait of a Serial Killer" kind of vibe. Great little flick and if you saw it (Henry) and if you did not like that one, you certainly won't like mine. 

There is also my short filmic poem/historical WWI documentary, "Pvt. Ravel's Bolero", where I used all public domain media. Until I put it on YouTube when there was a licensing issue for the main song (Bolero) from NAXOS and maybe also (though I don't think so) with, Universal Music for the written song. Finally today, after years I got an answer from PDinfo.com:

Sound Recordings get 100 years copyright protection in the USA.  It is our understanding that a sound recording with a 1930 copyright will not be PD in the USA until January 1, 2031.

Lynn

Public Domain Information Project PDinfo.com

Also, my non-fiction memoir and rather well-researched (and well-received) health book, Suffering "Long Covid". 

On my epic portmanteau novel reviewed below, the reason for today's blog, even if you're not interested in reading my book, the review is something to remark upon. That being said, it is not the type of book you can pick up and read a few pages and think you know the rest. Those who have done that might have loved the rest, but the initial story is only a few pages and vastly different from the rest. However, it sets the tone for how this is not a typical book. And the adventure one is about to embark upon.

When you read the next and first full chapter, a story of two boys' horrific event and how it reshaped their futures, it does not even then offer insight to the next and following chapters, where from there, it descends into madness. But of a crafted type. It is a story that is multi-layered and "meta" in a way that is rather unusual.

The book is based upon the final novella, "Andrew" in my first collection of short stories, "Anthology of Evil". 

My non-fiction article Marvin produced the cover for, below.

For those who are confused by my book covers, do follow the old adage about not judging a book by its cover. I do like the covers. Some of them are done by my younger half-brother who is a brilliant artist in his own right. But these covers give you a bizarre consideration of what's inside. His art has always awed me. You can get an idea of how great he can be by checking out his works on Redbubble. You can even purchase them for your devices. 

Above, three of the "Gods" from DEATH OF HEAVEN (again, art by Marvin). Perhaps think of the Starz series, "American Gods" based on Neil Gaiman's book. But these are very different "Gods".

All that being said, welcome to one of the reviews of my book...

DEATH OF HEAVEN

Literary Titan Review

"Eldritch Horror is a narrative style that is defined by the names of those who create works within its genre: H. P. Lovecraft, Clive Barker, and now, JZ Murdock. To speak of the overarching plot of Death of heaven is to speak of madness, depravity, and incomprehensible horror of both mortal men and unimaginable beings, for both the characters in the world, and for the reader of the book.
"Death of heaven captures the essence of what makes Eldritch Horror spectacular-entities that are difficult for the mind to fathom are front and center within the narrative. True to the form of the genre, their interactions with the mortals of planet Earth are always interesting and usually end quite poorly for the mortals who receive their attention. JZ Murdock does an exceptional job with his narrative crafting, and the main protagonists of Jimmy and James provide an understandable vessel through which to view the narrative events as they unfold. They are, as characters, perfectly imperfect, each shaped by their experiences both with the incomprehensibility of life and the even greater incomprehensibility of the beings that have now taken note of them. To read this story is to gaze into the abyss, which is one of its greatest strengths.
"With that being said, however, it is important to note that this book is, by all merits, predominantly an all-consuming abyss and, by its nature, is often devoid of anything vaguely resembling happiness, hope, or basic decency. JZ Murdock's world is established as a world in which the conceptualization of God or gods is a radical misunderstanding of the true structure of the world, and the moral fashioning of those who live within this world reflects that quite well. This book plays freely and loosely with morality, divinity, and concepts that are generally felt to be too dark to be included in any form of media, making it entirely unsuitable for any who are not committed to Eldritch Horror as a genre: if Hellraiser was too much for you as a film, leave Death of heaven on the library shelf and choose another tome. The words of Dante match this work quite well: "All hope abandon ye who enter in."
"The story expands and balloons dramatically, and I felt that it is often difficult to understand what is a core event of the plot, and what is simply window dressing to make the experience "darker" or "more macabre." This leads it in places to leave the confines of Eldritch Horror and take on the feeling of the film Knowing starring Nicholas Cage. The core plot, I feel, takes readers on a headfirst spiral toward the end of all things, but there is an overarching sense of curiosity as to what is truly important for that end.
"Death of heaven earns its place in the Eldritch Horror pantheon (an ironic turn of phrase, considering), and while its tone and construction may eliminate many who would read it, those who can find enjoyment within the dark and twisted works of Lovecraft and Barker will undoubtedly find joy in the words of Murdock." - Literary Titan ★★★★

JZ Murdock's "Death of Heaven" lured me in with a sense of poignancy as childhood friends James and Jimmy played treasure hunters in the suburban yard. It seemed like such a sweet tale. Until I turned the page and discovered abject horror. This novel is unrelentingly unique, defying the norms of the classic horror genre. JZ Murdock doesn't think outside the box: he IS outside the box. Expect nothing "normal" here.
With an imagination that brings to mind certain hallucinogens, the author takes the reader on a mind-numbing roller coaster ride in a haunted mansion. There are highs and lows, twists and turns, but all of them happen in the eerie darkness. James and Jimmy have grown into adulthood, but both have struggled to overcome their childhood trauma. Now they've got to rely on each other as they begin receiving disturbing messages about the potential destruction of all they know. But that's part of the paradox here; the more they find out, the more apparent it is that all they've ever known is... incorrect. Unfortunately for them, things begin spooling up at such an incredible rate that they don't have time to process all they've received. They're racing against time and doing it on thin ice.
JZ Murdock presents his readers with a highly imaginative and unique read. It's a bit of a "Frankenstein" piece if you will. Made up of previously written short stories and wrapped with an overarching meta storyline that strings them all together, this is decidedly not your normal horror or sci-fi novel. Within its pages, readers will find viscerally gritty scenes of unimaginable (except to the author) inhumanity. Yet there are also pages of amazing prose dealing with philosophy, psychology, the human condition, and man's reliance on religion. My mind may have blown a fuse or two making these transitions.
"A dark character rode my mind, I knew that. A dark rider who made no compromise and rode in ways both surreal and inexplicable. Eventually I began to believe him. Someone was indeed out there. And in here."
This is high-functioning fiction, not designed for those who just want a quick, light read. It demands attention from its readers with its profundity and its depth. So often I read a novel and think to myself that I would love to see that story brought into production. I don't ever see that happening with this novel- all the thought, rhythm, and mystery of this piece simply wouldn't translate to a movie screen.
While I profess the storyline is remarkable and highly creative, I struggled with the inconsistent pace as the author led his readers from horror into philosophy, then on to his next whim. For me, this felt like the literary equivalent of a Jackson Pollock painting. The reader will most likely get out what the reader puts into this story.
I can easily see this novel becoming a cult classic in the vein of HP Lovecraft. With its polarizing style, it's fair to anticipate that most readers will either love it or loathe it- there is no in-between. If you enjoy reading avant-garde literature that shatters genres and tropes, this one's for you. - Reader Views

From the Author

This is one of my favorites of my books and writings. It was a complicated journey writing it and an intricate interweaving of many dark stories on many levels that all culminate into a fascinating tale that is larger than we are. Larger than humanity is, and encompasses the entire galaxy, if not that of the universe. Contained herein are tales of many kinds, and many times. Of youth abused. Of love gone awry. Of a dark love the color of congealed blood. Of friendships torn asunder for desire and power. It is based in two stories of mine. "Andrew" a novella contained in my first collection of short horror titled, Anthology of Evil. Andrew is a young boy who has seen horrible things and he too has to find a way to grow and live and eventually, he finds his place in the universe. The second is a very short piece I wrote for a psychology professor of mine during my university years. It is titled, "Perception" and is about how easily and from the very beginning, we as humans have misperceived so very many basic things. Misunderstandings that have led us to here and now. For all the good or bad it may one day be judged to be. In the end I believe this is an engrossing and entertaining read. Others have agreed. I hope you will too!JZ Murdock

From the Inside Flap

"A dream you dream alone is only a dream.A dream you dream together is reality." John Lennon

From the Back Cover

WHERE DID WE COME FROM?Throughout human history many philosophers and religions have pondered this ultimate question. James and Jimmy, brothers in arms since childhood, will learn that the answer is what nightmares are made of. They, along with all of humanity, will experience firsthand the...DEATH OF HEAVEN

Cheers! Sláinte!

My newest anthology, Anthology of Evil II Vol. I and Anthology of Evil II Vol. II.
On these, I shot the photos and crafted the book covers, but Marvin worked on enhancing them the photos.

 

10 Commandments - If Enlightenment Were Involved

If Jews and Christians had attained a higher level of spiritual or philosophical enlightenment, the 10 Commandments could have been interpreted to embody universal principles of compassion, interconnectedness, and self-awareness. But they weren't. Why? 

IF they came from "God", why were they so...as they are?

A therapist might describe the personality who gave us the 10 Commandments as someone deeply concerned with moral boundaries, authority, and communal harmony, yet possibly struggling with guilt, rigidity, and a strong need for external validation.

Why is slavery being bad not mentioned? Why aren't many important moral issues not mentioned? Was it communicated from a "God" through a man, to his followers? Was it the ramblings just of the man who gave them to his people? At a time when they needed something like this to hold them together as they were drifting into unfocused popular beliefs?

Here's a possible interpretation of the 10 Commandments with a more enlightened viewpoint to them:

1. Honor the Unity of All Life

Recognize the interconnectedness of all beings and the divine spark within every aspect of existence.

2. Cultivate Compassion and Kindness

Practice empathy, understanding, and kindness towards all living beings, striving to alleviate suffering wherever it is found.

3. Seek Truth and Wisdom

Pursue knowledge and wisdom with humility, always questioning, learning, and growing.

4. Respect the Earth and Its Resources

Honor the Earth as a sacred home, using its resources with care and gratitude, and working to preserve it for future generations.

5. Live with Integrity

Be honest and true in your words and actions, aligning your life with your deepest values and principles.

6. Honor the Diversity of Beliefs

Respect and appreciate the different paths that others may take in their spiritual or philosophical journeys, recognizing that there are many ways to seek truth.

7. Foster Community and Cooperation

Work towards building strong, supportive communities that uplift all members and promote peace and cooperation.

8. Practice Forgiveness and Reconciliation

Let go of grudges and anger, seeking to heal and reconcile with those who have wronged you, and encouraging others to do the same.

9. Encourage Creativity and Self-Expression

Support the free expression of creativity in yourself and others, recognizing it as a vital aspect of the human spirit.

10. Live with Gratitude and Mindfulness

Approach life with an attitude of gratitude, being mindful of the present moment, and appreciating the beauty and wonder of existence.

These commandments would focus on universal values that transcend specific religious or cultural boundaries, aiming for a harmonious and enlightened way of living.

Good Citizens – Creating Enlightened Society
Thich Nhat Hanh July 29, 2021 

Buddha Mind, Buddha Body Walking Toward Enlightenment

Thich Nhat Hanh

Generating the Mind for Enlightenment

The Dalai Lama

Cheers! Sláinte! Anicca!

What IS Trump selling?

 What is Trump selling through his MaGA concept/contempt?

Memories. The Past.

What are the rest of us involved in?

Life, reality, progress.

It is in THAT gap between, wherein Trump has weaponized reality against US all.

All "that" IS our lives.

Not the past.

Trump’s “Make America Great Again” (MAGA) concept taps into nostalgia for a perceived better past. It suggests that this longing for the past can overshadow the realities and challenges of the present and future. Here’s a breakdown:

Trump’s Selling Point: 

Nostalgia – MAGA is centered around a romanticized vision of a past that many see as simpler or better. This focus on “the past” can evoke strong emotional responses and a sense of identity tied to bygone times, which can be potent in political messaging.

The Present and Future – In contrast, being “involved in life, reality, and progress” involves addressing current issues and preparing for the future. This often requires confronting uncomfortable truths and working towards change, which can be more complex and less immediately gratifying than nostalgia.

The Weaponization of Reality – By leveraging a nostalgic view of the past, Trump can create a narrative that frames current realities as problems to be solved by returning to an idealized previous state. This can be seen as a way to weaponize reality, turning it into a battleground between the idealized past and the challenging present.

The Gap – The difference between a nostalgic vision of the past and the reality of the present. This gap can create a disconnect, where solutions based on outdated views might not address current complexities effectively.

By focusing on the past, Trump’s narrative can sideline the more nuanced and necessary engagement with the present and future. This dynamic is a powerful tool in shaping political discourse and public perception.

It is counterintuitive and counterproductive. But it gives Trump and MaGA leadership, power. It leads to an imbalance as power must come from somewhere. Which is where the rest of us come in.

Donald Trump is actually a very poor debater. But he seems to win debates. Why?

That phenomenon is often referred to as "rhetorical manipulation" or "demagoguery." These terms describe tactics that sway audiences not through structured argumentation, facts, or reasoning, but by exploiting emotions, distractions, or other forms of persuasion that deviate from traditional debate norms. Some of the tactics Trump has used in this context include:

• Ad hominem attacks: Attacking the opponent personally rather than addressing their arguments.
• Appeals to emotion: Using fear, anger, or pride to rally support.
• False equivalence: Presenting two unequal things as though they were comparable.
• Gish gallop: Overwhelming the opponent with numerous rapid claims, many of which may be false or misleading, making it difficult for them to respond.

These strategies can allow someone to "win" a debate in the eyes of an audience without adhering to the logical structure typically expected in formal debate.

There is more involved in all this mess we've been led into today. Things that MaGA and Trump are pushing so hard into the Republican Party that they are no longer the once "Grand Old Party", the GOP they once were.

And it began long ago...

Did you know, Rutherford B. Hayes’ decision to remove federal troops from the South in 1877 played a significant role in shaping race relations in America and has lasting implications. When Hayes withdrew the troops, it effectively ended Reconstruction and allowed Southern states to enact Jim Crow laws, which institutionalized racial segregation and disenfranchisement of Black citizens.

This set the stage for nearly a century of oppressive policies, including limited voting rights and economic inequality, that continued to fuel racial tensions well into the 20th century and still resonate today.

The removal of federal protection for ex-slaves led to widespread violence and intimidation, often perpetrated by groups like the Ku Klux Klan, which sought to maintain white supremacy. Many of these groups, or the broader movement they represent, have ideological ties to today’s problematic militias, which see themselves as defenders of a particular social order.

Back then, “gun clubs” and paramilitary groups often formed to protect white interests, especially as federal oversight waned. Some of the anti-government militias seen today claim lineage from these 19th-century movements, though modern militias are more fragmented and diverse in their motivations.

Turning out backs on these militias, ignoring their misrepresentation of the 2nd Amendment, esp,. in modern times has allowed a counter narrative to grow into a political entity that has set the stage for some very untenable and ridiculous beliefs, infecting a major political party.

1991 interview on The MacNeil/Lehrer NewsHour Chief Justice Warren E. Burger: “The gun lobby’s interpretation of the Second Amendment is one of the greatest pieces of fraud — I repeat the word ‘fraud’ — on the American public by special interest groups that I have ever seen in my lifetime. The real purpose of the Second Amendment was to ensure that state armies — the militias — would be maintained for the defense of the state. The very language of the Second Amendment refutes any argument that it was intended to guarantee every citizen an unfettered right to any kind of weapon he or she desires.”

In short, Hayes' decision to end Reconstruction gave rise to segregationist policies and violent white supremacist groups that evolved into organizations that still influence race relations and militia culture today.

Had Hayes not been president, perhaps today the bigotry and racism would be far, far less apparent. We are a nation of mixed cultures. We can work together. We can be pulled together by our similarities, rather than praise politicians and religious leaders who sell us on division and irritation, fanned into fear and hate, all for their personal agendas and success.

We can do better. Obviously.

Cheers! Sláinte!

Why Those Who Cannot See Donald Trump for Who & What He Truly Is

The mental and emotional condition of Donald Trump and his MaGA has been discussed. Perhaps now we should go back to those who cannot see him for who and what he is? Also why he uses authoritarianism and how to avoid it: Timothy Snyder's rules to avoid falling into the banal force majeure of the so very petty authoritarian. Things he learned in writing his immensely valuable book, On Tyranny.

Take the Poll: If Trump is convicted for his actual crimes, difficult to prove in court, what should be his punishment?

Also, do watch FIRING LINE WITH MARGARET HOOVER, on Election Fraud, from Friday, 8/2/2024: On PBS, a show that maintains the character of the original series by conservative William F. Buckley Jr., providing a platform that is diligent in its commitment to a balanced exchange of opinion.

Now...

Explaining the filter some people use to overlook the negative aspects of Donald Trump's personality and actions involves several psychological and sociological concepts:

Cognitive Dissonance: This theory suggests that people experience discomfort when holding two conflicting beliefs or when their actions contradict their beliefs. To reduce this discomfort, they might downplay or ignore negative information about Trump to maintain consistency in their support for him.

Confirmation Bias: People tend to seek out and give more weight to information that confirms their pre-existing beliefs while ignoring or discounting information that contradicts those beliefs. Supporters of Trump might consume media and information sources that portray him positively and avoid those that highlight his negative traits.

Social Identity Theory: Individuals often derive a significant part of their identity from the groups to which they belong. For many Trump supporters, their political identity is closely tied to their support for him. Criticizing Trump might feel like a personal attack on their own identity, leading them to defend him more vigorously.

Ingroup vs. Outgroup Dynamics: Supporters may view Trump as a leader of their "ingroup" (e.g., their political party, cultural identity) and are more likely to overlook his flaws while being critical of the "outgroup" (e.g., his opponents). This dynamic can make them more forgiving of his actions and personality traits.

Charismatic Leadership: Trump’s charismatic and polarizing personality can create a strong emotional connection with his supporters. This emotional bond can make them more likely to overlook his flaws and defend him against criticism.

Media Influence and Echo Chambers: Many Trump supporters consume media that aligns with their viewpoints, which can create an echo chamber effect. In such environments, positive narratives about Trump are amplified while negative ones are minimized or discredited.

Perceived Benefits: Some supporters believe that Trump’s policies and actions have directly benefited them or align with their values and priorities. This can lead them to prioritize these perceived benefits over any personal flaws he may have.

Mistrust of Opponents: There is often a deep mistrust of the media, political opponents, and institutions that criticize Trump. Supporters may believe that negative information about him is exaggerated or fabricated by these sources.

Combining these factors can create a powerful filter that enables supporters to remain steadfast in their approval of Trump despite the negative aspects of his personality and actions.

Whatever issue is real in that? 

Far outweighed by literally all other relevant issues.

What about when he does things that people around the world are disturbed by?

When Donald Trump does things that are disturbing to people around the world, his supporters may still filter out the negative aspects through several additional mechanisms:

Nationalism and Patriotism: Supporters might prioritize what they see as the interests of their country over global opinions. They may believe that Trump's actions are necessary for America’s strength and security, regardless of international disapproval.

Perceived Global Bias: There might be a belief among Trump supporters that international criticism is biased or influenced by foreign agendas that are not aligned with American interests. This skepticism towards global opinions allows them to dismiss international disapproval as irrelevant or misguided.

Us vs. Them Mentality: Trump’s rhetoric often frames his actions as protecting American sovereignty against foreign interference or criticism. Supporters might adopt this “us vs. them” mentality, viewing global criticism as an attack on their values and way of life.

Echo Chambers: Just as with domestic issues, supporters often consume media that portrays Trump’s international actions in a positive light, creating an echo chamber where global criticism is minimized or portrayed as unfair.

Focus on Results: Supporters may focus on the tangible results they believe Trump achieves, such as economic gains, job creation, or strengthened national defense, and consider these outcomes more important than how his actions are perceived internationally.

Mistrust of Global Institutions: There is often a deep mistrust of global institutions like the United Nations or the European Union among Trump supporters. They may view these institutions as corrupt or ineffective, and thus dismiss criticism from these bodies.

Rationalization: Supporters might rationalize controversial actions by framing them as tough decisions that are necessary for the greater good. They might argue that being a strong leader requires making unpopular choices.

Attribution of Motives: Supporters may attribute negative international reactions to ulterior motives, such as envy of America’s power or a desire to undermine Trump’s presidency. This attribution allows them to discount legitimate criticisms as biased or self-serving.

Cultural Differences: They may believe that cultural differences explain why other countries disapprove of Trump’s actions. What is acceptable or even praised in American politics might be viewed differently abroad, and supporters can use these differences to dismiss international criticism.

Defensive Reactions: Faced with global disapproval, supporters may become defensive and double down on their support, feeling that they need to defend their leader against what they perceive as unfair attacks.

By employing these mechanisms, Trump supporters can remain steadfast in their support despite widespread international disapproval of his actions.

How can escape their hold on our government?

Escaping from the hold that a particular political figure or movement has on government can involve a combination of strategies, both at the individual and collective levels. Here are several approaches:

Political and Electoral Strategies

1. Voter Mobilization and Engagement: Increasing voter turnout and engagement, particularly among demographics that are less likely to support the figure or movement in question, can be crucial. This includes efforts to register new voters, educate them on the issues, and encourage them to vote.

2. Candidate Development: Supporting and developing candidates who can effectively challenge the political figure or movement. This involves finding individuals who can unite various factions and appeal to a broad base of voters.

3. Coalition Building: Forming coalitions among different political groups, organizations, and communities that share common goals. This can amplify efforts and create a more united front.

4. Electoral Reforms: Advocating for reforms that enhance the fairness and integrity of the electoral process. This could include measures such as combating gerrymandering, protecting voting rights, and promoting campaign finance reform.

Media and Communication

5. Fact-Checking and Misinformation Combat: Strengthening efforts to fact-check and counter misinformation. This involves supporting independent journalism and promoting media literacy among the public to help individuals critically evaluate information sources.

6. Narrative Shaping: Crafting compelling narratives that highlight the negative impacts of the figure or movement's actions, and presenting positive alternatives. Effective storytelling can shift public opinion and galvanize support for change.

Civic Engagement and Activism

7. Grassroots Movements: Supporting grassroots movements that advocate for change at the local, state, and national levels. These movements can raise awareness, influence public opinion, and apply pressure on political leaders.

8. Public Demonstrations and Protests: Organizing peaceful demonstrations and protests to draw attention to issues and show widespread opposition. These actions can help sway public opinion and put pressure on policymakers.

Legal and Institutional Measures

9. Legal Challenges: Pursuing legal challenges to actions or policies that are deemed unconstitutional or harmful. This can involve working with civil rights organizations, advocacy groups, and legal experts to file lawsuits and seek judicial remedies.

10. Strengthening Institutions: Reinforcing the independence and integrity of democratic institutions, such as the judiciary, electoral bodies, and oversight agencies. Strong institutions can act as checks and balances against abuses of power.

Educational Efforts

11. Civic Education: Promoting civic education to increase public understanding of democratic principles, the importance of active participation, and the impact of government decisions on everyday life.

12. Dialogue and Deliberation: Facilitating dialogue and deliberation among diverse groups to foster mutual understanding and address polarization. This can help bridge divides and create a more informed and cohesive citizenry.

Long-Term Cultural Change

13. Cultural Shifts: Working towards long-term cultural changes that prioritize democratic values, critical thinking, and inclusivity. This involves engaging with various sectors of society, including education, media, and community organizations, to promote these values.

By employing a combination of these strategies, it is possible to mitigate the hold of a particular political figure or movement on the government and work towards a more balanced and representative democratic system.

Tossing the tosser into prison for life wouldn't hurt either. Coming soon, hopefully. 

All the best and best of luck!

Cheers! Sláinte!